Well, aren’t we happy we didn’t place this one on our 100 Most Anticipated Films of 2024 feature (not that it had shot, so it wouldn’t have been ready). And it looks like the rumors are true.
Well, aren’t we happy we didn’t place this one on our 100 Most Anticipated Films of 2024 feature (not that it had shot, so it wouldn’t have been ready). And it looks like the rumors are true.
“Kind of a Big Deal: How Anchorman Stayed Classy And Became The Most Iconic Comedy of the Twenty-First Century” (Dutton),” that script, then titled “Action News Man,” was still a very funny take on a shopworn premise.“Ron convinces the pilot he knows how to fly the charter jet, and he immediately crash lands it in the mountains,” Ferrell once explained of Anchorman’s iconic main character, Ron Burgundy. “They clipped a cargo plane .
Thought HBO’s acclaimed basketball, rise-of-the-LA Lakers series, “Winning Time: The Rise Of The Lakers Dynasty,” was a one-off? Oh no, the series, from writer/director Adam McKay, a huge hoop dreams nut, is back for more. Still, it cautions: it takes more than one NBA Championship to build a certified dynasty, which the Lakers obviously were for several years in the 1980s.
Well, it looks like Adam McKay‘s “Average Height, Average Build” is a go, at least in terms of its cast. Deadline reports that McKay has the two leading men he wants for the project lined up, with Robert Pattinson and Robert Downey Jr. now on board.
What’s Adam McKay have on his mind as a follow-up to 2021’s “Don’t Look Up“? At the Tribeca Film Festival last year, McKay hinted that he was working on a script all about “big, dirty money,” ostensibly about the USA’s corrupt corporate and financial sectors. That sounds like a logical next step for the guy who made “The Big Short” in 2015.
It’s not uncommon for a major news event to spawn multiple TV and film projects. Often, these are welcomed because it’s always interesting to watch different filmmakers and writers take a stab at a major news event.
Not speaking on the actual quality of his more recent filmography, if there is one wide-reaching filmmaker who seems to have a particular recurring bone to pick with the rich and bougie currently, it is Adam McKay. From his Dick Cheney biopic “Vice” from 2018 to his climate change-concerned dramedy “Don’t Look Up” from last year, McKay seems to be having it up to here with those in power and the amount of power they wield.
What’s next for Olivia Cooke after AppleTV+‘s “Slow Horses” and HBO‘s upcoming “Game Of Thrones” prequel “House Of The Dragon“? It looks like she’ll return to the thriller-horror genre for the first time since 2017’s “Thoroughbreds.” READ MORE: Adam McKay Working On Script For Next Film & It’s All About “Big, Dirty Money” The Hollywood Reporter broke the news that Cooke will headline the cast of Lionsgate‘s upcoming socially-minded horror project “Breeders.” And “Don’t Look Up” director Adam McKay is one of the brains behind the idea.
Fresh off last year’s apocalyptic comedy “Don’t Look Up” and directing the pilot for HBO’s “Winning Time,” Adam McKay has his sights on his next motion picture. And, for good or ill, his follow-up to a movie about the end of the world as we know it tackles another thorny, controversial subject.
How far would you go for a great meal? With food culture exploding in the past decade, many couples have made a ritual of seeking out trendy restaurants and unique culinary experiences. Given the means, some foodies will travel far and wide to enjoy extraordinary cuisine.
One of the most accomplished directors today, Denis Villeneuve’s audacious visions make every frame a marvel to behold. Most of his films are dark and cerebral, featuring characters having an existential crisis in a complex world.
The Bingeworthy buds, Mike DeAngelo and Playlist Editor-in-Chief Rodrigo Perez, are back to talk about all of the TV news and shows that are worth your time. This week finds our hosts digging into one of the new HBO series, “Winning Time: The Rise of the Lakers Dynasty.” LISTEN: David Jenkins Talks ‘Our Flag Means Death,’ Working With Taika Waititi & More [Bingeworthy Podcast] The new Adam McKay (“Succession,” “Don’t Look Up,” “Anchorman“) show follows, as the title suggests, the rise of the 80’s Lakers Dynasty led by a new and controversial team owner, Jerry Buss (John C.
HBO’s “Winning Time: The Rise of the Lakers Dynasty” wants to be the “Boogie Nights” of basketball, and more often than not achieves the excitement of that pitch. It tells you the history you didn’t know you wanted to know about how the Los Angeles Lakers became such a dominant team, without demanding you know the sport.
NBA All-Star Weekend is over and about four weeks away from March Madness starting. So, with this relative lull in between major basketball events, it’s not surprising that HBO has decided to debut its ambitious new basketball series right in between.
The Bingeworthy boys, Mike DeAngelo, and Playlist Editor-in-Chief Rodrigo Perez, are back to talk about all of the TV news and shows that are worth your time. This week finds us discussing the big Paramount investor day presentation news and digging into the depths of HBO Max to uncover a hidden gem of a show called “Painting with John.” READ MORE: ‘Painting With John’: John Lurie Offers A Soulful, Deep, Pained & Absurdist Portrait Of An Artist & A Strange Life [Review] After the news breakdown, John Lurie himself stops by to discuss his career and the second season of “Painting with John,” which begins on HBO Max this Friday, February 18.
It’s hard to think of other professional basketball teams that measure up to the Showtime Lakers era. NBA dynasties such as the Chicago Bulls led by Michael Jordan had a predecessor with Magic Johnson and the Lakers.
It’s hard to think of other professional basketball teams that measure up to the Showtime Lakers era. NBA dynasties such as the Chicago Bulls led by Michael Jordan had a predecessor with Magic Johnson and the Lakers.
No stranger to political works, writer/director Billy Ray was behind the recent Showtime series “The Comey Rule,” focusing on former FBI director James Comey and President Trump’s attempt to coax the FBI to drop an investigation into his campaign’s and his own personal dealings with Russia. Now, in an announcement that isn’t all that surprising given their outspoken politics on the matter, filmmaker Adam McKay (“Vice,” “Don’t Look Up“) and Ray are looking to unite to focus on the Trump administration by moving forward with a feature film focusing on the U.S.
Well, folks, Netflix has a new “biggest thing ever!” to talk about. Before last year, the biggest streaming platform on the planet was pretty hush-hush when it come to talking about viewership numbers for films and TV shows, often giving us nebulous charts and questionable stats.
Long before he directed “Anchorman: The Legend Of Ron Burgundy,” a movie that shaped the sensibility of 2000’s screen comedy to an immeasurable degree, Adam McKay was already schooled in the art of making people laugh. As a young man, the Denver-born McKay cut his teeth at venerated Chicago comedy institutions, like Second City, IO, and Upright Citizens Brigade.
COVID-19 lockdowns, pandemic worries and career uncertainties, even the three-time Oscar winner temporarily couldn’t perform her craft while shooting her new comedy “Don’t Look Up.” Streep, 72, told Entertainment Weekly on Thursday that she “found it really hard” to stay focused doing filming. “I didn’t feel funny in the lockdown. When I would come in to shoot my stuff, [I’d] get out of the car and hadn’t spoken to anybody in three weeks,” the “Iron Lady” actress said.
Adam McKay has made a name for himself as one of the premier filmmakers working today. It seems that once he made the jump from straight comedy to more satirical work with “The Big Short” and his more recent films, he’s become one of the biggest Oscar favorites each time he releases a film.
(now ex-) friend Will Ferrell on the set of their 2013 comedy film, “Anchorman 2: The Legend Continues.”The “Don’t Look Up” director, 53, explained to the Hollywood Reporter in a profile about his career and was asked about his thoughts on “Rust” cinematographer Halyna Hutchins’ untimely death in October.
Over the past week or so, there have been multiple stories about the reasons behind the professional breakup of producing partners, Will Ferrell and Adam McKay. The duo created the popular production company, Gary Sanchez, to only eventually go their separate ways.
Way back in 2016, after the success of “The Big Short,” it was reported that Adam McKay would team up with Jennifer Lawrence for a film titled “Bad Blood,” about the downfall of Theranos founder, Elizabeth Holmes. Then, like so many projects, things went silent.
“Funny or Die” and founded the company Gary Sanchez Productions. But seemingly out of the blue, the once dynamic duo announced they were ending their working relationship in 2019.
In Hollywood, it’s rare that anyone is candid or truthful of much, usually offering diplomatic answers instead of delving into the truth. Take Will Ferrell discussing the nature of his split with director Adam McKay.
Over the years, we hear stories of famous actors going to extreme lengths to get into character. Daniel Day-Lewis has always been notorious for going “method” for his performances.
In terms of the most star-studded Oscar season release of 2021, there’s no denying the appeal of Adam McKay’s satire, “Don’t Look Up.” The cast is led by Leonardo DiCaprio and Jennifer Lawrence, but there’s a solid ensemble that would rival that of any film from Quentin Tarantino or Wes Anderson. So, obviously, you had to expect film fans to anxiously await the early word on whether or not “Don’t Look Up” is all superficial or if the Netflix film actually has those awards season chops.
Three years after the Dick Cheney biopic “Vice,” Adam McKay is back with his next film, “Don’t Look Up.” Why that title? Well, there’s a comet on its way to destroy Earth, and a couple of astronomers must conduct a massive media tour to warn humanity. The problem is, most of society won’t take the threat seriously–or perhaps they just don’t want to.
After the production backup caused by COVID last year, this awards season is more loaded than any in recent memory. With so many exciting projects emerging every week, some will inevitably arrive with little to no hype.
On paper, Adam McKay’s upcoming Netflix film, “Don’t Look Up,” has a pretty simple premise. Jennifer Lawrence and Leonardo DiCaprio star as two scientists, Kate Dibiasky and Dr.
British actress Anya Taylor-Joy has been having a bit of a hot streak lately with her massively popular Netflix series “The Queen’s Gambit,” the Edgar Wright horror film “Last Night In Solo” coming out later this year, reunited with “The Witch” director Robert Eggers for his Viking epic “The Northman,” and was recently tapped to play a young Furiosa in George Miller’s “Mad Max: Fury Road” prequel “Furiosa.” Now, Taylor-Joy is looking to join the comedic thriller “The Menu” for director Mark
We’re extremely excited to see director Adam McKay‘s next film, “Don’t Look Up,” a disaster comedy led by Oscar-winners Leonardo DiCaprio and Jennifer Lawrence, coming to Netflix later this year.
Adam McKay’s most recent films, “The Big Short,” “Vice,” and “Don’t Look Up” (based on the premise) all deal with political themes in a pretty explicit way. Sure, there’s the humor and heart that McKay has instilled in almost all of his features, dating back to his raunchy, R-rated Will Ferrell comedy days, but his later films don’t shy away from having a clear political viewpoint.
Though he started his career as the comedy director, doing broad, R-rated comedies such as “Step-Brothers,” “Anchorman,” and “Talledega Nights,” Adam McKay has transformed into something of a dramedy auteur, with films such as “The Big Short” and “Vice.” But with his star-studded Netflix film, “Don’t Look Up,” it appears the filmmaker is skewing more towards his earlier work, while still delivering some serious themes.
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