Busan Film Festival Wrestles With Hollywood Strike Provisions as It Tries to Tell Story of Korean American Successes

Patrick Frater Asia Bureau Chief Taiwanese actors King Jieh-wen and Hsueh Shih-ling and Indonesia’s Angga Yunanda are set to star in “Malice,” a multinational Asian thriller that will shoot next year. The film’s producers, actors and government backers presented the fully-assembled package to press and industry on Monday at the Busan International Film Festival. The film, pitched as “a road movie at sea,” is a dark tale of three men who put out to sea in search of a particular, large swordfish that had been rumored to have died out.

Patrick Frater Asia Bureau Chief Big-budget, Korean-language fantasy-crime-action series “Moving” emerged as the big winner on Sunday at the Asia Contents Awards & Global OTT Awards, claiming six prizes, including the ‘best creative’ prize. The Disney+ original, which debuted in August, also received the best visual effects award and the best writer award, which was presented at the Busan Cinema Centre’s main stage to webtoon artist turned filmmaker Kang Full. Actor Ryu Seung Ryong, who portrayed a father with a superpower attempting to save his family, was awarded the best lead actor prize, while the show’s Lee Jung Ha was named best newcomer and Go Youn Jung was named best actress. The 20-episode series has received critical acclaim for its narrative structure, dynamic action sequences and breathtaking storytelling.

Patrick Frater Asia Bureau Chief EST N8, a recently-established finance, production and rights sales company, has added a Hong Kong remake of classic film “Tape” and the LGBT comedy-drama “ASOG” to its bulging sales slate at the AFCM market that accompanies the Busan Intenational Film Festival. “Tape” tells the story of three best friends who, following an event at a graduation party that transforms their lives, reunite 15 years later where a case of blackmail forces them to confront a terrible secret from their past. The original film starred Ethan Hawke, Uma Thurman and Robert Sean Leonard and played at the Sundance, Toronto and Rotterdam festivals.In the Cantonese-language remake directed by Bizhan Tong, Selena Lee, Kenny Kwan, and Adam Pak play the contemporary characters while Mason Fung, Summer Chan, and Angus Yeung portray the characters’ younger versions. The script is written by Stephen Belber, Tong, Lee and Bonnie Lo, and is an adaptation of Belber’s own scripts from both the original film and stage play. The writers and director have significantly modernized the script to reflect advances in technology. Producers on the film include Tong, Lee and Belber.

Patrick Frater Asia Bureau Chief After making four documentary features about border conflicts, ethnicity, prostitution and human rights, Thai director Nontawat Numbenchapol picks up many of the same themes in his first fiction feature “Doi Boi.” The film, which premieres this week in the Jiseok competition section of the Busan International Film Festival, is the story of three young men living on the margins of society in Thailand and their common quest for justice. The characters are an illegal immigrant from Myanmar working, despite his own heterosexuality, as a gay prostitute in Chiang Main, a customer and an on-the-run political activist he is trying to help. The narrative takes in a large number of the social and political problems that have beset seemingly idyllic Thailand in recent years – undocumented workers, illegal immigrants fleeing the civil war in Myanmar, an oppressive political power structure, enforced ‘disappearance’ of those who the government’s political opponents and critics, police brutality – and traffic jams. “I was surprised to find so many immigrant men [from Myanmar’s Shan region] as sex workers in Chiang Mai.

Patrick Frater Asia Bureau Chief Vietnam-based sales agent Skyline Media has unveiled five new titles for sales and distribution at the ACFN market that accompanies the Busan International Film Festival. They range from horror films to gay rom com series. “The Soul Reaper” is adapted from director-producer Thao Trang’s best-selling horror novel “Lunar New Year in Hell Village” (Tet O Lang Dia Nguc), and involves the happy occasion of a wedding turn darker after the arrival of a creepy stranger.

Patrick Frater Asia Bureau Chief Korean sales agency Finecut has struck a raft of rights sales on upcoming fantasy-romance “Secret: Untold Melody.” The film, which will premiere at the upcoming Hawaii International Film Festival, tells the tale of a man whose promising piano career is cut short by a wrist injury. He returns to Korea and falls in love with a mysterious woman at his music college.

Patrick Frater Asia Bureau Chief Seoul-based sales company Finecut has struck key Asian deals for the vigilante action movie “Brave Citizen.” In Korea, the film is presented by Content Wavve, one of the country’s leading OTT platforms and is headed for a Korean theatrical release on Oct. 25.Finecut has sealed deals with Kadokawa Plus for Japan, with Moviecloud for Taiwan and with Lumix Medi for Vietnam.

Actors and filmmakers Steven Yeun, John Cho, Justin Chon and Lee Isaac Chung shared their thoughts on the appeal of Korean Diaspora cinema – as well as how they see the current wave of content coming out of Korea – in a philosophical but relaxed press conference at Busan International Film Festival. 

Patrick Frater Asia Bureau Chief The growing media and entertainment connections between Korean Americans and those Koreans living in Korea may be changing both communities, a public discussion at the Busan International Film Festival on Friday heard. “Being in a room full of fans, feels like they accepted me as a member of the family. It feels like, culturally, Korea [may be in] a moment of transition,” said John Cho. He was joined in the debate by actor-director Justin Chon (“Gook”), director Lee Isaac Chung (“Minari”) and actor Steven Yeun, who are all either first or second generation immigrants to the U.S. They were careful not to speak about their current movies or projects out of respect for SAG strike protocols, but the avoidance of promotional niceties permitted a wider-ranging and more philosophical discussion. It touched on issues of identity, generational change and the development of the post-pandemic, streaming-era global village. “The reception I’ve had [in Busan] feels connective, not foreign, like living in a global reality,” said Yeun.

Patrick Frater Asia Bureau Chief Leading Korean content firm Showbox Corp. has added “The Killers,” an unusual anthology film, to its Busan rights sales line up. The film takes its title and themes from Ernest Hemingway’s 1927 short story of the same name.

Patrick Frater Asia Bureau Chief Korean sales agency, Finecut has picked up international sales rights to dance drama film “Victory,” which it will launch during the Asian Contents & Film Market that sits alongside the Busan Film Festival. The film, currently in post-production, is an upcoming title by Park Beom-su, a director known for a promising debut film “Red Carpet” in 2014. The story of “Victory” is centered around a high-school dance duo and an underdog school soccer team on a remote island. Two girls initially create a cheerleading club to pursue their love for dance, but they soon find themselves passionately cheering for the soccer team, eventually becoming a source of support for the entire island. The film stars Lee Hye-ri, a member of K-pop girl group Girl’s Day, who has become a popular actor with roles in “Monstrum” and TV’s “Reply 1998,” and Park Se-wan (“Life Is Beautiful,” “6/45,” “Collectors”) as the two protagonists.

Patrick Frater Asia Bureau Chief Issues of cultural diversity, different Asian diaspora populations and the quest for the Asian cinematic identity came up for discussion on Thursday as the New Currents competition jury at the Busan International Film Festival prepared to get down to work. Filmmaker and academic Jung Sung-il, who is set as the jury president, appeared to invite a degree of dispute that might get the blood racing. “I have high hopes, hope for controversies and good conversations among the jurors,” he said in opening remarks.

Patrick Frater Asia Bureau Chief Feted in Busan this week as the Asian Filmmaker of the Year, Hong Kong superstar Chow Yun-fat bemoaned censorship in China for its impact on the film industry. “We have a lot of censorship requirements in mainland China. Scripts must go to many departments. So, we need [to portray] clear situations in scripts.

Patrick Frater Asia Bureau Chief “I hope we can communicate and reconcile again,” said Busan Mayor Park Heong-joon on the opening night of the South Korean city’s film festival. With so much of the dialogue in opening drama “Because I Hate Korea” discussing Korean societal rigidities, group loyalties, long working hours and poor pay (which cause the protagonist to emigrate to laid-back New Zealand), it is easy to forget that many of these characteristics are what may have saved this year’s Busan International FIlm Festival from going off the rails.

Patrick Frater Asia Bureau Chief Anthony Chen (“The Breaking Ice”) is attached to direct and Shinho Lee to write “Sunset Park” for Barunson C&C, a film and TV production subsidiary of Barunson E&A, the Korean company that produced Oscar-winning hit “Parasite.” “Sunset Park” recounts a surprising journey in the U.S. made by a Korean father with his son’s room mate, after the man receives tragic news about his son.

Patrick Frater Asia Bureau Chief EST N8, a recently-established finance, production and film sales company, has appointed Chen ; Tata’ Xinrui as its sales and distribution manager. Chen will serve under Tenten Wei, head of studios for EST N8 and will be based in Los Angeles. EST N8 is a partnership between EST Studios and Bangkok-based N8 Studios that was officially launched at Cannes this year and operates under the combined moniker.

Patrick Frater Asia Bureau Chief Equal numbers of Chinese and Japanese titles adorn the main competition section of the Toyo International Film Festival, which was announced on Wednesday – three each. Among the Chinese films is “Snow Leopard,” the last feature by the late Pema Tseden, and “Dwelling by the West Lake,” directed by Gu Xiaogang, the surprisingly inexperienced joint recipient of this year’s Kurosawa Award. The full competition with 15 titles, set to play between Oct. 23 and Nov.

Patrick Frater Asia Bureau Chief Paramount+ has unveiled three new Korean TV shows which it will launch in selected international territories including North America, the U.K. and parts of continental Europe.

Patrick Frater Asia Bureau Chief Japanese comedian Shinagawa Hiroshi has been set as the director of “Among the Dead,” the first project flowing from the co-production and co-financing venture between U.S.-based People of Culture Studios and Japan’s Yoshimoto Kogyo. The previously-announced project is an English-language, found footage zombie movie in which, following an apocalypse of the undead, one emotionally unstable man abandons friends and family to go live among the few remaining zombies before they’re all gone. The screenplay was written by father/daughter duo, Andy Cosby (“Hellboy,” “2 Guns” “Eureka”) and Charlie Danger Cosby, collectively known as Midnight Pizza. Other writing credits go to Brian Caldirola, Patrick Hasson and Juan Carlos Saizarbitoria. Shinagawa is one-half of the comedy duo Shinagawa Shoji, alongside Tomoharu Shoji, and has a considerable acting filmography in his own right including “Kantoku Kansen,” “Deadman Inferno,” “One Third,” and “Drop.” Shinagawa additionally served as director, writer, and starred in the 2011 comedy-drama “Slapstick Brothers,” which won a Citizen’s Choice Award for feature film and an award from the Japanese Academy for rookie of the year.

Patrick Frater Asia Bureau Chief Japan’s Dean Fujioka (“Fullmetal Alchemist,” “The Man From The Sea”) and the U.K.’s Callum Woodhouse (“All Creatures Great and Small,” “The Durrells”) are set to star in “Orang Ikan,” a WWII-set creature horror film. The picture is scripted by Singapore and Indonesia-based Mike Wiluan (“Buffalo Boys,” HBO series “Grisse”) who will also direct the picture from next month. International rights to “Orang Ikan” have been picked up by London-based SC Films International, which will give the project its sales launch at the Busan festival and accompanying market next month. Set in the Pacific, 1942, a Japanese ship transports prisoners of war to occupied territories as slave labor.