Composer Atli Örvarsson Says He Used Musical Instruments That Represented Loneliness For ‘Silo’ Score – Sound & Screen TV

EXCLUSIVE: Iain Forsyth and Jane Pollard, the filmmaking duo behind BAFTA-nominated Nick Cave pic 20,000 Days on Earth, have just wrapped filming a new performance film dubbed The Extraordinary Miss Flower. The project brings to life the remarkable story of Geraldine Flower and the discovery of a suitcase of letters sent to her in the 1960s and 1970s that inspired acclaimed Icelandic singer-songwriter Emilíana Torrini to return to the studio. 

Elsa Keslassy International Correspondent “Flow,” a director-driven animated feature which world premiered at Cannes’ Un Certain Regard and just swept three awards at Annecy Film Festival, has been embraced by a raft of major distributors in key territories, including the U.K., Japan, South Korea, Germany, Spain and Italy. The movie is represented internationally by Charades.

Julia Louis-Dreyfus has spoken again on the topic of political correctness in comedy.The Seinfeld star has previously pushed back against the idea that being sensitive towards certain subjects has impacted the comedy industry in a negative way.Speaking with Kara Swisher on her podcast, Louis-Dreyfus addressed the topic, saying: “There’s a lot of talk about how comics can’t be funny now… I think that’s bullshit.”“Physical comedy and intellectual comedy and political comedy, I think, has never been more interesting, because there’s so much to do. It’s a ripe time,” Louis-Dreyfus added.“Comedy is risky and it can be offensive, but that’s what makes it so enjoyable.

Michael Schneider Variety Editor at Large I think I can say this on behalf of the entire collective of reporters who cover television: Nothing makes us groan more than when a series star or producer refers to the setting as another “character” in their show. (Actually, I take that back, something else causes even heavier eye rolls: When a performer says their co-stars are “like a family.”) And yet, I may have to temper my cynicism.

John Stones has admitted he was worried that he broke his foot during England's final Euro 2024 warm-up game and would be ruled out of the tournament.

Courtney Howard The One Who Got Away is a romantic notion that’s been widely propagated by pop culture cinema. And for good reason, as heartfelt drama and compelling conflicts arise authentically from these confrontations with fate. Director-co-writer Baltasar Kormákur’s “Touch,” based on Ólafur Jóhann Ólafsson’s novel of the same name, expands on this swoon-worthy idea, elegantly crafting an achingly poignant story centered on an elderly man searching for his true love amidst a time of uncertainty.

Eamonn Holmes has been spotted using a walking frame in southwest London, weeks after news of his unexpected split from Ruth Langsford surfaced.

Manchester City defender John Stones was absent from England training on Wednesday due to illness ahead of their Euro 2024 opener against Serbia on Sunday.

Ethel Cain has criticised the behaviour of some fans at her live shows, saying that they shouldn’t have to “fight for their life just to hear some music”.The US singer-songwriter wrapped up the UK and European leg of her 2024 ‘Childish Behaviour’ tour with a performance at The Roundhouse in Camden Town, London last night (June 10).She is also scheduled to support Mitski at All Points East in the capital and make an appearance at Electric Picnic in Ireland this summer.Ahead of yesterday’s London concert, Cain shared a statement on her Instagram Stories in which she reminded ticketholders of gig etiquette and how to treat one another in the audience.“Hi all! Just wanted to reiterate before tonight’s show in London that it is extremely important to me that you all respect each other both in the queue and once in the venue,” the musician began.“I very much hate hearing that anyone attending our shows walked away with a negative experience because of bad behaviour in the pit. Barrelling to the front, slapping people’s hands away when I reach for them, verbally insulting people, it’s all just not very nice.”Cain continued: “I come and I play these songs because I love them and I would hope the reason you’re coming is because you love them also.

Deadline on Friday hosted Sound & Screen Television, the latest incarnation of its awards-season music franchise that puts the spotlight on composers and their work on the year’s buzziest TV series.

Mr. & Mrs. Smith composer David Fleming joined Deadline’s Sound & Screen Television live-music event to discuss the nuances of creating the perfect spy score built on the foundation of trust. 

Shōgun music duo Atticus Ross and Nick Chuba joined Deadline’s Sound & Screen Television live-music event to discuss reutilizing archaic styles of music for the FX series. 

Ahsoka composer Kevin Kiner discussed his Star Wars influences for the Disney+ series at Deadline’s Sound & Screen Television live-music event. He also revealed an homage to Star Wars composer John Williams in episode 5.

Appearing for a panel at Deadline’s Sound & Screen Television live-music event, Jeff Russo described how he adapts to Fargo showrunner Noah Hawley’s requests.

Composer Blake Neely called his score for Apple TV+’s Masters of the Air a tribute to his mentor, the late Michael Kamen. Kamen gave Neely his first job as an orchestrator on Band of Brothers, the first in Steven Spielberg and Tom Hanks’ World War II series trilogy.

Based on a True Story composer Sherri Chung brought a typewriter to the orchestra to perform her score during Deadline’s Sound & Screen live-music event. The typewriter was just one of the unusual instruments she included in the music for the Peacock comedy mystery.

Apple TV+’s Lessons in Chemistry is the story of biogeneticist cooking show host Elizabeth Zott. Composer Carlos Rafael Rivera said he had to answer the question “what would a biogeneticist sound like?” when pilot director Sarah Adina Smith asked him to write the series’ music. This led him to some musical experimentation of his own.

How do you score an ecological, apocalyptic threat like Godzilla? This was one of many questions on the mind of Apple TV+’s Monarch: Legacy of Monsters composer Leopold Ross. 

Songwriters Benj Pasek and Justin Paul marveled at Steve Martin’s ability to perform their rapid-fire song in Season 3 of Only Murders in the Building. Martin’s character, Charles-Haden Savage, struggles with “Which of the Pickwick Triplets Did It” until episode 8 of the season. Unlike Savage, though, Martin nailed it in a tight two-hour time window.

Siddhant Adlakha A vicious 19th-century morality play that gives way to psychological horror, Thordur Palsson‘s “The Damned” draws on Icelandic folklore to create a tale of paranoia and superstition in an isolated outpost. A tiny fishing village plays host to the pressing question of whether to rescue a sinking ship nearby.