Netflix has dropped a first look at Tomb Raider: The Legend of Lara Croft, its new anime series featuring voiceover work by Hayley Atwell (Agent Carter).
08.09.2023 - 09:01 / variety.com
Patrick Frater Asia Bureau Chief Identity, incomplete understanding and urban poverty are among the many themes touched upon in “Oasis of Now,” which is set to make its debut next month in the prestigious New Currents competition section of the Busan International Film Festival.
The story revolves around a mother and a daughter who inhabit the invisible corners of an old apartment block in Kuala Lumpur. They meet in the stairwells, play furtive games and snatch moments of shared happiness, before slinking off to their separate homes.
The mother thinks she is doing the right thing, but it is not clear that she has the full picture.
“Oasis of Now” is the feature debut of Chia Chee Sum, a Malaysian director and producer who joins a growing crowd of Southeast Asian filmmakers quietly boosting the region’s profile and reputation for high quality, low budget art filmmaking and making use of a pan-regional production methodology.
“Oasis of Now” bears the hallmarks of the Euro-Asian projects market, development labs and indie support system that has created an underpinning for independently-made art films in a region where government support is modest and local box office support is still thinner.
It was developed at SEAFIC (winner of the SEAFIC Award), a now defunct year-long lab based in Thailand, and presented at the Talents Tokyo, SGIFF Southeast Asian Producers Network, Berlinale Talents Project Market and Torino Film Lab Next – Audience Design Workshop. Additionally, Chia is an alumnus of Busan’s Asian Film Academy.
The film received funding from Malaysia’s MyCreative Ventures, Singapore’s IMDA/Singapore Film Commission, France’s CNC, the Berlinale World Cinema Fund, Purin Pictures, Talents Tokyo – Next Masters Support
Netflix has dropped a first look at Tomb Raider: The Legend of Lara Croft, its new anime series featuring voiceover work by Hayley Atwell (Agent Carter).
Patrick Frater Asia Bureau Chief Equal numbers of Chinese and Japanese titles adorn the main competition section of the Toyo International Film Festival, which was announced on Wednesday – three each. Among the Chinese films is “Snow Leopard,” the last feature by the late Pema Tseden, and “Dwelling by the West Lake,” directed by Gu Xiaogang, the surprisingly inexperienced joint recipient of this year’s Kurosawa Award. The full competition with 15 titles, set to play between Oct. 23 and Nov.
Naman Ramachandran A first trailer has been unveiled for Indonesian filmmaker Yosep Anggi Noen’s “24 Hours With Gaspar.” The film will world premiere at the Busan Film Festival where it is in the prestigious Jiseok competition. Set in 2032 and based on the novel of the same name by Indonesian author Sabda Armandio, the film follows Gaspar, a private detective with 24 hours to live, who finds clues about the mysterious disappearance of Kirana, his childhood friend.
Patrick Frater Asia Bureau Chief Ryuji Otsuka and Huang Ji, the husband and wife, Japanese-Chinese directing duo behind “Stonewalling” and “Egg and Stone” have secured multi-national backing for their upcoming fourth film project “A Woman Builds.” The film will depict a Chinese woman forced to live apart from her Japanese husband and their daughter during the pandemic and learning to enjoy the newfound freedom of a pseudo single life. She finds a unique massage parlor to satisfy her sexual needs and decides to build a house back in her home village, despite her husband’s disapproval.
Nicole Midori Woodford’s feature debut “Last Shadow at First Light,” which world premieres at the New Directors strand of the San Sebastian Film Festival. The film is in competition for the New Directors Award.
Patrick Frater Asia Bureau Chief Disney has given a green light to a second season of Japanese drama -horror series “Gannibal.” Set in a fictional Japanese village, season one of Gannibal saw recently relocated police officer Agawa Daigo arrive in his new home a broken man. Wrestling with his guilt over an event that traumatized his daughter, things started off promisingly for the new arrival before a series of alarming events quickly led Agawa to the horrifying realization that something was deeply wrong with the villagers and the mysterious Goto family.
Patrick Frater Asia Bureau Chief Steven Yeun has bucked stereotypes and carved a new niche as sexy Asian leading man with his roles in “Burning” and “Beef.” Justin Chon transitioned from a supporting role in “Twilight” to directing “Gook,” “Jamojaya” and half of Apple TV+’s “Pachinko.” And Busan-born Daniel Dae Kim has expanded from “Lost” and “Hawaii” to becoming one of Hollywood’s leading producers. The stateside successes of Korean-born and Korean American talent are growing and are worth celebrating. But the Busan International Film Festival’s planned party is being dialed down a notch under the impact of the twin writers’ and SAG Actors strikes in the U.S. Busan’s ‘Special Program in Focus: Korean Diasporic Cinema’ will go ahead with a screening schedule including six films, public talk sessions that include Oscar-winning actor Youn Yuh-jung, Lee Isaac Chung, director of Oscar-winning film “Minari,” and John Cho, the Seoul-born “Star Trek” and “Searching” star.
Callum McLennan A San Sebastian competition contender, Isabel Herguera’s awaited debut feature film, animated feature “Sultana’s Dream,” (“El sueño de la sultana”), has a first trailer, which Variety can share exclusively. Seen at Annecy as a work in progress, the feminist film will world premiere at Spain’s 71st San Sebastian, becoming the first animation feature directed by a woman to garner selection. Producers of “Unicorn Wars” Abano Producións and UniKo, join El Gatoverde Producciones, Sultana Films and Fabian & Fred, to bring this three-part animated feature, recounting the modern-day vicissitudes of a Spanish artist in India; the travails of real-life feminist thinker Rokeya Hossain; and the story she published remarkably as early as 1905 about Ladyland, where women hold the dominant power.
Marta Balaga International Sámi Film Institute’s managing director Anne-Lajla Utsi will now add “trailblazer” to her résumé as the recipient of the first-ever Women in Film and Television International Peace Prize. The award ceremony will take place on Sept. 23 during the WIFTI Helsinki Summit.
Patrick Frater Asia Bureau Chief Japan’s Dean Fujioka (“Fullmetal Alchemist,” “The Man From The Sea”) and the U.K.’s Callum Woodhouse (“All Creatures Great and Small,” “The Durrells”) are set to star in “Orang Ikan,” a WWII-set creature horror film. The picture is scripted by Singapore and Indonesia-based Mike Wiluan (“Buffalo Boys,” HBO series “Grisse”) who will also direct the picture from next month. International rights to “Orang Ikan” have been picked up by London-based SC Films International, which will give the project its sales launch at the Busan festival and accompanying market next month. Set in the Pacific, 1942, a Japanese ship transports prisoners of war to occupied territories as slave labor.
McKinley Franklin editor It’s time to wing it — Max has released the first official teaser for its animated “Harley Quinn” spin-off “Kite Man: Hell Yeah!,” which is set to debut in 2024. “Kite Man and Golden Glider take their relationship to the next level by opening a bar in the shadow of Lex Luthor’s Legion of Doom. Nobody said serving cold ones to the most dangerous rogues outside of Arkham Asylum would be easy, but sometimes you want to go where everybody knows your name, and how to hide a body,” reads the show’s official logline.
Patrick Frater Asia Bureau Chief That the Toronto world premiere of “The Movie Emperor” is sponsored by high-end home appliance manufacturer Dyson is deliciously and understatedly ironic. In the movie, innocuous-seeming domestic equipment — from the humble suitcase to floor sweeping robots — run quietly amok.
Patrick Frater Asia Bureau Chief Oscar-winning Korean actor Youn Yuh-jung (“Minari,” “Pachinko”) will headline the Actors’ House section of the upcoming Busan International Film Festival, it was announced on Thursday. Introduced in 2021, Actors’ House is a special series that connects audiences and film enthusiasts with iconic actors from the current generation through its in-depth discussions. “There’s much anticipation to hear her words of wisdom, as she’s known for her insightful observations,” said the festival. Others this year include: Han Hyo-joo, Song Joong-ki and Korean-American actor and author John Cho.
Joe Otterson TV Reporter Paramount+ has set the premiere date for the epic Western series “Lawmen: Bass Reeves.” The series, which stars David Oyelowo as Reeves and boasts Taylor Sheridan among its executive producers, will debut with its first two episodes on Nov. 5 in all Paramount+ markets. The show has also revealed its first trailer, which can be seen below.
Patrick Frater Asia Bureau Chief Indonesian production firm is setting its sights on becoming a diverse studio operation with the injection of high-profile management and the acquisition of a significant new animated series “Nussa.” It will also display its credentials at next month’s Busan International Film Festival where two of its feature films are selected. Its “24 Hours with Gaspar,” directed by Yosep Anggi Noen, will compete for the Kim Jiseok Award.
Patrick Frater Asia Bureau Chief An investigation into allegations of sexual harassment by a former director of the Busan International Film Festival has not reached a conclusion, several months after it began, the festival said on Tuesday. The festival has said that it is urging former director Huh Moonyoung to cooperate with an external investigator. The festival held its annual lineup presentation on Tuesday in an online format, announcing the bulk of its film selections, juries, anticipated guests, honorary prize-winners and technical arrangements such as screening venues and ticketing. As part of the presentation, current management again apologized for several months of turmoil, which it admitted had scared off sponsors and caused its operating budget to shrink. The turmoil began in May when the festival appointed Cho Jongkook, a close friend of chairman Lee Yong-kwan, to a power-sharing position with festival director Huh Moonyoung. That move was opposed by certain Korean industry guilds, which threatened to boycott the festival in support of Huh.
Patrick Frater Asia Bureau Chief The QCinema International Film Festival in the Philippines has beefed up its industry program by introducing a project market strand, QCinema Project Market (QPM). It acts as a networking and funding platform for Filipino and Southeast Asian projects in advanced development.
Patrick Frater Asia Bureau Chief The Busan International Film Festival put aside many of its recent internal and local political problems to Tuesday unveil a large selection ranging from bleeding edge art titles to international festival favorites. “The difficult times are not behind us, but hard work has made this year’s festival better than ever,” said programmer and interim festival chief Nam Dong-chul, speaking at an online press conference. International guests expected to attend the festival include Luc Besson, Chinese superstar Fan Bingbing, Japanese directors Hamaguchi Ryusuke and Kore-Eda Hirokazu, Iranian filmmaker Mohsen Makhmalbaf, and Korean Americans Justin Chon (“Gook”) and Lee Isaac Chung (“Minari”). Hong Kong-based superstar Chow Yun-fat has been named as Busan’s Asian Filmmaker of the Year and will be in person to receive the award.
Naman Ramachandran Mexican auteur Michel Franco’s latest film, “Memory,” starring Jessica Chastain and Peter Sarsgaard, world premieres in competition at the Venice Film Festival. The film is his third successive bow on the Lido after “New Order” (2020), which won the grand jury prize, and “Sundown” (2021). “Memory” follows Sylvia (Chastain), a social worker who leads a simple and structured life revolving around her daughter, her job and her AA meetings.
Patrick Frater Asia Bureau Chief Renowned Hong Kong actor Tony Leung Chiu-wai ditched his quiet, brooding persona on Saturday in Venice, where he is to receive a Golden Lion Lifetime Achievement Award. Instead, at a press conference in his honor, Leung positively gushed about his upcoming first European movie role and about the strengths of the “golden era” acting training he received in Hong Kong in the 1980s. Leung has made a speciality of saying little in many of his films.