Hong Kong: Last News
Hong Kong: Main News
1996s “Irma Vep” saw Olivier Assayas contribute to a rich tapestry of meta cinema stretching back to Federico Fellini’s 1963 masterpiece “8½.” Itself drawing upon François Truffaut’s metafictional “Day For Night” as a direct source, the film followed René Vidal, an over-the-hill film director whose recent output has descended into alienating pseudo-intellectualism, and his attempt to remake the classic French film serial, “Les Vampires.” Introducing veteran of Hong Kong cinema, Maggie Cheung, to a western audience, playing herself as an actress cast in the fictional director’s film as Irma (keeping up?), Assayas’ film contemplated the nature of the creative process, using its verité aesthetic to capture the mania of a film set while also providing a broader meditation on the state of modern French cinema.
Everything Everywhere All At Once.The martial arts legend was originally envisioned by directors and writers Daniel Scheinert and Daniel Kwan as playing the movie’s lead role. However, when he said he was unavailable, they rewrote the part for Yeoh.“Jackie actually texted me,” she told the Guardian about his response to the film.
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