Busan Film Festival To Open With ‘Because I Hate Korea’; Chow Yun-Fat Named As Asian Filmmaker Of The Year

Leo Barraclough International Features Editor Neo Sora’s concert documentary “Ryuichi Sakamoto | Opus,” a standout at the Venice Film Festival, has sold for theatrical distribution in North America to Janus Films ahead of its North American premiere at the New York Film Festival. The theatrical release will be followed by a Blu-ray Disc release on the “Janus Contemporaries” label. This is the latest deal inked by London and Paris-based production, finance and sales outfit Film Constellation, following a slew of sales to Spain (Filmin), Portugal (Midas Filmes), Germany and Austria (Rapid Eye), Scandinavia (NjutaFilms), Baltics (Kino Pavasaris), South Korea (Media Castle), China (JL Vision Films), Hong Kong and Macau (Edko Films), Taiwan (Cai Chang) and Singapore (Anticipate Pictures).

The 2023 film festival season has wound its way from Sundance and SXSW through Cannes and Tribeca to the fall stops at Venice, Telluride and Toronto.

Maja Hoffmann has been officially confirmed as President of the Locarno Film Festival following a vote at an Extraordinary General Assembly on Wednesday.

Patrick Frater Asia Bureau Chief Steven Yeun has bucked stereotypes and carved a new niche as sexy Asian leading man with his roles in “Burning” and “Beef.” Justin Chon transitioned from a supporting role in “Twilight” to directing “Gook,” “Jamojaya” and half of Apple TV+’s “Pachinko.” And Busan-born Daniel Dae Kim has expanded from “Lost” and “Hawaii” to becoming one of Hollywood’s leading producers. The stateside successes of Korean-born and Korean American talent are growing and are worth celebrating. But the Busan International Film Festival’s planned party is being dialed down a notch under the impact of the twin writers’ and SAG Actors strikes in the U.S. Busan’s ‘Special Program in Focus: Korean Diasporic Cinema’ will go ahead with a screening schedule including six films, public talk sessions that include Oscar-winning actor Youn Yuh-jung, Lee Isaac Chung, director of Oscar-winning film “Minari,” and John Cho, the Seoul-born “Star Trek” and “Searching” star.

A first-time filmmaker has claimed the top prize at the 19th Annual Camden Film Festival in Maine, one of the country’s foremost all-documentary festivals.

Organizers of the Camden International Film Festival in coastal Maine are moving ahead with regular programming today, as Hurricane Lee – downgraded to a post-tropical cyclone – aims further north towards Nova Scotia.

Sophia Scorziello editor “Oppenheimer” cinematographer Hoyte van Hoytema will be honored with Variety’s Creative Impact in Cinematography award at the SCAD Savannah Film Festival. In addition to this summer’s Christopher Nolan blockbuster, the Dutch cinematographer has worked as Nolan’s DP on “Tenet,” “Interstellar” and Dunkirk” along with Jordan Peele for “Nope” and Spike Jonze for “Her.” “SCAD is proud to partner with Variety on this year’s Creative Impact Award, which will be presented to cinematographer Hoyte van Hoytema,” said SCAD Savannah Film Festival executive director Christina Routhier.

Liam Neeson’s new action thriller Retribution has been described as in the running for “worst film of the year” by critics.Directed by Nimród Antal (Predators), the film follows financier Matt Turner (Neeson) who is threatened by a mysterious bomber while driving his son and daughter to school. Other cast members include Noma Dumezweni, Lilly Aspell and Jack Champion.It’s the third remake of the 2015 Spanish film The Stranger, following German and Korean adaptations in 2018 and 2021 respectively.Retribution, which was released in the US on August 25, received a negative review on Rolling Stone, who described it as a “formula beaten into submission”.“Retribution is not the worst of his thrillers/action movies – that honour belongs to either last year’s god-awful Blacklight or this freezer-burned turkey – but it does suggest that Neeson may want to consider retiring from the everyman action-hero beat for good,” the review reads.

Disney’s Korean superhero thriller Moving heads the nominations for this year’s Asia Content Awards at Busan International Film Festival with nods in six categories, followed by Tencent Video’s The Long Season with five nods. 

Anna Marie de la Fuente Mexico’s Monterrey Film Festival (ficmonterrey) is chasing new ambitions in a bid to raise its international profile. Buttressed by generous state, local and private backing as well as some federal funding, the festival, running Sept. 28 – Oct.

Flesh-eating sewer monsters, genitals with wings, grave robbing, two confused “identical twins” and 90 minutes of sexual innuendo is what you can expect from comedians Aaron Jackson and Josh Sharp’s stage show-turned-movie. Directed by Larry Charles and written by and starring the duo, the film also features Nathan Lane, Megan Mullally, Megan Thee Stallion and Bowen Yang. As a viewer, I often wondered how the hell this got turned into the movie because it is so outrageous. Thankfully, it succeeds at being fun and funny because anything less would have amounted to torture. 

Rebecca Rubin Film and Media Reporter A raucous, deliriously madcap midnight premiere of “Dicks: The Musical” closed out the first day of the Toronto Film Festival. A24’s first-ever musical, which leans hard into its R-rating and puts an irreverent, queer spin on “The Parent Trap,” played to laughs, cheers, audible gasps and shrieks and, yes, a few groans from the Royal Alexandra Theatre.

Patrick Frater Asia Bureau Chief An investigation into allegations of sexual harassment by a former director of the Busan International Film Festival has not reached a conclusion, several months after it began, the festival said on Tuesday. The festival has said that it is urging former director Huh Moonyoung to cooperate with an external investigator. The festival held its annual lineup presentation on Tuesday in an online format, announcing the bulk of its film selections, juries, anticipated guests, honorary prize-winners and technical arrangements such as screening venues and ticketing. As part of the presentation, current management again apologized for several months of turmoil, which it admitted had scared off sponsors and caused its operating budget to shrink. The turmoil began in May when the festival appointed Cho Jongkook, a close friend of chairman Lee Yong-kwan, to a power-sharing position with festival director Huh Moonyoung. That move was opposed by certain Korean industry guilds, which threatened to boycott the festival in support of Huh.

Natalie Portman and Julianne Moore‘s new movie May December is set to introduce the 2023 New York Film Festival later this month!

Patrick Frater Asia Bureau Chief The QCinema International Film Festival in the Philippines has beefed up its industry program by introducing a project market strand, QCinema Project Market (QPM). It acts as a networking and funding platform for Filipino and Southeast Asian projects in advanced development.

Patrick Frater Asia Bureau Chief The Busan International Film Festival put aside many of its recent internal and local political problems to Tuesday unveil a large selection ranging from bleeding edge art titles to international festival favorites. “The difficult times are not behind us, but hard work has made this year’s festival better than ever,” said programmer and interim festival chief Nam Dong-chul, speaking at an online press conference. International guests expected to attend the festival include Luc Besson, Chinese superstar Fan Bingbing, Japanese directors Hamaguchi Ryusuke and Kore-Eda Hirokazu, Iranian filmmaker Mohsen Makhmalbaf, and Korean Americans Justin Chon (“Gook”) and Lee Isaac Chung (“Minari”). Hong Kong-based superstar Chow Yun-fat has been named as Busan’s Asian Filmmaker of the Year and will be in person to receive the award.

In principle, using the rainy-day, kitchen-sink post-rock of Manchester band The Smiths so prominently in a film like The Killer seems incredibly perverse, given that it’s an exotic, globe-trotting thriller about an American assassin. But in reality, it’s actually very sound choice indeed: legend has it that the band’s singer, Morrissey, had two reasons for naming his band so, the first being that “Smith” is one of the most common and thus unremarkable surnames in the world. The second, and much more subversive theory, suggests that it’s also a reference to David and Maureen Smith, brother-in-law and sister of ’60s serial killer Myra Hindley, the snappily dressed couple whose testimony blew open the Moors Murderers case and whose beatnik likenesses adorn the cover of Sonic Youth’s 1990 album “Goo”.

Five years after his triumphant A Star is Born world premiered at the Venice Film Festival, Bradley Cooper is back on the Lido with Maestro. Except, the director and star is only here in spirit owing to the SAG-AFTRA strike.

Patrick Frater Asia Bureau Chief Ten Korean independent films will have their world premiere in the Busan International Film Festival’s Korean Cinema Today section. Selectors said on Friday that this year’s crop are films that “delve into profound themes of life, agony, family affection, and personal introspection, inviting audiences to contemplate their meaning.” They add that, “the imaginative depiction of a diverse array of stories, free from the typical rules of genre, adds anticipation.” Delivery presents a “suspenseful irony” as an affluent couple deal with infertility and a young, financially struggling couple face an unplanned pregnancy. “FAQ” is a comic fantasy where an elementary schoolchild innocently picks up a bottle of Korean rice wine or makgeolli at a field camp and then gets to know the secrets of the world through alcohol.

Patrick Frater Asia Bureau Chief The main competition section of the Busan International Film Festival is set to showcase two new features from Bangladeshi directors, the feature debut of Japanese documentary maker Mori Tatsuya and ruminations on Hong Kong by mainland Chinese director Choi Ji. The festival on Wednesday unveiled its New Currents competition section, reserved for films by directors making their first or second works of fiction, as well as its Jiseok section, a showcase for somewhat more established Asian auteurs. In addition to the Bangladesh duo, New Currents includes two films from Japan, two from Korea and one each from China, Thailand, Malaysia and India. From Bangladesh, Iqbal H. Chowdhury’s “The Wrestler” sees an old fisherman challenge a wrestling champion to combat, and in “The Stranger” Biplob Sarkar tells a coming-of-age, gender-identity tale. From Japan, Mori recounts the events of the Great Kanto earthquake in “September 1923,” while Yamamoto Akira delves into profound and shocking love in “After the Fever.” New Currents’ Korean contributions come from Lee Jong-su, whose “Heritage” tracks a man who opts out of military service and his supervisor, and Sohn Hyun-lok, whose “That Summer’s Lie” blurs truth and fiction in memories of a past romance. India’s Rajesh S.