Anthony Chen and Gina Kim Film Projects Adorn Busan Slate as Korea’s Barunson C&C Expands to Global Role (EXCLUSIVE)

Patrick Frater Asia Bureau Chief Acclaimed film-making duo Kamila Andini and Ifa Isfansyah take a calculatedly side-on approach to Indonesian societal history in “Cigarette Girl,” a new Netflix series that releases on Nov.1 and which premiered its first episodes at the Busan International Film Festival earlier this month. Starting with a wealthy family about to lose its aging patriarch in 2001, the series uses flashbacks to the 1960s to uncover not only the origins of the family’s herbal cigarette or ‘Kretek’ fortune, but also the hidden romance underlying it. And it highlights the overbearing and only slowly changing societal pressures placed on women, from high and low ranks, even as Indonesian politics and government underwent tectonic shifts. Ahead of the Busan premiere Andini and Isfansyah told Variety how their lush and romantic treatment is both a product of changing society and a way of facing up to recent Indonesian history.Watch the new trailer here.

Patrick Frater Asia Bureau Chief Dynamic Singaporean producer Jeremy Chua is to receive the FIAPF Award for Outstanding Contribution to Asia Pacific Cinema, at the Asia Pacific Screen Awards (APSA) on Nov. 3 on Australia’s Gold Coast.

Patrick Frater Asia Bureau Chief Unrecognizable from her co-starring and breakout role in 2018 hit “Burning,” Jeon Jong-seo is the centerpiece, the tortured protagonist and the athletic avenger, but not the titular dancer, in Netflix movie and Busan International Film Festival selection “Ballerina.” In the hands of fast-rising director Lee Chung-hyung, Jeon is a coolly calculating female former bodyguard who, until roused, looks like she is half dazed. The suicide of her best friend, a sweet wannabe ballerina, who had been blackmailed into sex slavery by a nasty gang, however, is enough to set Jeon’s character, Ok-ju, on the path towards “John Wick”-like ultra-violence. While Lee never leaves the audience in much doubt as to where the film is heading – an early scene in a convenience store is cool, shocking and righteous – his “Ballerina” is typically Korean in that it spends most of the first two reels establishing Ok-ju’s moral standing and motivation for the bloodshed that is going to dominate the latter portions. Once justified, Lee pours it all on, with a dose of weapons fetishization, a horde of mostly disposable villains and heaps of neon-lit bloodshed.

Patrick Frater Asia Bureau Chief Iqbal H. Choudhury’s “The Wrestler” and Mori Tatsutya’s “September 1923” were announced joint winners of the New Currents competition at the Busan International Film Festival. “The Wrester” “was like a single round match, magically depicting an exciting narrative,” the jury said.

Patrick Frater Asia Bureau Chief “Solids by the Seashore,” “The Berefts” and “House of the Seasons” were all multiple winners of the Vision Awards at the Busan International Film Festival on Thursday evening. Another winner was “Yellow Door: ’90s Lo-fi Film Club,” a documentary celebrating Korea’s early cinephiles, who include “Parasite” director Bong Joon-ho. The Vision Awards precede the main New Currents Competition and the Jiseok Competition prizes which will be presented on Saturday at the festival’s closing ceremony.FIPRESCI Award“That Summer’s Lie” Dir. Sohn Hyun-lok.

Patrick Frater Asia Bureau Chief Some twenty aspiring film projects have been selected to participate in the inaugural edition of the Qcinema Project Market (Nov. 18-19) that this year represents and expansion of the QCinema Film Festival in The Philippines’ Quezon City. The selected titles include development projects by several of East Asia’s better known independent and art-house directors and projects.

Patrick Frater Asia Bureau Chief Taiwanese actors King Jieh-wen and Hsueh Shih-ling and Indonesia’s Angga Yunanda are set to star in “Malice,” a multinational Asian thriller that will shoot next year. The film’s producers, actors and government backers presented the fully-assembled package to press and industry on Monday at the Busan International Film Festival. The film, pitched as “a road movie at sea,” is a dark tale of three men who put out to sea in search of a particular, large swordfish that had been rumored to have died out.

Patrick Frater Asia Bureau Chief Big-budget, Korean-language fantasy-crime-action series “Moving” emerged as the big winner on Sunday at the Asia Contents Awards & Global OTT Awards, claiming six prizes, including the ‘best creative’ prize. The Disney+ original, which debuted in August, also received the best visual effects award and the best writer award, which was presented at the Busan Cinema Centre’s main stage to webtoon artist turned filmmaker Kang Full. Actor Ryu Seung Ryong, who portrayed a father with a superpower attempting to save his family, was awarded the best lead actor prize, while the show’s Lee Jung Ha was named best newcomer and Go Youn Jung was named best actress. The 20-episode series has received critical acclaim for its narrative structure, dynamic action sequences and breathtaking storytelling.

Patrick Frater Asia Bureau Chief EST N8, a recently-established finance, production and rights sales company, has added a Hong Kong remake of classic film “Tape” and the LGBT comedy-drama “ASOG” to its bulging sales slate at the AFCM market that accompanies the Busan Intenational Film Festival. “Tape” tells the story of three best friends who, following an event at a graduation party that transforms their lives, reunite 15 years later where a case of blackmail forces them to confront a terrible secret from their past. The original film starred Ethan Hawke, Uma Thurman and Robert Sean Leonard and played at the Sundance, Toronto and Rotterdam festivals.In the Cantonese-language remake directed by Bizhan Tong, Selena Lee, Kenny Kwan, and Adam Pak play the contemporary characters while Mason Fung, Summer Chan, and Angus Yeung portray the characters’ younger versions. The script is written by Stephen Belber, Tong, Lee and Bonnie Lo, and is an adaptation of Belber’s own scripts from both the original film and stage play. The writers and director have significantly modernized the script to reflect advances in technology. Producers on the film include Tong, Lee and Belber.

Patrick Frater Asia Bureau Chief Vietnam-based sales agent Skyline Media has unveiled five new titles for sales and distribution at the ACFN market that accompanies the Busan International Film Festival. They range from horror films to gay rom com series. “The Soul Reaper” is adapted from director-producer Thao Trang’s best-selling horror novel “Lunar New Year in Hell Village” (Tet O Lang Dia Nguc), and involves the happy occasion of a wedding turn darker after the arrival of a creepy stranger.

Patrick Frater Asia Bureau Chief Korean sales agency Finecut has struck a raft of rights sales on upcoming fantasy-romance “Secret: Untold Melody.” The film, which will premiere at the upcoming Hawaii International Film Festival, tells the tale of a man whose promising piano career is cut short by a wrist injury. He returns to Korea and falls in love with a mysterious woman at his music college.

Patrick Frater Asia Bureau Chief Anthony Shim, the Canadian Korean director behind Toronto festival hit “Riceboy Sleeps,” is attached as writer and director of a film adaptation of “Offerings” an acclaimed Korean coming-of-age novel. Anonymous Content and Anthology Studios are to produce. “Offerings” tells the story of Dae, a young Korean American investment banker who finds himself back in his native Seoul as part of an international team brought in to rescue the country from sovereign default during the 1990s Asian Financial Crisi.

Patrick Frater Asia Bureau Chief The growing media and entertainment connections between Korean Americans and those Koreans living in Korea may be changing both communities, a public discussion at the Busan International Film Festival on Friday heard. “Being in a room full of fans, feels like they accepted me as a member of the family. It feels like, culturally, Korea [may be in] a moment of transition,” said John Cho. He was joined in the debate by actor-director Justin Chon (“Gook”), director Lee Isaac Chung (“Minari”) and actor Steven Yeun, who are all either first or second generation immigrants to the U.S. They were careful not to speak about their current movies or projects out of respect for SAG strike protocols, but the avoidance of promotional niceties permitted a wider-ranging and more philosophical discussion. It touched on issues of identity, generational change and the development of the post-pandemic, streaming-era global village. “The reception I’ve had [in Busan] feels connective, not foreign, like living in a global reality,” said Yeun.

Patrick Frater Asia Bureau Chief Leading Korean content firm Showbox Corp. has added “The Killers,” an unusual anthology film, to its Busan rights sales line up. The film takes its title and themes from Ernest Hemingway’s 1927 short story of the same name.

Patrick Frater Asia Bureau Chief Korean sales agency, Finecut has picked up international sales rights to dance drama film “Victory,” which it will launch during the Asian Contents & Film Market that sits alongside the Busan Film Festival. The film, currently in post-production, is an upcoming title by Park Beom-su, a director known for a promising debut film “Red Carpet” in 2014. The story of “Victory” is centered around a high-school dance duo and an underdog school soccer team on a remote island. Two girls initially create a cheerleading club to pursue their love for dance, but they soon find themselves passionately cheering for the soccer team, eventually becoming a source of support for the entire island. The film stars Lee Hye-ri, a member of K-pop girl group Girl’s Day, who has become a popular actor with roles in “Monstrum” and TV’s “Reply 1998,” and Park Se-wan (“Life Is Beautiful,” “6/45,” “Collectors”) as the two protagonists.

Patrick Frater Asia Bureau Chief Issues of cultural diversity, different Asian diaspora populations and the quest for the Asian cinematic identity came up for discussion on Thursday as the New Currents competition jury at the Busan International Film Festival prepared to get down to work. Filmmaker and academic Jung Sung-il, who is set as the jury president, appeared to invite a degree of dispute that might get the blood racing. “I have high hopes, hope for controversies and good conversations among the jurors,” he said in opening remarks.

Patrick Frater Asia Bureau Chief Feted in Busan this week as the Asian Filmmaker of the Year, Hong Kong superstar Chow Yun-fat bemoaned censorship in China for its impact on the film industry. “We have a lot of censorship requirements in mainland China. Scripts must go to many departments. So, we need [to portray] clear situations in scripts.

Patrick Frater Asia Bureau Chief “I hope we can communicate and reconcile again,” said Busan Mayor Park Heong-joon on the opening night of the South Korean city’s film festival. With so much of the dialogue in opening drama “Because I Hate Korea” discussing Korean societal rigidities, group loyalties, long working hours and poor pay (which cause the protagonist to emigrate to laid-back New Zealand), it is easy to forget that many of these characteristics are what may have saved this year’s Busan International FIlm Festival from going off the rails.

Patrick Frater Asia Bureau Chief EST N8, a recently-established finance, production and film sales company, has appointed Chen ; Tata’ Xinrui as its sales and distribution manager. Chen will serve under Tenten Wei, head of studios for EST N8 and will be based in Los Angeles. EST N8 is a partnership between EST Studios and Bangkok-based N8 Studios that was officially launched at Cannes this year and operates under the combined moniker.

Patrick Frater Asia Bureau Chief Equal numbers of Chinese and Japanese titles adorn the main competition section of the Toyo International Film Festival, which was announced on Wednesday – three each. Among the Chinese films is “Snow Leopard,” the last feature by the late Pema Tseden, and “Dwelling by the West Lake,” directed by Gu Xiaogang, the surprisingly inexperienced joint recipient of this year’s Kurosawa Award. The full competition with 15 titles, set to play between Oct. 23 and Nov.