Venice Horizons Film ‘The Red Suitcase’ Unpacks Rare Nepal-Sri Lanka Partnership, Unveils Clip (EXCLUSIVE)

The Great British Bake Off has finally made its return to TV screens, with 12 new amateur bakers ready to battle it out to be crowned the winner. And although only one episode has aired so far, viewers have already predicted that intelligence analyst Saku may be taking home the crown.

Naman Ramachandran A first trailer has been unveiled for Indonesian filmmaker Yosep Anggi Noen’s “24 Hours With Gaspar.” The film will world premiere at the Busan Film Festival where it is in the prestigious Jiseok competition. Set in 2032 and based on the novel of the same name by Indonesian author Sabda Armandio, the film follows Gaspar, a private detective with 24 hours to live, who finds clues about the mysterious disappearance of Kirana, his childhood friend.

Yellow Door: ’90s Lo-fi Film Club, a new documentary that will feature Parasite director Bong Joon-ho.According to Netflix, the upcoming documentary is an “ode to the golden era of Korean cinephilia” that will take a look at the “young film enthusiasts who paved the way for the Korean cinematic renaissance”The upcoming film is directed by Lee Hyuk-rae (2022’s Sewing Sisters) and will delve into the history and members of the Yellow Door Film Club, of which Oscar-winning Parasite director Bong Joon-ho was a member of.“The 1990s witnessed an explosion of film clubs on Korean campuses, providing young students with a creative outlet and a platform to study the art of cinema,” said Netflix of the film in a press release. “Yellow Door Film Club was one of them.”In the new trailer for Netflix’s Yellow Door: ’90s Lo-fi Film Club, Bong and his fellow Yellow Door Film Club are seen reuniting to speak about the club, how it came about and its influence on the South Korean entertainment industry.“At overseas film festivals in the early to mid-2000s, people would ask, ‘Where did all these directors come from?'” Bong recalls in the trailer.

J. Kim Murphy Mankind is barreling further into an age of climate disaster, but whether it has the speaking vocabulary, much less a cinematic one, to accurately interpret its rapidly changing environment is another matter. With his astonishing new experimental feature, “The Human Surge 3,” Argentine filmmaker Eduardo Williams proposes a new analogue for the sensation of modern living: It’s kind of like seeing panoramas shot with a 360-degree camera, navigated via a VR headset and then translated back to a traditional cinematic frame, completely and utterly distorting the imagery in the process.

Gareth Edwards directed his first movie, the 2010 indie “Monsters,” it could scarcely have been a more DIY endeavor. He had less than $500,000 to tell an intimate story about two Americans contending with giant aliens rampaging through Mexico, so his crew consisted of just his actors (Scoot McNairy and Whitney Able), a sound tech, a line producer, a translator and a driver.

The 2023 film festival season has wound its way from Sundance and SXSW through Cannes and Tribeca to the fall stops at Venice, Telluride and Toronto.

Patrick Frater Asia Bureau Chief Steven Yeun has bucked stereotypes and carved a new niche as sexy Asian leading man with his roles in “Burning” and “Beef.” Justin Chon transitioned from a supporting role in “Twilight” to directing “Gook,” “Jamojaya” and half of Apple TV+’s “Pachinko.” And Busan-born Daniel Dae Kim has expanded from “Lost” and “Hawaii” to becoming one of Hollywood’s leading producers. The stateside successes of Korean-born and Korean American talent are growing and are worth celebrating. But the Busan International Film Festival’s planned party is being dialed down a notch under the impact of the twin writers’ and SAG Actors strikes in the U.S. Busan’s ‘Special Program in Focus: Korean Diasporic Cinema’ will go ahead with a screening schedule including six films, public talk sessions that include Oscar-winning actor Youn Yuh-jung, Lee Isaac Chung, director of Oscar-winning film “Minari,” and John Cho, the Seoul-born “Star Trek” and “Searching” star.

Patrick Frater Asia Bureau Chief Japan’s Dean Fujioka (“Fullmetal Alchemist,” “The Man From The Sea”) and the U.K.’s Callum Woodhouse (“All Creatures Great and Small,” “The Durrells”) are set to star in “Orang Ikan,” a WWII-set creature horror film. The picture is scripted by Singapore and Indonesia-based Mike Wiluan (“Buffalo Boys,” HBO series “Grisse”) who will also direct the picture from next month. International rights to “Orang Ikan” have been picked up by London-based SC Films International, which will give the project its sales launch at the Busan festival and accompanying market next month. Set in the Pacific, 1942, a Japanese ship transports prisoners of war to occupied territories as slave labor.

King Jigme and Queen Jetsun have just welcomed their third baby into the world!

Patrick Frater Asia Bureau Chief That the Toronto world premiere of “The Movie Emperor” is sponsored by high-end home appliance manufacturer Dyson is deliciously and understatedly ironic. In the movie, innocuous-seeming domestic equipment — from the humble suitcase to floor sweeping robots — run quietly amok.

The cost of living continues to make most people think more about their spending habits and try to keep an eye on the number of outgoings.

EXCLUSIVE: Netflix has acquired worldwide rights to the documentary Mountain Queen: The Summits of Lhakpa Sherpa out of the Toronto Film Festival, Deadline can exclusively reveal.

Disney’s Korean superhero thriller Moving heads the nominations for this year’s Asia Content Awards at Busan International Film Festival with nods in six categories, followed by Tencent Video’s The Long Season with five nods. 

It’s hard to make much sense of what’s unfolding as the first few minutes of Pawo Choyning Dorji‘s “The Monk and the Gun” pass by. However, what is clear is that this immediately comes out of the gate with a slice-of-life feeling in stark contrast to what one might expect from a film with this particular brand of odd title.

Bhutan has submitted Pawo Choyning Dorji’s The Monk and the Gun for the Best International Feature Film race at the 2024 Academy Awards.

Patrick Frater Asia Bureau Chief Identity, incomplete understanding and urban poverty are among the many themes touched upon in “Oasis of Now,” which is set to make its debut next month in the prestigious New Currents competition section of the Busan International Film Festival. The story revolves around a mother and a daughter who inhabit the invisible corners of an old apartment block in Kuala Lumpur. They meet in the stairwells, play furtive games and snatch moments of shared happiness, before slinking off to their separate homes.

Patrick Frater Asia Bureau Chief Indonesian production firm is setting its sights on becoming a diverse studio operation with the injection of high-profile management and the acquisition of a significant new animated series “Nussa.” It will also display its credentials at next month’s Busan International Film Festival where two of its feature films are selected. Its “24 Hours with Gaspar,” directed by Yosep Anggi Noen, will compete for the Kim Jiseok Award.

Ballerina, starring Jeon Jong-seo. Watch it above.Ballerina will star Jeon Jong-seo (of Money Heist: Korea – Joint Economic Area fame) as Ok-ju, a former bodyguard who sets out on a path of revenge after the death of a friend.

Patrick Frater Asia Bureau Chief An investigation into allegations of sexual harassment by a former director of the Busan International Film Festival has not reached a conclusion, several months after it began, the festival said on Tuesday. The festival has said that it is urging former director Huh Moonyoung to cooperate with an external investigator. The festival held its annual lineup presentation on Tuesday in an online format, announcing the bulk of its film selections, juries, anticipated guests, honorary prize-winners and technical arrangements such as screening venues and ticketing. As part of the presentation, current management again apologized for several months of turmoil, which it admitted had scared off sponsors and caused its operating budget to shrink. The turmoil began in May when the festival appointed Cho Jongkook, a close friend of chairman Lee Yong-kwan, to a power-sharing position with festival director Huh Moonyoung. That move was opposed by certain Korean industry guilds, which threatened to boycott the festival in support of Huh.

Busan International Film Festival (BIFF, October 4-13) has unveiled its full line-up, including opening and closing films, and announced that Hong Kong star Chow Yun-fat has been named as Asian Filmmaker of the Year.