The real reason Prince and Madonna didn’t join Michael Jackson for ‘We Are the World’: doc

Michael Jackson’s nephew Jaafar portraying the late singer in the forthcoming biopic Michael has been shared.The pic, which you can view below, sees Jaafar performing as Jackson during his Dangerous Tour from 1992-93.“With Jaafar, every look, every note, every dance move is Michael,” said producer Graham King in a statement via Variety. “He embodies Michael in a way that no other actor could.”Jaafar and nine-year-old Juliano Krue Valdi will play an adult and child version of Michael respectively in the forthcoming biopic.Colman Domingo was also recently cast as Michael Jackson’s father, Joe Jackson.Domingo previously said of his casting: “It’s exciting to do it with Jaafar.

Katy Perry, who has been a judge on American Idol for seven seasons, has announced she will be leaving the show.

“Welcome to The Daily Show, my name is Jon Stewart.”

Sharon Osbourne has furiously hit out at Kanye West, saying he 'messed with the wrong Jew' in a recent interview with TMZ.

widespread drug abuse an extremely relevant issue in America? Obviously. But just as screamingly apparent is that a kilo of deflating, predictable movies about narcotics and dope are not going to bring hesitant audiences back to struggling movie theaters.

This Sunday Usher will be the headline performer at the Super Bowl LVIII Halftime Show in Vegas. To take advantage of his moment in the spotlight the R&B superstar has released his latest albu, Coming Home. Coming Home is Usher's ninth studio album and his first since 2016's Hard II Love.

Accomplished filmmaker Bao Nguyen takes us on a trip back to 1985 and the historic recording of one of the biggest charity records of all time, ‘We Are The World’, which united dozens of A-list artists to raise money for the African famine.Produced by Lionel Richie, one of the iconic artists and co-writer of the original song, Nguyen’s film uses archive material and contemporary talking heads (some interviewed in the original studio in which the record was made), including Richie himself.Headed to Netflix one day off of the recording’s 39th anniversary, the film is a nostalgic trip back to the heyday of ’80s music, the year in which the likes of Cyndi Lauper, Prince, Michael Jackson, Huey Lewis, Billy Joel, Journey, Kenny Loggins and more were dominating the American and international charts, and all are included here in some form.

Lil Nas X: Long Live Montero, the artist known as Lil Nas X lays down his ambitions to achieve something “great, super grand, BIG.”He might be referring to his trailblazing career as a Grammy-winning rapper-singer-songwriter, whose unabashedly queer persona and presentation garner admiration and controversy in equal measure.He could mean his first concert tour as a headliner, the Long Live Montero Tour, the American leg of which is chronicled in this film by directors Carlos López Estrada and Zac Manuel.There’s little doubt he envisions greatness for himself, Montero Hill, the self-described brat from Lithia Springs, Georgia, who uploaded his modest country-rap banger “Old Town Road” to his socials and became a global sensation.The film, a verité-style tour diary in three acts, doesn’t achieve greatness of its own, but offers glimpses at those aforementioned aspects of Montero’s super grand life.Whether rehearsing for opening night at Detroit’s legendary Fox Theatre, getting a surprise pre-show visit from Madonna, or donning his drag persona to meet his uncannily accurate Madame Tussaud’s wax figure, he rides the dizzying whirlwind of music stardom with aplomb, clearly living out a dream.Among the most compelling footage presented here is the video he shot himself in 2018, as a striving but confident 19-year-old, a month after releasing “Old Town Road” to the internet. Looking into the camera, he tallies his current follower count, promising that in a year the count will look different.

“We Are the World,” the historic 1985 charity single — where even Bob Dylan was intimidated by the star-studded session.Surrounded by everyone from Ray Charles, Diana Ross and Paul Simon to Tina Turner, Willie Nelson and Billy Joel, the Bard was clearly out of sorts — and out of his element.But it took one particular legend to help another one find his solo mojo.“The secret agent to help him get comfortable was Stevie Wonder,” says David Breskin — one of two journalists invited by producer Quincy Jones to cover the momentous occasion — in the documentary. “Stevie is an insanely great mimic,” continues Breskin, explaining how the R&B master used his special talents to help the folk god: “Stevie sang it ventriloquially in Dylan’s voice.”It’s a dead-on impression that impresses even Dylan, who — in the only time the room is cleared to give one artist his space — finally nails his part.Such is the spirit of unity that — against all odds and egos — pulled together the recording of “We Are the World” on Jan.

Variety, Domingo, known for his roles in Euphoria and Fear the Walking Dead, will star in the movie musical for which he has also written the script.“I’ve been working on it quietly for a few years,” he told Variety in a new interview. “It’s something I’m looking forward to putting together with some great partners.”Domingo previously wrote the play Lights Out: Nat ‘King’ Cole with Patricia McGregor about the musician.

Michael Jackson’s father, Joe Jackson, in an upcoming biopic based on the King of Pop.According to a Variety report, Domingo will play Joe Jackson in the upcoming film alongside Michael’s nephew Jaafar and 9-year-old Juliano Krue Valdi – both of whom will play an adult and child version of Michael respectively.Domingo said of his casting via Variety: “It’s exciting to do it with Jaafar. Jermaine Jackson’s son is playing Michael, and he is breathtaking, and I think Graham King, the producer, has assembled an incredible cast.”He added: “I’m excited to be a part of a film that explores both the complicated soul of the legendary Michael Jackson as well as his impact on music and culture as a global icon.

Madonna were involved in a romance. Tori Spelling is sharing some of her knowledge regarding the late Perry and Madonna, who used to date when Spelling and Perry were working on the hit TV show “Beverly Hills, 90210.” Madonna celebrates her daughter Mercy’s 18th birthdayMadonna shares adorable photo of her twin daughters reading as she rehearsesSpelling was featured in the latest episode of “90210MG,” a podcast hosted by Jennie Garth that explores the gossip and behind the scenes stories of the hit ‘90s show. In it, she reminisced about the time her late friend Perry disclosed to her that he was dating Madonna.

Donald Trump may be poised to win the New Hampshire primary tonight, but the GOP front runner won’t be getting a vote from at least one musical legend.

Angelique Jackson Lionel Richie has been very emotional lately, but he wants to reassure everyone that he’s okay. According to Richie, it’s just been a heady experience to look back nearly 40 years and relive all the wondrous and chaotic memories of writing and recording “We Are the World” for the new Netflix documentary “The Greatest Night in Pop.” “Every segment of this journey, I cry,” Richie said at the Variety Studio presented by Audible at Sundance Film Festival, where the film made its world premiere.

Madonna producer William Orbit has praised a leaked album of the pop icon’s unreleased songs and has shared his “dream” of working together again.Orbit previously worked with Madonna, producing her seventh LP ‘Ray Of Light’. Upon its release, the album debuted at number two on the US Billboard 200, with the biggest first-week sales by a female artist at the time. It also peaked at number one in 17 countries.Taking to X/Twitter, the producer shared a link to an album of Madonna’s leaked, unreleased tracks.

Coachella, Bonnaroo, Austin City Limits, Summerfest, Pitchfork Music, etc. They all owe an enormous debt to Lollapalooza, the groundbreaking music festival that helped change the touring and music industry just as alternative music peaked in the early 90s.

Kobi Libii’s work on the sadly short-lived Comedy Central show “The Opposition with Jordan Klepper” always tended toward the confrontational. By donning the guise of right-wing media provocateurs, he highlighted the absurd internal contradictions of ideological hardliners.

Early in Yance Ford’s visual essay “Power,” he tells the audience that the film to come either requires “curiosity” or  “at least suspicion” from the viewer. It’s the type of bold claim that might pack a punch as a rhetorical hook, especially for a documentary that dives into the cultural, social, economic, and political history of policing in the United States.

“The Greatest Night In Pop” is so entertaining and eminently watchable, and it’s as simple as that. Directed by Bao Nguyen, the acclaimed filmmaker of the Bruce Lee doc “Be Water,” the already-engaging subject matter doesn’t hurt: nearly 50 of the top American music artists in the world all in one room, recording a soon-to-be global hit single.

“I didn’t really know much about the making of the song,” admits The Greatest Night in Pop director Bao Nguyen of 1985’s star-studded Ethiopian famine relief hit “We Are the World.” “You just make these assumptions about how things are made because it just happens. But when you think now of 46 great artists getting together to make that, it would be really impossible for that to happen now.”