‘The Damned’ Review: A Chilly Horror-Drama That Clings to Its Atmosphere for as Long as It Can
09.06.2024 - 12:27
/ variety.com
Siddhant Adlakha A vicious 19th-century morality play that gives way to psychological horror, Thordur Palsson‘s “The Damned” draws on Icelandic folklore to create a tale of paranoia and superstition in an isolated outpost. A tiny fishing village plays host to the pressing question of whether to rescue a sinking ship nearby.
The fishermen’s decisions in the wake of this terror from afar bring home their fears and regrets in a story told through dreams and shadows that, while often repetitive in its approach, is still effectively told. Young widow Eva (Odessa Young) is left in charge of her husband’s fishing boat, which she lends to the town’s gruff fishermen while retaining decision-making ability.
The village is surrounded by snow and icy waters, so every choice and every ration counts. The townspeople mostly get along, singing drinking and fishing songs by gas lamps in their cramped pub, but tensions seem to simmer just beneath this pristine surface in the form of masculine rivalries and notions of strength as survival.
When a boat of foreigners capsizes offshore, the town’s denizens are faced with the key dilemma of whether to spend time and resources on search and rescue. This debate grows more complex when the shipwreck begins washing valuable food and drink items ashore, inadvertently aiding the town’s survival.
The question of whether to venture out to nearby, treacherous rocks, where survivors might be stranded, forms the ethical backbone of a story that slowly but surely transitions toward supernatural territory, rooted in legends that brush shoulders with the townspeople’s Christian beliefs. As their harsh decisions begin to haunt them, their guilt eventually takes chilling physical form, rooted in the question
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