Netflix Lands Richard Linklater-Helmed ‘Hit Man’ For $20 Million Toronto Deal; Aggregate/AGC Studios Pic Stars Glen Powell & Adria Arjona

“A lot of very impressive people have led this festival and what connects them is a love for movies and culture and what that can achieve,” Kristy Matheson told Deadline of her new job as Director of the British Film Institute’s London Film Festival.

This is Day 76 of the SAG-AFTRA strike. 

A major Manchester city centre railway station is set for an overhaul.

Pep Guardiola says Bernardo Silva was injured as he was substituted in the first half of Manchester City's Champions League win over Crvena Zvezda on Tuesday.

Marilyn Manson has been fined for spitting on a camerawoman at a 2019 live show in Gilford, New Hampshire. Manson, 54, will pay $1400 for the midemeanor and must also carry out 20 hours of community service in Calfironia, where he lives. Manson, real name Brian Warner, was in court on Monday where he spoke only to confirm his name and to state that he understood the sentence.

How’s this for a big pick-up in an otherwise quiet sale season on the Fall film festival circuit? Variety reports that Netflix bought the rights to Richard Linklater‘s latest film “Hit Man” after it screened at the Venice Film Festival and TIFF to rave reviews. It’s Netflix’s second significant purchase out of TIFF, the other being Anna Kendrick‘s directorial debut “Woman Of The Hours.” READ MORE: ‘Hit Man’ New Look: Richard Linklater Says His New Genre-Bending Movie Is “All About Identity” Based on a true story (but taking liberties with the source material) “Hit Man” stars Glen Powell as Gary Johnson, a part-time teacher who moonlights as a fake hitman for the local Texas police department.

Rebecca Rubin Film and Media Reporter Netflix shelled out $20 million for global rights to “Hit Man,” a (sort of) true crime comedy from director Richard Linklater and star Glen Powell. The movie, which played to enthusiastic audiences at Telluride and Toronto film festivals, follows Powell as Gary Johnson, a mysterious gun man for hire.

Manchester City and Manchester United have already earned millions from the Champions League before kicking a ball. Pep Guardiola’s side rejoiced in Istanbul as City finally got their hands on the famous trophy last season and completed their treble.

Jaden Thompson Director Richard Linklater expressed his admiration for Greta Gerwig’s record-breaking “Barbie” in a recent interview with NME. He specifically praised the musical numbers in the fantasy comedy, which include “I’m Just Ken,” performed by Ryan Gosling. “I liked the musical numbers,” Linklater said.

School Of Rock, saying it “didn’t feel like a hit” when he first approached the project.Starring Jack Black as a struggling guitarist who poses as a substitute teacher, the comedy film grossed over $130million worldwide on a $35million budget when it released in 2003. It’s since spawned a stage adaptation and a TV spin-off on Nickelodeon.Speaking to NME about the film, which celebrates its 20th anniversary this year, director Linklater said: “I loved working on that movie and I loved Jack, and the whole process.

Manchester United have spent around £1.5billion since legendary manager Sir Alex Ferguson retired a decade ago and, as yet, they are yet to get a proper return on that jaw-dropping investment.

A man has been left fighting for his life following a 'targeted attack' in north Manchester. Greater Manchester Police says the 34-year-old was rushed to hospital last night (September 11) with serious injuries consistent with the use of a bladed article.

“Kind of a Big Deal: How Anchorman Stayed Classy And Became The Most Iconic Comedy of the Twenty-First Century” (Dutton),” that script, then titled “Action News Man,” was still a very funny take on a shopworn premise.“Ron convinces the pilot he knows how to fly the charter jet, and he immediately crash lands it in the mountains,” Ferrell once explained of Anchorman’s iconic main character, Ron Burgundy. “They clipped a cargo plane .

Jennifer Lopez showed off her chic Western vibes on the red carpet while arriving for the Ralph Lauren fashion show during 2023 New York Fashion Week on Friday night (September 8) in New York City.

Richard Linklater brought his Hit Man to the Venice Film Festival on Tuesday, world premiering the comedy thriller out of competition to a six-minute ovation inside the Sala Grande.

Owen Gleiberman Chief Film Critic Is it something in the air? At this year’s Venice Film Festival, the unofficial theme appears to be hit men. David Fincher’s “The Killer” is all about an icy methodical professional executioner. Woody Allen’s “Coup de Chance” turns on an act of murder-for-hire.

That Glen Powell is a gem of an actor is nothing new, but twenty years into his career, and after stealing the show in a bunch of films and series, we can all finally stop praying for him to get a leading role worthy of his talents. In “Hit Man,” Powell reunites with his “Everybody Wants Some!!” director Richard Linklater for a part that allows him to be by turns nerdy, sexy, and funny, but at all times almost unbearably charming.

It was 22 years ago that Skip Hollandsworth wrote a Texas Monthly article about Gary Johnson, a school teacher who moonlights as a hit man who doesn’t kill people. Now if that doesn’t sound like the formula for a hit movie, you may understand why it has taken so long for Gary’s story to make it to the silver screen, so long in fact that its subject passed away before he could hit the red carpet of the Venice Film Festival where the film is having its World Premiere tonight. Nevertheless Glen Powell never forgot the story and has teamed with Richard Linklater to finally tell it, but it is only “loosely” based on the article. Certain details in the screenplay co-written by Linklater and Powell are made up, and those are the details that actually help make this a hilarious winner, as well as perhaps Linklater’s most commercial movie since School Of Rock. Its quirky true crime element also has a bit in common with Linklater’s Bernie which starred Jack Black. The director seems drawn to this kind of offbeat tale, with some level of truth to it.

On its surface, a comedy about a college professor who becomes a phony hitman for the police department to catch criminals hoping to whack a stubborn spouse or bothersome business associate might seem an odd fit for a European festival noted for heavy dramas and extended runtimes. It helps, of course, that Hit Man, which premieres at Venice Film Festival this evening, is directed by Richard Linklater, a noted master of independent filmmaking for more than 30 years, and that initial reactions to it have been universally effusive.

It’s officially September. Summer is winding down, school is starting, and the Fall film festival circuit has kicked off.