‘Power’ Review: Yance Ford’s Visual Essay Is A Sprawling Overview Of The History Of Policing In America [Sundance]

With fans over the moon that Call The Midwife character Matthew Aylward is now a series regular, they're now keen to find out more about the man behind the brooding dark and handsome looks, Olly Rix.The 36 year old became involved in the dramatic society during his time studying English Literature at Trinity College in Oxford. After graduation the wannabe actor was awarded a scholarship to train at the London Academy of Music and dramatic Art.There, he did some work with the Royal Shakespeare Company and found himself collaborating with a number of esteemed playwrights.The actor, whose character has finally married Trixie Franklin, played by Helen George, 39, in the latest season is clearly born to play a lothario well - he was born on Valentine's Day.

Twenty years ago, Ondi Timoner’s rock doc “Dig!” the wildly entertaining, sensationalistic portrait of the dysfunctional indie rock bands the Brian Jonestown Massacre and The Dandy Warhols and their strange love/hate relationship and rivalry, was a smash hit, at least critically, winning the Sundance Prize Grandy Jury Prize for Best Documentary and squarely landing the filmmaker on the map.

Lily Gladstone and Martin Scorsese will be working together again after their successful collaboration on Killers of the Flower Moon.

“We Are the World” was a once-in-a-generation meeting of musical giants when it was recorded Jan. 28, 1985 — and released two months later on March 7 — to benefit African famine relief.Anyone who was anyone in music at that moment — a who’s who of legends, including everyone from Stevie Wonder, Diana Ross and Bob Dylan to Billy Joel, Tina Turner and Bruce Springsteen — showed up to support the cause.Written by Michael Jackson and Lionel Richie and produced by Quincy Jones and ’80s hitmaker Michael Omartian, the single sold a whopping 20 million copies.

Coronation Street star Matt Milburn, who plays the role of Tommy Orpington, will be caught up in an affair storyline with Tracy Barlow (played by Kate Ford), just a month after his return to the cobbles. The news of his upcoming storyline was confirmed by the actor himself who returned to the hit ITV soap on Christmas Day, reports Birmingham Live. Speaking of the storyline, Matt told Digital Spy: "I was made-up.

It starts innocuously enough. “Krazy House,” the English-language debut of Dutch filmmakers Steffen Haars and Flip van der Kuil, launches with a ‘90s family sitcom parody that ribs their cheese and cringe.

The premise of the documentary “Will & Harper” is so simple that it almost seems presentational, self-serving, or stunt-y. The idea is, after 30 years of friendship, comedian Will Ferrell learns, through a personal email, that an old friend and former “Saturday Night Live” writer, then Adam Steele (yes, the dead name is used at first), is coming out as a trans woman.

Pending Woody Allen’s final and absolute cancellation, few directors have emerged to take his place as an erudite and literary artist whose work combines snappy wordplay, base sex jokes and a philosophical willingness to stare into the abyss. Jesse Eisenberg staked a tentative claim to that throne with his 2022 debut When You Finish Saving the World, an amiable but scrappy political satire about a left-wing mother and son, but his follow-up makes a stronger case, being much more adult, less broadly scripted, and as depressing as Woody Allen circa Stardust Memories (which his sophomore film as director obliquely resembles, with its talk of chance, fate and irony).

An exploration of the generational trauma surrounding the “stolen generations” of Aboriginal children by the Australian government, Jon Bell’s feature debut “The Moogai” fits all the criteria of what we would, perhaps pejoratively, describe as “elevated horror.” A fraught term, and one that would need more than the length of this review to dive into, it nevertheless seems apt for a film that so blatantly makes its subtext into text.

Coachella, Bonnaroo, Austin City Limits, Summerfest, Pitchfork Music, etc. They all owe an enormous debt to Lollapalooza, the groundbreaking music festival that helped change the touring and music industry just as alternative music peaked in the early 90s.

Gregg Goldstein Few directors have had greater success exposing the harsh realities of American life than Debra Granik. But after a drug abuse-themed first feature, “Down to the Bone,” the Jennifer Lawrence-led poverty saga “Winter’s Bone” and a documentary (“Stray Dog”) and drama (“Leave No Trace”) about haunted military vets, her new multipart doc, “Conbody VS Everybody” might be her most upbeat take on a tough topic to date.

Kobi Libii’s work on the sadly short-lived Comedy Central show “The Opposition with Jordan Klepper” always tended toward the confrontational. By donning the guise of right-wing media provocateurs, he highlighted the absurd internal contradictions of ideological hardliners.

“The Greatest Night In Pop” is so entertaining and eminently watchable, and it’s as simple as that. Directed by Bao Nguyen, the acclaimed filmmaker of the Bruce Lee doc “Be Water,” the already-engaging subject matter doesn’t hurt: nearly 50 of the top American music artists in the world all in one room, recording a soon-to-be global hit single.

PARK CITY – To suggest that director Jack Bergert and co-screenwriter Dani Goffstein are playing with fire with the first act of their feature film debuts is an understatement of massive proportions. We haven’t walked out of a movie at a major film festival since before the pandemic, but if we weren’t assigned to review “Little Death” we might have.

Murtada Elfadl A robotic bust with a face modeled on a middle-aged woman who responds to questions using ChatGPT technology, Bina48 is a rather strange concoction. She sounds passably smart but definitely machine-like, looks nothing like a human being and yet the people behind her claim that she is the early prototype for how people could conquer death and live forever. In Sundance doc “Love Machina,” director Peter Sillen tries to find an answer for why Bina48 came to exist, yet ends up revealing the hubris of the people behind her.

Within minutes following the opening fade-in of “Gaucho Gaucho,” a trio of individuals can be seen dashing across a barren landscape, each sitting astride their own majestic-looking horse bathed in a sea of black and white with a South American backdrop beautifully framing the moment. It’s an appropriate setup to this documentary about gauchos, the colloquialism used to describe Argentinian cowboys and cowgirls, as the 84-minute runtime serves as little more than an exercise in striking photography mixed with a series of vignettes that’s as slice of life as one’s likely to find.

Peter Debruge Chief Film Critic On the most literal level, Sam and Andy Zuchero’s “Love Me” is about the relationship between a buoy adrift at sea and a satellite circling the earth. The eccentric rom-com takes place in a time after humans have gone extinct, when the surviving machines’ only references are a massive hard drive’s worth of data combed from search engines and social media sites.

Bethesda and MachineGames have shared the first full trailer for Indiana Jones And The Great Circle as part of Microsoft’s most recent Xbox Developer Direct – check it out below.The 3-minute gameplay video sees Harrison Ford’s Indiana Jones headbutt Nazis, explore crypts, assemble ancient puzzles and use his whip to escape life-threatening situations as he tries to uncover the truth about The Great Circle. Despite the likeness to Ford, he hasn’t returned to voice Indiana Jones with Troy Baker stepping up instead.“Uncover one of history’s greatest mysteries in Indiana Jones And The Great Circle, a first-person, single-player adventure set between the events of Raiders Of The Lost Ark and The Last Crusade,” reads the game’s official description.

Siddhant Adlakha Few issues have defined and divided the United States this decade like policing, and Yance Ford’s “Power” seeks to explore its origins. With few exceptions, the Netflix documentary/visual essay is more factual than emotional — let alone revelatory in its examinations — but the film covers enough historical ground to function as a contemporary cinematic flashpoint, aimed at a wide audience who isn’t already steeped in its academic analyses (which have become a fixture of social media these last few years).

PARK CITY – It’s 2024. Are you ready for a movie set in the pandemic summer of 2020? Or, like September 11th, another historical event that was hard for Americans to stomach on screen for a good while, do you need a decade or so to process? Your answer to those questions will likely, for better or worse, determine your opinion of Theda Hammel’s “Stress Positions” which debuted at this year’s Sundance Film Festival.