Busan International Film Festival has announced the 30 projects selected for this year’s Asian Project Market (APM), including new projects from leading Asian filmmakers such as Japan’s Koji Fukada, Indonesia’s Makbul Mubarak and India’s Rima Das.
14.07.2023 - 14:15 / variety.com
Leo Barraclough International Features Editor Seven films have been selected for the 11th edition of Final Cut in Venice, the works-in-progress section of the 80th Venice Film Festival. Final Cut in Venice, which runs Sept. 3-5, provides support for the completion of films from Africa and five Middle Eastern countries: Iraq, Jordan, Lebanon, Palestine and Syria. It is one of the programs run by the festival’s industry section, Venice Production Bridge. Over three days, the working copies of the selected films will be presented to producers, buyers, distributors, post-production companies and film festival programmers. The first two days are devoted to screenings, and then one-to-one meetings between the producers of the projects and the professionals attending the Venice Production Bridge will take place on the third day. The program will conclude with the awarding of prizes in kind or in cash, the purpose of which is to provide support for the films’ post-production.
Within the framework of the festival’s Focus on Germany, one additional film has been selected. FICTION“Allah Is Not Obliged” (Allah n’est pas obligé) by Zaven Najjar (France, Luxembourg, Belgium, Canada, U.S., Slovakia) Animation. Birahima, a 10-year-old Guinean orphan, tells how he becomes a child soldier when he tries to join his aunt in Liberia.“Carissa” by Jason Jacobs and Devon Delmar (South Africa). A young woman discovers a machine in an attic that she believes is a supernatural communication device between her and her Khoekhoe ancestors.“Happy Holidays” by Scandar Copti (Palestine, Germany, France, Qatar, Italy) Focus on Germany. A student’s involvement in a minor accident sets off a chain of events that lead to the exposure of her double life,
Busan International Film Festival has announced the 30 projects selected for this year’s Asian Project Market (APM), including new projects from leading Asian filmmakers such as Japan’s Koji Fukada, Indonesia’s Makbul Mubarak and India’s Rima Das.
Leo Barraclough International Features Editor Zurich Film Festival will honor the chief executive of German film and TV company Leonine Studios, Fred Kogel, with its Game Changer Award, which is presented to a leading personality from the film industry whose “extraordinary efforts serve to advance the sector.” Kogel set up Leonine four years ago, and it has grown rapidly to become Germany’s leading independent film company, as well as a major TV producer. Its successes as a film distributor have included the release of “The School of Magical Animals,” “Knives Out” and the “John Wick” franchise.
Leo Barraclough International Features Editor Prime Video has acquired the Ancient Rome gladiator drama series “Those About to Die” in multiple European territories. The show is directed by “Independence Day” helmer Roland Emmerich and Marco Kreuzpaintner. The 10-episode first season will debut exclusively on Prime Video in Germany, the U.K., France, Italy, Spain, Portugal, the Netherlands, Austria, Switzerland, Ireland, Poland, Turkey, Andorra, Monaco, Luxembourg and Belgium.
Leo Barraclough International Features Editor Berlin-based sales agent Pluto Film has boarded “Forever-Forever” (“Nazavzhdy-Nazavzhdy”), Ukrainian filmmaker Anna Buryachkova’s feature directing debut, ahead of its world premiere in Venice Film Festival’s Horizons Extra competition. After transferring from a downtown high school, Tonia (Alina Cheban) befriends a group of badass youngsters, trying to find protection from the people from her past and a place she truly belongs. They spend time together, roaming around Kyiv’s post-socialist suburbs, having fun and getting in trouble.
While SAG-affiliated actors may not be on the Lido for the Venice Film Festival at the end of the summer, two filmmakers with less than stellar reputations will be: Woody Allen and Roman Polanski. Venice creative director Albert Barbera said he doesn’t “see where the issue is” for both filmmakers bring their new films to the festival, albeit out of competition.
It’s been three years since Woody Allen‘s last film, “Rifkin’s Festival,” which came and went without much fanfare, even with the COVID-19 pandemic going on. And at age 87, many didn’t expect Allen to keep working post-pandemic.
Leo Barraclough International Features Editor Beta Film has sold more than 100 hours of drama series to PBS Distribution-backed Walter Presents for the U.S., and Channel 4-backed Walter Presents for the U.K. Five seasons of Italy’s gritty crime series “Rocco Schiavone” as well as Canadian mystery dramas “The Wall – The Chateau Murder” and “The Wall – The Orchard” will be available in both territories.
Leo Barraclough International Features Editor Gianluca Matarrese’s “The Zola Experience,” which will have its world premiere at Venice Days, has been picked up for international sales by Syndicado. Cinecittà will distribute the film in Italy. According to Matarrese, the film “explores the boundaries between fiction and documentary.” It centers on Anne, a theater director, who has separated from her husband and is moving house.
Venice Film Festival artistic director Alberto Barbera is refusing to row back on his decision to invite controversial movie-biz bigwigs Roman Polanski, Woody Allen and Luc Besson to the late summer event, which will take place despite the potential disruption by the ongoing SAG-AFTRA and WGA strikes. “Luc Besson has been recently fully cleared of any accusations. Woody Allen went under legal scrutiny twice at the end of the ’90s and was absolved,” Barbera said in a new interview with Variety.
The Venice Film Festival on Tuesday released a star-studded and A-list heavy lineup of films that will debut at the 2023 Biennale, including the films vying for this year’s Golden Lion. This was done despite the ongoing SAG-AFTRA actors and WGA writers strike.
Nick Vivarelli International Correspondent Venice Film Festival artistic director Alberto Barbera is in a good mood after Tuesday’s lineup announcement managed to stave off the impact of the SAG-AFTRA strike, something which could have been “devastating” to the event, he says. In the end, the only U.S. film that skipped the Lido is Luca Guadagnino’s Zendaya-starrer “Challengers,” which Barbera says was against Guadagnino’s wishes.
The Venice Film Festival revealed the lineup for its 80th edition Tuesday morning, and its Official Competition featured works by five women filmmakers, including Ava DuVernay, who makes history as the first African American woman in selection.
Refresh for latest…: Venice Film Festival chief Alberto Barbera is announcing the lineup for the event’s 80th edition this morning. We’ll be updating the list as the films are revealed, so check back for more below. You can also watch the livestream here.
Nick Vivarelli International Correspondent The 80th Venice Film Festival is announcing its lineup on Tuesday from the Italian city, where artistic director Alberto Barbera and La Biennale president Roberto Cicutto are holding a press conference. The Lido’s only previously announced titles in the main selection are the opener, Italian director Edoardo De Angelis’ “Comandante” — a lavish anti-war epic featuring local star Pierfrancesco Favino as a heroic Sicilian World War II naval officer — and the closer, Netflix’s survival thriller “Society of the Snow” by Spanish filmmaker J.A. Bayona. “Comandante” replaced Luca Guadagnino’s sexy sports comedy “Challengers,” starring Zendaya, which had previously been set as the fest’s buzzy opener but was pulled due to promotional complications prompted by the SAG-AFTRA strike.
The Venice Film Festival will announce the lineup for its 80th edition Tuesday at 11 a.m. European time (3 a.m. PT/6 a.m. ET). Venice Artistic Director Alberto Barbera will be joined by Biennale President Roberto Cicutto to reveal this year’s titles.
Venice International Film Festival has announced which film will be closing the event in September.
The Venice Film Festival will close with the world premiere of J. A. Bayona’s Netflix survival thriller La Sociedad De La Nieve (Society Of The Snow).
Leo Barraclough International Features Editor Recently restored versions of William Friedkin’s “The Exorcist,” Terrence Malick’s “Days of Heaven” and Francis Ford Coppola’s “One From the Heart” feature in the Venice Classics section of the 80th Venice Film Festival. The lineup of recently restored films in Venice Classics, which is curated by the festival’s artistic director Alberto Barbera in collaboration with Federico Gironi, was unveiled on Friday. “The Exorcist” is screened, 50 years after it was produced by Warner Bros., alongside Disney’s “Rebecca of Sunnybrook Farm,” starring Shirley Temple and directed by “the prolific and sometimes brilliant” Allan Dwan, to mark the Hollywood studios’ 100th anniversaries.
Leo Barraclough International Features Editor The 80th Venice Film Festival has revealed its selection of projects for Venice Immersive, the XR-Extended Reality section of the festival, which runs Aug. 30 – Sept. 9. The program will include VR experience “Wallace & Gromit in the Grand Getaway” and a Fatboy Slim project. Venice Immersive is devoted to immersive media and includes all XR means of creative expression: 360° videos and XR works of any length, including installations and virtual worlds. The program, which will take place on the island of Lazzaretto Vecchio, will present 44 projects from 25 countries, and 24 works in the Worlds Gallery section. It will comprise:
Nick Vivarelli International Correspondent The Venice Film Festival will pay tribute to late Italian icon Gina Lollobrigida, who died in January, with a pre-opening event featuring a double bill of freshly restored works in which she stars. The Lido’s annual pre-opening event on Aug. 29 will feature a 27-minute short by Orson Welles titled “Portrait of Gina.” In 1968, Welles interviewed Lollobrigida in her villa on the Appian Way as the pilot for an ABC TV series — a U.S. version of “Around the World With Orson Welles”– that ABC rejected. Welles’ portrait of the diva remained in the vaults until 1986, when it was screened at the Venice Film Festival one year after Orson Welles’ death. This piece has been defined by Welles as a “personal essay” on Lollobrigida. Interestingly, when Lollobrigida saw “Portrait of Gina” in Venice in 1986, she reportedly tried to have it banned. The short’s restoration was done by the Munich Film Museum and Italy’s Cinecittà.