Malaga Showbiz and Celebrity Breaking News

Holly Jones Spain’s Festival de Málaga, through its industry arm Mafiz (Málaga Festival Industry Zone), heads to the Cannes Marché du Film with five works-in-progress from burgeoning Andalusian talent. “The Malaga Festival wants to support the completion of these works and make their international distribution viable,” commented Malaga head of industry, Annabelle Aramburu. This year, as Cannes more broadly celebrates Spain, the event curates two titles that tackle its tumultuous history and one which takes audiences on an unconventional road trip questioning the biological clock alongside narratives that dissect the minutiae of new forms of co-existing and the baffling concept of destiny.

Ed Meza @edmezavar Estíbaliz Urresola Solaguren’s celebrated Spanish feature “20,000 Species of Bees” and Kattia G. Zúñiga’s Panamanian drama “Sister & Sister” took the top prizes at the Malaga Film Festival, garnering the Golden Biznagas for Spanish and Latin American pictures respectively.   “20,000 Species of Bees” also won best supporting actress for Patricia López Arnaiz and picked up theSpanish Cinematographic Informers Association’s Feroz Puerta Oscura award. The film’s success follows two awards in Berlin, including a Silver Bear for Sofía Otero for her portrayal of a young girl going through a gender crisis. For Zúñiga, the Golden Biznaga is sure to help further propel “Sister & Sister,” an autobiographical story about two teenage sisters who travel from Costa Rica to Panama in search of their absent father.

Holly Jones Cementing their place as auteurs of the absurd, Spanish writer-directors Juan González and Nando Martínez, of creative outfit Burnin’ Percebes, presented their latest feature “The Fantastic Case Of The Golem,” to audiences at the Malaga Film Festival.  A sci-fi caper that embodies the duo’s freeform, standalone filmmaking style, it competes alongside further buzz titles “20.000 Species Of Bees,” from Spanish director Estíbaliz Urresola, and Gerardo Herrero’s,“Under Therapy.” After a night of heavy drinking, quintessential bachelor Juan and his friend David play a game of charades on the roof. During a highly-animated round, David falls from the ledge and shatters into a million ceramic pieces. The event sets off a fiendishly ludicrous odyssey through Juan’s daily affairs as he seeks to uncover the truth behind his ruptured relationship.

Pink Parrot, for example, unveiled a bevy of pre-sales on comedy romp “4 Days Before Christmas,” led by deals with Germany’s Splendid and Kaleidoscope in the U.K. FilmSharks has closed Latin America with The Walt Disney Co./Star Distribution on “Dalia and the Red Book,” as well as Germany, Russia/CIS and Taiwan with the U.S., France, Japan, Spain and Italy in discussions. Open-market international sales for theatrical distribution have sagged terribly in the past two decades on all but standout titles. One exception, which can still deliver seven figure returns, is animation.  Despite a slowing sales cycle, Mafiz and the Spanish Screenings still saw a dizzying slew of announcements. Following, a selection: 

Ed Meza @edmezavar This year’s Malaga Festival and its industry section’s Latin American Focus are celebrating Peruvian cinema and talent. A number of Peruvian films are screening in the festival and industry section, including “El Caso Monroy,” by Josué Mendez, and Leonardo Barbuy’s debut feature “Diógenes,” which unspool in the fest’s main section and Zonazine sidebar. As a meeting point for producers and directors from Latin American and investors from Spain and the rest of Europe, the Malaga Festival Industry Zone (MAFIZ) serves as a key hub that promotes the co-production of Latin American projects aimed at the international market.

Callum McLennan “Girl, Unknown,” the sophomore feature from Spanish director Pablo Maqueda (“Dear Werner”), currently ranks as one of the early buzz titles at the Málaga Film Festival, even before its world premiere. The film adapts Paco Bezerra’s stage play “Grooming.”  Maqueda, Bezerra and Haizea G. Viana wrote the script, which retains the play’s unsettling cat-and-mouse element. It delves into the recesses of desire, raising questions on depravity, sexuality, and the drive to be fulfilled. The story unfolds a pendulum swinging power dynamic between the seemingly innocent 16 year old Carolina, and a middle aged man she meets in a park named Leo. What begins and is a case of grooming morphs into something far more complex due to Carolina not being all she seems. Maqueda shows a Hanekesque talent in balancing the disturbing with the thrilling. On the film, Maqueda told Variety: “I feel the film as a kaleidoscope and the characters as masks. I like stories that navigate in the daily terror of everyday life,” 

Ed Meza @edmezavar Panamanian-Costa Rican director Kattia G. Zúñiga, whose debut feature “Las hijas” (“Sister & Sister”) premieres at the Malaga Film festival, is developing a new feature project about women finding their and a tougher attitude late in life through the power of dance. The project re-teams her with “Las Hijas” producer Alejo Crisóstomo. “Rabiosas” (“Raging”, their project, follows a group of 55-year-old friends in Panama who decide to take ballet classes together, as they did when they were schoolgirls, in order to cheer up a friend going through a difficult time and also to get out of the routine of daily life. Inspired by their 26-year-old teacher, however, they soon switch to bolder dancing moves.

John Hopewell Chief International Correspondent MALAGA, Spain — It’s not over yet. In March 2021, Spanish Prime Minister Pedro Sánchez announced the government would plow €1.6 billion ($1.9 billion) into a Spain AVS Hub plan designed to turn Spain into one of the foremost film and TV hubs in Europe. Supported by Spain’s E.U-backed Recuperation, Transformation and Resilience push for post COVID-19 recovery, the Spain AVS Hub plan has been co-financed by part of a €806.9 billion ($866.5 billion) NextGenerationEU stimulus package for the whole of the European Union, which is a temporary instrument.  As that package ends, Spain’s government will look to negotiate funding from alternative sources to ensure that Spain AVS Hub initiatives are more than a flash in the pan, a broad cross-section of governmental authorities told an audience Tuesday at a Malaga Spanish Screening Content conference.

Callum McLennan Few feature debuts at Malaga are more awaited than “Unicorns,” which world premieres on March 15, sold by Filmax. It is directed by multi award winning Àlex Lora best known for his work in documentary having won Gaudis, Emmys, and a nomination for a Goya with 2017’s “The Fourth Kingdom,”.  His feature debut gives us Isa played by Greta Fernandez. She is a hedonist, full of touch and feeling, lust and cool. She brings up Simone De Beavoir’s Second Sex in argument, but seems afflicted more by Sartre’s assertion of us being ‘condemned to be free.’ Skimming the surface of freedom from experience to experience fosters an inability to decide for herself what to focus on. Meanwhile, her mother is focussed on her novel writing, her boyfriend his wine shop, and her boss his marketing agency’s success. 

Emiliano De Pablos The Walt Disney Co.’s Star Distribution has taken Latin American distribution rights to Argentine writer-director Pablo Solarz’s coming-of-age film “Desperté con un sueño” (“I Woke Up with a Dream”) An Argentina-Uruguay co-production, teaming Buenos Aires-based Pampa Films and Aramos Cine with Montevideo’s Mutante Cine and Bocacha Films, “I Woke Up with a Dream” screened March 14 at the Málaga Film Festival’s main competition. Top Argentine producer Pablo Bossi’s Madrid-based company Gloriamundi is handling “I Woke Up with a Dream” rights outside Latin America.

Emiliano De Pablos In an early market deal at this week’s Málaga Film Festival, Guido Rud’s sales house FilmSharks has nabbed worldwide sales rights to Spanish period thriller “Olvido” (“The Forgotten Killings”). Directed by Inés París (“A mi madre le gustan las mujeres,” “La noche que mi madre mató a mi padre”) and written by Fermín P. Pina, “The Forgotten Killings” is produced by José Luis Rancaño at Madrid-based La Dalia Films.   Inés París’ “La noche que mi madre mató a mi padre,” also produced by Rancaño at La Dalia and starring Spain’s Belén Rueda and Argentina’s Diego Peretti, snagged the audience prize at the 2016 Málaga Film Festival.

John Hopewell Chief International Correspondent Running March 10-19, and now hosting the Spanish Screenings, the Malaga Film Festival is now firmly established as Spain’s biggest movie event in the early part of the year. Strategically positioned fairly sharp on the heels of the Berlinale, the Spanish event offers top Spanish titles at the German festival the chance to consolidate their reputations while often producing new discoveries, especially from first-time directors.  Many titles, from a Spanish film industry whose younger directors are highly social conscience and favor art-house, are issue driven.  “There’s a search for identity, whether a young trans girl’s exploration of gender identity or young leads to understand the world they live in, or the search for love and a sense pf strangeness, of being a stranger to oneself,” Juan Antonio Vigar, Málaga Film Festival director said of this year’s main Competition. Following, a brief breakdown of its titles. 

Ed Meza @edmezavar Daniela Fejerman and Elvira Lindo’s “Someone Who Takes Care of Me,” a celebration of actors, their passion, craft and historical legacy, opened this year’s Malaga Film Festival in a fitting tribute to the Spanish entertainment industry.   The film, which screened out of competition, centers on three women whose careers have spanned stage, film and television, actresses of different generations whose fortunes in life have greatly differed and who struggle with untold secrets and unresolved conflicts. Aura Garrido stars as Nora, a young, award-winning actress with a promising future who carefully balances between the two main pillars in her life, her grandmother Lilith (Magüi Mira), who reigned for decades as a renowned theater star, and her mother Cecilia (Emma Suárez), whose career has languished after having achieved some glory in the 1980s, a decade of excess in which she heavily partook.

Spanish Screenings Content unspool March 13-16 in the Andalusian coastal city. 

Málaga Work in Progress, an Málaga Festival industry centerpiece where productions such as “The Platform” first saw the light of day. Playing in Malaga WIP, “The Platform” was acquired by Latido Film which sold the title to Netflix at Toronto. It has gone on to rank as the third most-watched non-English movie ever on Netflix.    At least three titles – Spanish road movie “Devil Dog Road,” horror pic “The Hidden City,” the neo-noir “Foremost by Night” – boast genre gristle. Some titles turn on gender oppression (“As Neves”), female self-discovery (“Mara’s Vacation”) or sexual diversity (“I Trust You”). Many, especially from Spain, have social-issue overtones.  

Jamie Laing and Sophie Habboo are busy planning their wedding after getting engaged in December 2021, and it's fair to say it's been hard to find the perfect venue for their nuptials. Now, speaking on their podcast The Nearlyweds, Candy Kittens founder Jamie, 33, and MIC star Sophie, 28, have told their listeners they are hoping to fly out to Malaga in Spain to decide on their wedding location after saying no to the "dream venue".The revelation comes after Jamie reminded listeners of Sophie "promising" she would have found a date as well as a venue by now.

A holidaymaker from Rochdale says his Spanish holiday got off to a ‘nightmare’ start after finding his flight’s bags dumped across the terminal floor.

A plane bound for Scotland from Spain was diverted this afternoon after an emergency in the sky led to the Jet2 carrier being diverted to France.

Two 'disruptive' passengers were marched off a Ryanair flight from Manchester Airport to Malaga by police after the plane was forced to divert to Madrid. Witnesses on board the holiday jet claimed at least one of the men was drunk - and told how he 'kicked off for no reason'.

Emilio Mayorga Spanish director Alauda Ruiz de Azúa, who swept the board at March’s Málaga Festival, has wrapped shooting on her sophomore feature, “Eres Tú” (It’s You), a Netflix’ romantic comedy produced by Antonio Asensio and Paloma Molina at Zeta Studios ­­– the Madrid-based company behind phenomenon “Elite.” Miriam Rodríguez executive produces.After distributing Almodovar, and signing up J.A. Bayona, this is another move into director driven fare by Netflix in Spain, Ruiz de Azúa’s attachment to “Eres tú marks another association with a prestige director by Netflix in Spain which already distributes Pedro Almodóvar and has signed up J.A.

When I returned to Manchester Airport’s Terminal 1 today with a bag to check in I was expecting the worst. With the airport boss quitting yesterday after daily pictures and stories of mayhem, I was not hopeful in having a smooth journey to Malaga in the south of Spain.

Lullaby” and “Utama,” shot on an awe-inspiring Bolivian Altiplano, swept the board at a historic, 25th Málaga Film Festival which said a lot about the current state of the Spanish film industry. Running March 18-26, the Festival proved a vibrant affair, galvanised by renewed interest in the Spanish cinema after a buoyant reception for its major movies at Berlin, as well as the joy of proving the first time many industry attendees had seen each other in person in two years and backing from Spain’s AVS Hub plan for a vastly larger industry presence. In Alauda Ruiz de Azúa’s “Lullaby,” coming after Sundance hit “Piggy” and Carla Simón’s Berlin Golden Bear triumph “Alcarrás,” Spain would look to have a third art pic breakout in just the first three months of 2022, all driven by a young generation of women cineastes, directors and producers. Carlota Pereda’s “Piggy” uses quite brilliantly a plus-size girl’s complicity with a serial killer to force home to audiences the terrifying hatred inspiredly bullying.

Anna Marie de la Fuente The Málaga Festival Industry Zone (MAFIZ) wrapped Thursday, March 25 with a slew of awards parceled out to productions from across Spain and Latin America. Several projects by women filmmakers dominated the event, which kicked off on March 21.Spanish documentarian Carla Subirana’s fiction feature debut, “Sica” made off with three private-sector plaudits, including the Aracne post-production cash prize of €20,000 ($22,000) as well as the REC and Abycine awards, comprising participation in their respective industry labs.Backed by Alba Sotorra’s Cinema Productions, Galician firm Miramira, Spanish pubcaster TVE and Catalonia’s TVC, the coming-of-age drama turns on 13-year-old Sica who waits by the Costa da Morte, a Galician fishing shoreline, for the sea to give up the body of her fisherman father who perished at sea. Other Work in Progress (WIP) awards went to documentary “Of Books and Women,” by María Elorza of Spain and “Nothing” (a working title) by Brazil’s Adriana Guimaraes.“Of Books and Women” offers a glimpse of various women and their relationships to books, one keeps a Franciscan library in a junk room, the other nearly breaks her finger on her bookshop shelves.

Ed Meza @edmezavarFilmax has acquired the international rights to Spanish helmer Hector Claramunt’s escape room comedy, “You Lie You Die.”The pic is based on Claramunt and Joel Joan’s hit stage play “Escape Room,” which has been seen by more than 200,000 people over the course of four seasons. Joen and Claramunt also penned the film’s script.Described as a “madcap” laffer, “You Lie You Die” follows two couples whose plans to have a fun night out at an escape room go south.

Emilio Mayorga Award-winning French documentary distributor Java Films has grabbed world rights to Anna Giralt’s “Robin Bank,” a doc competition entry at this year’s Malaga festival.Produced by Jorge Caballero at Catalan-Colombian Gusano Films, Germany’s Indie Film and Catalan pubcaster TVC, in partnership with Arte France – La Lucarne, “Robin Bank” tells the story of Catalan activist Enric Durán who, between 2005 and 2008, managed to take out €500,000 ($550,000) in loans from 39 different banks which he never reimbursed, instead using the money to fund social projects.Imprisoned for two months, Durán was released on bail, and while he awaited trial, fled the country, declaring himself a fugitive. The film received warm a welcome from audiences at its recent world premiere at Thessaloniki Documentary Film Festival.‘‘ ‘Robin Bank’ is a unique story that really speaks to our times.

MAFF) provides a forum for Latin American film projects to seek international production partnerships. Costa Rican productions will be highlighted by subsection Costa Rica Guest Country. The socially impactful film “Silence of the Earth” will feature in the MAFF Social subsection.

JD Linville Chilean filmmaker Matías Bize’s pandemic-prompted film “Private Messages” will be part of the Official Selection at the 2022 Malaga Film Festival, and the feature dives face-first into the stories which make us human, vulnerable and strong. Bize, who won a Spanish Academy Goya for his Variety-championed film “The Life of the Fish” in 2011, uses self-filmed footage of the film’s international cast (including Blanca Lewin, Nicolás Poblete, Antonia Zegers, Néstor Cantillana, Vicenta Ndongo, Alex Brendemühl and Verónica Intile) confessing their most intimate stories during 2020’s global lockdowns, which coincided with filming.“Private Messages” pieces its narrative together carefully, the truth of its storytellers overlaid with original music, and culminating in a powerful ending which memorializes the power of rebirth. Variety spoke to Bize ahead of his film’s premiere at Malaga.Covid was the impetus for “Private Messages,” but what else inspired the film? This film was born on the first day of the pandemic’s confinement.

2022 Malaga Festival Lineup:Main Competition“Emperor Code,” (“Código Emperador,” Jorge Coira, Vaca Films, Playtime, Spain)The Malaga Fest opener, a noirish crime thriller with special services operative Luis Tosar moonlighting for the elite, here trying to dig up the dirt on a young politico. Segueing rapidly to Netflix after an A Contracorriente release in Spain.“A Mae,” (Cristiano Burlan, Brazil) The latest from the prolific Brazilian narrative and doc director, maker of euthanasia-themed “Antes do fim,” and 2015’s “Hunger.” In it, a humble street vendor mother searches desperately for her missing son, claiming the right to at least bury his body.

Ed Meza @edmezavarRussia-set documentary “Tolyatti Adrift,” which premieres in competition at the Malaga Festival, has debuted its trailer with Variety. The first feature-length work by Spanish director Laura Sisteró is being sold internationally by Prague-based Filmotor (excluding Spain and France).“Tolyatti Adrift” examines life in the Russian city of Tolyatti, once the symbol of socialist pride and home of the famed Lada automobile (currently manufactured by Renault-owned AvtoVAZ), but now known as Russia’s Detroit.

Anna Marie de la Fuente Spanish filmmaker Roberto Perez Toledo’s swan song, “Places Where We’ve Never Been” (“Lugares a los que nunca hemos ido”), will screen in the Zonazine section of the Malaga Film Festival just weeks after the filmmaker’s demise.The 25th Malaga Film Festival runs March 18-27. Variety has been given exclusive access to a clip of his film, which consists of five unrelated but thematically similar stories revolving around five couples.Produced by Deep Entertainment, “Places…” presents five stories: Among them is that of Elena whose dinner order is delivered by a man who turns out to be an old flame.

John Hopewell Chief International CorrespondentLatido Films, one of Spain’s biggest vendors of Spanish-language arthouse and crossover movies, has swooped on international sales rights to “Unfinished Affairs” (“La Maniobra de la Tortuga”).Domestic distribution in Spain is handled by A Contracorriente Films, one of Spain’s top independent producer-distributors.World premiering in main competition at this year’s Malaga Festival, “Unfinished Affairs” marks the second feature from Juan Miguel del Castillo whose debut, 2015’s “Food and Shelter,” proved one of the breakout Spanish debuts of the last decade.A modern-day part of Spain’s great social-issue arthouse film tradition, “Food and Shelter” cast Natalia de Molina (“Living Is Easy With Eyes Closed”) as a single mother threatened with eviction and struggling to put food on the table for her 10-year-old son.

John Hopewell Chief International CorrespondentIn a sign of just how much the film and TV industry has evolved over the past few years, 25% of participants at the Malaga Festival’s new Spanish Screenings XXL will represent in one way or another VOD platforms, the organizers announced Tuesday.After taking place in November 2020 and October 2021 during two years of pandemic, Malaga’s leg of the 2022 Spanish Screenings XXL will take place over March 21-24 as part of an even larger Malaga Festival Industry Zone (MAFIZ).In line with the Unifrance Rendez-Vous in Paris a fortnight ago, the event will expand to take in not only recent Spanish movies but series, animation and, in the case of the Spanish Screenings, straight to digital formats. “Not just features get sold these days,” said Malaga Festival director Juan Antonio Vigar.

John Hopewell Chief International CorrespondentSpain’s Malaga and San Sebastian Film Festivals are launching a new and vastly fortified version of the Spanish Screenings, the Malaga Festival’s traditional showcase of recent Spanish movies screened to international buyers.Recast as the Spanish Screenings XXL, the event will run March 21-24 at Spain’s Malaga Festival, then segue to September’s San Sebastian event. Over 2022 and 2023, a Spanish Screenings on Tour event will take place at a destination outside Spain, targeting Eastern Europe and Asia.The Spanish Screenings’ total budget for 2022 and 2023 combined will be €4.20 million ($4.74 million), Miquel Iceta, Spain’s Minister for Culture and Sport, said Wednesday at a presentation of the Screenings in Madrid.

Emiliano Granada After having won the Silver Biznaga for best documentary director at this June’s Malaga Festival with “El Father Plays Himself,” which screens now at the Spanish Screenings, director-cinematographer Mo Scarpelli is leaping into fiction with her new project, “A Song That Slays.” Following a number of eye-catching doc titles that have always generated festival buzz  whether “El Father Plays Himself” at last year’s Visions du Réel, “Anbessa” at the 2019 Berlinale and Frame by

Emiliano Granada Bowing at June’s Malaga Film Festival in Spain, where it swept three prizes in its edgier Zonacine sidebar – best film, actor (Jorge Motos) and its Audience Award – Spaniard Alex Montoya’s second feature “Lucas” has been picked up by Spain’s Filmin SVOD service, the country’s biggest streaming platform for art pics and upscale TV series.International sale rights on “Lucas” are handled by Begin Again Films.The acquisition continues a close relationship between the Spanish

John Hopewell Chief International CorrespondentNo event in the world offers a broader spread of recent movies from Spain than the Malaga de Cine – Spanish Screenings. Unspooling online over Oct.