Queer Eye star Jonathan van Ness is opening up about an exposé alleging he created a toxic work environment on Netflix’s makeover series.
17.06.2024 - 17:33 / variety.com
Michael Schneider Variety Editor at Large
I think I can say this on behalf of the entire collective of reporters who cover television: Nothing makes us groan more than when a series star or producer refers to the setting as another “character” in their show. (Actually, I take that back, something else causes even heavier eye rolls: When a performer says their co-stars are “like a family.”) And yet, I may have to temper my cynicism.
Because in the era of prestige TV, often quite a bit of work and effort goes into making the show’s location pop — so much so that I’m almost as excited to watch the background as I am the action. Could it be that the cliché is right? It certainly feels that way in some of this year’s Emmy contenders, much to the credit of the production designers and location scouts who make that happen.
For example, watching Giancarlo Esposito take control of his life through any means necessary in AMC’s “Parish” is powerful — but the fact that he’s doing it in New Orleans makes it an entirely elevated experience. (Watching “Parish” right before my family took a spring break trip to the Big Easy definitely gave us something to think about.) You can feel the cold and the unsettling sense that you’re isolated way up north in HBO’s “True Detective: Night Country” and FX’s “A Murder at the End of the World,” both of which shot in Iceland.
(Iceland played itself in “Murder” and Alaska in “True Detective.”) And besides taking me on a visual trip back to Chicago, Season 2 of “The Bear” gave us a crash course on the hottest Windy City restaurants of the moment. But of all the series out there right now, Netflix’s “Ripley” might take viewers on the most glorious trip.
Queer Eye star Jonathan van Ness is opening up about an exposé alleging he created a toxic work environment on Netflix’s makeover series.
WARNING: POTENTIAL SPOILERS AHEAD!
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Michael Schneider Variety Editor at Large Hands down, Giancarlo Esposito remains the busiest man in show business. Over the past year he’s starred in AMC’s “Parish” (which he also executive produces), Netflix’s “The Gentlemen,” Disney+’s “The Mandalorian,” MGM+’s “Godfather of Harlem,” Netflix’s “Kaleidoscope” and voiced Max’s “Harley Quinn.” And on the film side, his recent gigs include “Abigail” and the upcoming “MaXXXine” and Francis Ford Coppola’s “Megalopolis.” “I wrote in my notes last week, ‘I’m the busiest motherfucker,’” Esposito laughs.
From a distance, many in Hollywood were wondering just how Issa López landed the show-running gig on “True Detective” season four. The Mexican filmmaker had directed two well-regarded films including 2017’s “Tigers Are Not Afraid,” but she hadn’t worked in American television.
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Leo Barraclough International Features Editor At the Monte-Carlo TV Festival Saturday, Lee Jung-Jae, one of the stars of new Disney+ series “Star Wars: The Acolyte,” spoke with Variety about how he prepared for his role as Jedi Master Sol, the strengths of Leslye Headland, the show’s creator, as a showrunner, and the relationship between Sol and Amandla Stenberg’s characters.Lee, who won a Primetime Emmy for “Squid Game,” says that for 50% of “The Acolyte” role he drew inspiration from previous depictions of the Jedi Masters, and “for the remaining 50% I tried to find something that was appropriate to Sol – something that would only incarnate him.” He also consulted with an expert in “Star Wars” lore at Lucasfilm.In “The Acolyte,” the Jedi Masters are shown to be flawed. How does the show present this? “In ‘The Acolyte,’ what it tries to say is that anyone can make mistakes, but you have to accept the mistakes that you make, and put effort into correcting them or developing yourself, because any human being has some unstable thinking,” Lee says.
Halfway through True Detective: Night Country, Kali Reis’ character experiences a loss so traumatic it would make most people lose their minds. Steely State Trooper Evangeline Navarro has but one way of coping with the situation: She instigates a brawl, in essence begging for a physical manifestation of her pain. Watching one of the most heart-wrenching sequences of the anthology series play out, and Reis’ portrayal of her stoic character’s momentary collapse, it is near impossible to comprehend that this is only the 37-year-old’s third on-screen role.
She has two Best Actress Oscars and five nominations including one most recently for 2023’s Nyad. She received her first for 1976’s Taxi Driver when she was only 14. Add to these impressive accomplishments, three BAFTA awards, three Golden Globes, and an Honorary Palme d’Or among other accolades and honors. Still it is surprising to note she has never once been nominated for an Emmy for any acting role.
The Bear,” competing for the comedy trophy, overflowed with compelling storytelling, but only one episode, titled “Fishes,” was submitted. On the drama side, FX’s “Shōgun” was strong over the course of 10 episodes. However, the premiere, “Anjin,” is impossible to ignore.
Michael Schneider Variety Editor at Large HBO’s “The Last of Us” scored two prizes from this year’s 2024 Rockie Awards International Program Competition, as announced Tuesday at the Banff World Media Festival. “The Last of Us” won for drama series: English language, and also picked up the Grand Jury Prize, which is selected from the top-scoring programs across the entire field of nominees.
Zack Sharf Digital News Director Johnny Depp reveals in Tara Wood’s still-untitled documentary on Tim Burton (via People) that Tom Cruise, Tom Hanks and Michael Jackson were all in contention for the iconic role of Edward Scissorhands in Burton’s 1990 movie of the same name. Cruise “was not far away from actually playing Edward Scissorhands — true story,” Depp says.
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Rudie Obias editor If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. Hosted by Kevin Frazier and Nischelle Turner from “Entertainment Tonight” (for the third time in a row), the Daytime Emmy Awards celebrates the best and brightest in daytime TV programming for the year. If you want to catch the 51st annual Daytime Emmy Awards ceremony, it livestreams from the Westin Bonaventure Hotel in Los Angeles, California on Paramount+ on Friday, June 7 at 8 p.m.
Clayton Davis Senior Awards Editor BET wants some Emmys. In a year where major streamers and legacy networks dominate the Emmy conversations, BET Media Group, which includes BET+ and BET Studios, has had a record-breaking year for its critically acclaimed content, such as Lee Daniels’ racy sitcom “The Ms. Pat Show,” the drama thriller “Average Joe” and the dark comedy “Diarra From Detroit.” All in all, the legacy broadcast media network has submitted in over 35 Primetime Emmy categories, the most in its history.