London Film Festival Head Kristy Matheson On Her First Year In Post, Being “Blown Away” By Daniel Kaluuya & Kibwe Tavares’s ‘The Kitchen’ & Navigating SAG-AFTRA Strike

Over the weekend at the New York Comic-Con, filmmaker Matthew Vaughn (“X-Men: First Class”) was doing a panel chat to help promote his upcoming Apple/Universal spy comedy “Argylle” and gave some insight into the casting process for “Kingsman: The Secret Service” as Taron Egerton wasn’t the only up-and-coming talent considered for the lead role. READ MORE: Matthew Vaughn: ‘Kingsman 3’ & ‘Kick-Ass’ Reboot Are Still In The Works & ‘King’s Man 2’ Explores The “Rise Of Hitler” Vaughn has now stated during a chat with Collider at that panel that other young British actors were considered for the lead role of Gary “Eggsy” Unwin, a London hooligan who becomes a reformed gentleman secret agent taking a bit of a cue from the Roger Moore era of the James Bond franchise meets “My Fair Lady.

Ellise Shafer Daniel Kaluuya world premiered his feature directorial debut, “The Kitchen,” at the BFI London Film Festival on Sunday night, calling it “one of the best days of my life.” Kaluuya was on hand alongside his co-director Kibwe Tavares, producer Daniel Emmerson and several of the film’s actors, including “Top Boy” star Kane Robinson and newcomer Jedaiah Bannerman. Set in a dystopian London where all social housing has been banned, the film follows the residents of a community called the Kitchen who must fight to save their home. Speaking before the premiere, Kaluuya and Tavares explained that it’s taken nearly a decade to bring the Netflix film to the screen.

Guy Lodge Film Critic Arriving just as Britain’s dire housing crisis is set to be a key campaign issue in next year’s long-awaited general election, “The Kitchen” offers a solemnly affecting look at what might happen if it’s left to fester. Zooming through a dystopian London in what seems the too-near future, this sharply accomplished feature directing debut from Kibwe Tavares and actor Daniel Kaluuya surprisingly eschews high-concept genre plotting to go with its elaborate sci-fi scene-setting, instead narrowing to an intimate, humane study of Black male bonding in a time of systemic social oppression.

Ellise Shafer Ryusuke Hamaguchi’s “Evil Does Not Exist” was named the best film in the official competition at this year’s BFI London Film Festival Awards. “Paradise Is Burning” by Mika Gustafson received the Sutherland Award in the first feature competition, while Lina Soualem’s “Bye Bye Tiberias” took home the Grierson Award in the documentary competition and “The Archive: Queer Nigerians” directed by Simisolaoluwa Akande won the short film competition. The jury presidents for this year’s awards included Amat Escalante (official competition), Raine Allen-Miller (first feature competition), Rubika Shah (documentary competition) and Charlotte Regan (short film competition).

Japanese filmmaker Ryusuke Hamaguchi has clinched the best film award in the main official competition of the 67th London Film Festival with his latest feature, Evil Does Not Exist. 

EXCLUSIVE: The BFI London Film Festival closes Sunday with the world premiere of The Kitchen, a movie set in a dystopian London where an impoverished community is forced to fend for themselves in ramshackle apartment blocks. It marks the feature directorial debut of Oscar- winning actor Daniel Kaluuya and architect-turned-filmmaker Kibwe Tavares.

Kit Connor is enjoying a movie screening in London!

Todd Haynes tells me that May December, his gripping melodrama starring Oscar winners Natalie Portman and Julianne Moore, “aggressively disturbs our moral moorings.”

It’s not every day that a filmmaker will rise up during an interview and recite Old Testament tales and sing out their favorite hymn. Well, hallelujah, brother Jeymes Samuel for spreading the gospel’s good news.

Cailee Spaeny dazzles while promoting her new film Priscilla at the 2023 BFI London Film Festival on Monday (October 9).

Dear Jassi arrives with echoes of Madonna’s 1989 hit “Dear Jessie” and its sugary promise of pink elephants and lemonade, but none of that turns out to be forthcoming in Tarsem Singh Dhandwar’s beautiful and brutal sixth feature. Instead, we have perhaps the most disturbing bait-and-switch since George Sluizer’s original iteration of The Vanishing, a Punjabi Juliet-meets-Romeo story that’s much harsher that any so-far-filmed version of West Side Story and a whole lot funnier. This dissonance takes a while to reveal itself, but when it does, the shock is visceral. The fact that almost everything is true is the killer blow, and the shockwave of that reverberates through the poignant final credits, a static shot that forces the audience, or maybe just simply dares them, to think about what they’ve just seen.  

The first week of the British Film Institute’s (BFI) London Film Festival wrapped this evening with a rapturous onstage Q&A session with writer-director Greta Gerwig.

Southbank Centre’s Royal Festival Hall irrupted into a flurry of cheers this afternoon as filmmaker Martin Scorsese strolled on stage to take part in a career Q&A at the London Film Festival. 

“I wanted to tell a story about the environment that I grew up in but based in the biblical era and merge the two,” Jeymes Samuel told Deadline’s Baz Bamigboye of the idea behind his latest pic, The Book of Clarence at London Contenders. 

Jacob Elordi and Cailee Spaeny hit the red carpet for the NYC premiere of their new movie Priscilla, but writer and director Sofia Coppola was noticeably absent.

The Match Factory has announced a raft of world sales for Sofia Coppola’s biopic Priscilla ahead of its North American premiere as the Centrepiece selection of the New York Film Festival on Friday.

Jennifer Lee, Chief Creative Officer at Disney Animation, confirmed this afternoon that work has quietly begun on a third edition in the company’s Frozen film franchise during a keynote session at the London Film Festival (LFF). 

“Theatres and streamers need to coexist,” Bill Kramer, CEO of the Academy of Motion Picture Arts, concluded during a keynote this morning in London when quizzed on his opinions about the future of cinema.   

The International Documentary Film Festival Amsterdam is beginning to fill out its lineup leading up to IDFA’s 36th edition next month. The largest all-documentary festival in the world today announced selections for the Competition for Short Documentary and the IDFA Competition for Youth Documentary, along with the films selected for the Best of Fests section and the “Signed” section, a new addition to the IDFA program. 

K.J. Yossman Kristy Matheson had big shoes to fill when she took over from Tricia Tuttle as director of the BFI London Film Festival (LFF) earlier this year. Over the course of a decade, Tuttle transformed LFF into a highlight of the fall festival calendar, drawing some of the biggest names in entertainment to the English capital each October including, memorably, Ted Sarandos and Beyoncé, who flew in to celebrate the world premiere of “The Harder They Fall” in 2021.