Paramount+ Adds Trio of Shows to Korean Content Slate in Partnership With CJ ENM

The blossoming relationship between Diana, Princess of Wales and Dodi Fayed has been teased in first look images from the final season of The Crown.The sixth series of the hit royal drama will be released in two parts, with the first instalment of four episodes launching on 16 November and part two airing on 14 December. On Monday, 16 October, the streaming giant released a selection of images which include a picture of Diana on a yacht belonging to business tycoon Mohamed Al Fayed.The billionaire’s relationship with the royal family was depicted in season five of The Crown, where Mohamed (Salim Daw) was seen getting to know Diana – played by Elizabeth Debicki.

Elsa Keslassy International Correspondent Viaplay Content Distribution has partnered up with German broadcaster ARD Degeto to co-produce “Ronja the Robber’s Daughter,” an epic adventure series. ARD Degeto will join the series’ existing co-production partners, Filmlance International, Film i Väst and Ahil Films.

Patrick Frater Asia Bureau Chief Unrecognizable from her co-starring and breakout role in 2018 hit “Burning,” Jeon Jong-seo is the centerpiece, the tortured protagonist and the athletic avenger, but not the titular dancer, in Netflix movie and Busan International Film Festival selection “Ballerina.” In the hands of fast-rising director Lee Chung-hyung, Jeon is a coolly calculating female former bodyguard who, until roused, looks like she is half dazed. The suicide of her best friend, a sweet wannabe ballerina, who had been blackmailed into sex slavery by a nasty gang, however, is enough to set Jeon’s character, Ok-ju, on the path towards “John Wick”-like ultra-violence. While Lee never leaves the audience in much doubt as to where the film is heading – an early scene in a convenience store is cool, shocking and righteous – his “Ballerina” is typically Korean in that it spends most of the first two reels establishing Ok-ju’s moral standing and motivation for the bloodshed that is going to dominate the latter portions. Once justified, Lee pours it all on, with a dose of weapons fetishization, a horde of mostly disposable villains and heaps of neon-lit bloodshed.

Paramount+ has been announcing major renewal and cancellation news all throughout the year and we’re breaking it all down for you right here.

Patrick Frater Asia Bureau Chief “Solids by the Seashore,” “The Berefts” and “House of the Seasons” were all multiple winners of the Vision Awards at the Busan International Film Festival on Thursday evening. Another winner was “Yellow Door: ’90s Lo-fi Film Club,” a documentary celebrating Korea’s early cinephiles, who include “Parasite” director Bong Joon-ho. The Vision Awards precede the main New Currents Competition and the Jiseok Competition prizes which will be presented on Saturday at the festival’s closing ceremony.FIPRESCI Award“That Summer’s Lie” Dir. Sohn Hyun-lok.

Patrick Frater Asia Bureau Chief Big-budget, Korean-language fantasy-crime-action series “Moving” emerged as the big winner on Sunday at the Asia Contents Awards & Global OTT Awards, claiming six prizes, including the ‘best creative’ prize. The Disney+ original, which debuted in August, also received the best visual effects award and the best writer award, which was presented at the Busan Cinema Centre’s main stage to webtoon artist turned filmmaker Kang Full. Actor Ryu Seung Ryong, who portrayed a father with a superpower attempting to save his family, was awarded the best lead actor prize, while the show’s Lee Jung Ha was named best newcomer and Go Youn Jung was named best actress. The 20-episode series has received critical acclaim for its narrative structure, dynamic action sequences and breathtaking storytelling.

Patrick Frater Asia Bureau Chief Korean sales agency Finecut has struck a raft of rights sales on upcoming fantasy-romance “Secret: Untold Melody.” The film, which will premiere at the upcoming Hawaii International Film Festival, tells the tale of a man whose promising piano career is cut short by a wrist injury. He returns to Korea and falls in love with a mysterious woman at his music college.

Patrick Frater Asia Bureau Chief Seoul-based sales company Finecut has struck key Asian deals for the vigilante action movie “Brave Citizen.” In Korea, the film is presented by Content Wavve, one of the country’s leading OTT platforms and is headed for a Korean theatrical release on Oct. 25.Finecut has sealed deals with Kadokawa Plus for Japan, with Moviecloud for Taiwan and with Lumix Medi for Vietnam.

Patrick Frater Asia Bureau Chief The growing media and entertainment connections between Korean Americans and those Koreans living in Korea may be changing both communities, a public discussion at the Busan International Film Festival on Friday heard. “Being in a room full of fans, feels like they accepted me as a member of the family. It feels like, culturally, Korea [may be in] a moment of transition,” said John Cho. He was joined in the debate by actor-director Justin Chon (“Gook”), director Lee Isaac Chung (“Minari”) and actor Steven Yeun, who are all either first or second generation immigrants to the U.S. They were careful not to speak about their current movies or projects out of respect for SAG strike protocols, but the avoidance of promotional niceties permitted a wider-ranging and more philosophical discussion. It touched on issues of identity, generational change and the development of the post-pandemic, streaming-era global village. “The reception I’ve had [in Busan] feels connective, not foreign, like living in a global reality,” said Yeun.

Patrick Frater Asia Bureau Chief Leading Korean content firm Showbox Corp. has added “The Killers,” an unusual anthology film, to its Busan rights sales line up. The film takes its title and themes from Ernest Hemingway’s 1927 short story of the same name.

Patrick Frater Asia Bureau Chief Issues of cultural diversity, different Asian diaspora populations and the quest for the Asian cinematic identity came up for discussion on Thursday as the New Currents competition jury at the Busan International Film Festival prepared to get down to work. Filmmaker and academic Jung Sung-il, who is set as the jury president, appeared to invite a degree of dispute that might get the blood racing. “I have high hopes, hope for controversies and good conversations among the jurors,” he said in opening remarks.

Very bad news today from Paramount+ and there is going to be a lot of unhappy fans.

Patrick Frater Asia Bureau Chief K-pop star Suzy, playing a retired singer, dazzles Yang Se-jong as a freshman student in forthcoming K-Romance series “Doona!”. The Korean show will launch on Netflix on Oct.

Patrick Frater Asia Bureau Chief Anthony Chen (“The Breaking Ice”) is attached to direct and Shinho Lee to write “Sunset Park” for Barunson C&C, a film and TV production subsidiary of Barunson E&A, the Korean company that produced Oscar-winning hit “Parasite.” “Sunset Park” recounts a surprising journey in the U.S. made by a Korean father with his son’s room mate, after the man receives tragic news about his son.

Prime Video has big plans for the Southeast Asia region, including the introduction of channels and an expanded local-language content slate, the streamer’s Vice President, Asia Pacific, Gaurav Gandhi, told the APOS conference today. 

Patrick Frater Asia Bureau Chief Warner Bros Discovery’s JB Perrette warns that the global streaming market faces pain and consolidation over the next three to five years, but he says that the merged group has what it takes to be among the big five groups that pull through. And, to win the war of attrition and consolidation, WBD may choose not to fight every battle. Perrette, WBD’s CEO and president of global streaming and games, said that the company’s Max streaming product is to be rolled out in a largely pre-determined sequence, one that arrives in Latin America and Europe before arriving in parts of Asia. But, speaking on Wednesday at the APOS conference in Indonesia, Perrette said that in some markets Max may never happen, and that WBD may favor local partnerships instead. “If we think we’re going to have success and profitability, if our market differentiation is viable enough to make a go of it and have a profitable business over a three-to-five year timeline [then we will launch Max.] If the answer is ‘no’ because the market has ARPUs that are just too low or it is way over-served by a ton of other players, who are spending on a ton of content and losing a ton of money, we may say this is not the right time,” said Perrette. “If we think we can be successful based on the three metrics that we have [profitability, market share and scale] then, yes, great, we’ll go and figure out how best to tackle it.

Paramount+ is expanding its global Korean content slate with three new series produced through its partnership with Korea’s CJ ENM.

Patrick Frater Asia Bureau Chief Steven Yeun has bucked stereotypes and carved a new niche as sexy Asian leading man with his roles in “Burning” and “Beef.” Justin Chon transitioned from a supporting role in “Twilight” to directing “Gook,” “Jamojaya” and half of Apple TV+’s “Pachinko.” And Busan-born Daniel Dae Kim has expanded from “Lost” and “Hawaii” to becoming one of Hollywood’s leading producers. The stateside successes of Korean-born and Korean American talent are growing and are worth celebrating. But the Busan International Film Festival’s planned party is being dialed down a notch under the impact of the twin writers’ and SAG Actors strikes in the U.S. Busan’s ‘Special Program in Focus: Korean Diasporic Cinema’ will go ahead with a screening schedule including six films, public talk sessions that include Oscar-winning actor Youn Yuh-jung, Lee Isaac Chung, director of Oscar-winning film “Minari,” and John Cho, the Seoul-born “Star Trek” and “Searching” star.

EXCLUSIVE: Mumbai-based Reliance Entertainment is joining forces with Indian media group Mid-Day Infomedia in a strategic collaboration to bring real-life stories to the screen. 

Patrick Frater Asia Bureau Chief The Paramount+ streaming service will launch in Japan in December as a free-of-charge addition to cable and internet provider J:COM’s platform and to pay-TV service Wowow. Paramount+ originals including “Tulsa King,” “Mayor of Kingstown” and “Star Trek: Strange New Worlds” will be available at the launch of the service and for the first time in Japan. Japan will be the second country in East Asia where the service becomes available, following a launch in South Korea in June last year.