‘Lolla’ Review: Perry Farrell’s Traveling Rock Circus Is Well Feted In ‘The Story Of Lollapalooza’ [Sundance]

widespread drug abuse an extremely relevant issue in America? Obviously. But just as screamingly apparent is that a kilo of deflating, predictable movies about narcotics and dope are not going to bring hesitant audiences back to struggling movie theaters.

Meghan Markle reportedly 'won't be pleased' after her father sent his support to King Charles, according to a royal expert.

Investigative documentaries are some of the most interesting films you can watch. There’s no need to create artificial drama, as the subjects are real, and you can’t help but get swept up in the investigation.

were photographed riding through a departure lounge, bundled onto piles of monogrammed luggage. It was part of Sabato de Sarno’s debut , but it could just as feasibly have been an ode to the —arriving at Heathrow Airport in 1997 with more than a complete set of Louis Vuitton suitcases, or landing at Narita in Tokyo in coordinating Gucci blazers in 2003.David Beckham and his wife Victoria walk through New Tokyo International Airport on June 22, 2003.That is because the Beckhams understand the inherent glamour of being photographed in an airport: a clinical environment that scrambles with hierarchies, forcing people from across social stratas to queue and stare at massive TV screens together.

There’s something magical that happens to most people around the age of 13. For many, that’s when you might have your first real romantic love.

“We Are the World” was a once-in-a-generation meeting of musical giants when it was recorded Jan. 28, 1985 — and released two months later on March 7 — to benefit African famine relief.Anyone who was anyone in music at that moment — a who’s who of legends, including everyone from Stevie Wonder, Diana Ross and Bob Dylan to Billy Joel, Tina Turner and Bruce Springsteen — showed up to support the cause.Written by Michael Jackson and Lionel Richie and produced by Quincy Jones and ’80s hitmaker Michael Omartian, the single sold a whopping 20 million copies.

Brent Lang Executive Editor Mavis Beacon taught the world to type. Starting in the late 1980s, a software program featuring the eponymous instructor drilled computer users on their keyboard skills, selling more than 10 million copies worldwide. But it often comes as a shock to find out that Beacon never really existed.

Reality Winner is probably better known in Europe than the U.S., thanks in part to Tina Satter’s extraordinary arthouse film Reality (2023), which dramatized the 25-year-old Texan translator’s arrest in 2017 using the verbatim transcripts of her interactions with the FBI. Winner, a funny and surprisingly powerful biopic directed and co-written by Susanna Fogel, will go quite a long way towards raising her profile back home.

Gregg Goldstein Few directors have had greater success exposing the harsh realities of American life than Debra Granik. But after a drug abuse-themed first feature, “Down to the Bone,” the Jennifer Lawrence-led poverty saga “Winter’s Bone” and a documentary (“Stray Dog”) and drama (“Leave No Trace”) about haunted military vets, her new multipart doc, “Conbody VS Everybody” might be her most upbeat take on a tough topic to date.

Owen Gleiberman Chief Film Critic There’s a moment in Titus Kaphar’s “Exhibiting Forgiveness” that speaks volumes about how trauma — racial, historical, personal — can destroy a person, even as the scene barely offers an explicit word about it. Tarrell (André Holland), an artist who paints dreamy neon-rainbow-hued suburban fantasias, has reconnected with La’Ron (John Earl Jelks), the estranged father he hasn’t seen in 15 years. La’Ron, now gray and grizzled and homeless, is a recovering addict who was rarely around and, when he was, treated his son with a ruthless indifference that edged into violence.

Kobi Libii’s work on the sadly short-lived Comedy Central show “The Opposition with Jordan Klepper” always tended toward the confrontational. By donning the guise of right-wing media provocateurs, he highlighted the absurd internal contradictions of ideological hardliners.

Early in Yance Ford’s visual essay “Power,” he tells the audience that the film to come either requires “curiosity” or  “at least suspicion” from the viewer. It’s the type of bold claim that might pack a punch as a rhetorical hook, especially for a documentary that dives into the cultural, social, economic, and political history of policing in the United States.

“The Greatest Night In Pop” is so entertaining and eminently watchable, and it’s as simple as that. Directed by Bao Nguyen, the acclaimed filmmaker of the Bruce Lee doc “Be Water,” the already-engaging subject matter doesn’t hurt: nearly 50 of the top American music artists in the world all in one room, recording a soon-to-be global hit single.

Seemingly not wasting one of its 111 offbeat minutes, sprawling and long for a comedy, but not undeserved here, Nate Silver’s “Between The Temples” begins with immediate hilarity. Ben Gottlieb (a terrific Jason Schwartzman) is a sad sack cantor living at home.

Within minutes following the opening fade-in of “Gaucho Gaucho,” a trio of individuals can be seen dashing across a barren landscape, each sitting astride their own majestic-looking horse bathed in a sea of black and white with a South American backdrop beautifully framing the moment. It’s an appropriate setup to this documentary about gauchos, the colloquialism used to describe Argentinian cowboys and cowgirls, as the 84-minute runtime serves as little more than an exercise in striking photography mixed with a series of vignettes that’s as slice of life as one’s likely to find.

PARK CITY – It’s 2024. Are you ready for a movie set in the pandemic summer of 2020? Or, like September 11th, another historical event that was hard for Americans to stomach on screen for a good while, do you need a decade or so to process? Your answer to those questions will likely, for better or worse, determine your opinion of Theda Hammel’s “Stress Positions” which debuted at this year’s Sundance Film Festival.

The Traitors is back on our screens for another week of deception and lies, but amongst the shocking twists and turns of the series so far, there has remained one constant – Claudia Winkleman’s wellies. Each week we – and everyone else watching – have been obsessing over the host’s chic country-ready outfits, and amongst the array of oversized knits, tailored coats and skinny jeans, her black Hunter wellies reign supreme as the understated hero of her cosy outdoor ensembles.

Rafa Sales Ross Guest Contributor Writer and director Amrou Al-Kadhi shares many similarities with the eponymous protagonist of their directorial debut “Layla,” a drama about how a drag queen’s first love influences their sense of self. Al-Kadhi speaks exclusively to Variety ahead of the world premiere of “Layla” Thursday in Sundance Film Festival‘s World Cinema Dramatic Competition.

Angelique Jackson Award-winning nonfiction filmmaker and writer Brett Story has signed with CAA ahead of the world premiere of her latest documentary, “Union.” Story co-directed the feature with Stephen Maing about the Amazon Labor Union (ALU), a group of current and former Amazon workers in New York City’s Staten Island, as they take on one of the world’s largest and most powerful companies in a fight to unionize. “Union” will make its world premiere at the Sundance Film Festival on Jan.

Zack Sharf Digital News Director Matthew Perry received an emotional tribute during the 2023 Emmys In Memoriam segment, which also included late stars such as Len Goodman, Andre Braugher, Lance Reddick, Paul Reubens, Barbra Walters, Kirstie Alley and more. Pop singer Charlie Puth and singer-songwriter duo The War and Treaty performed during the segment, first starting with a rendition of Puth’s “See You Again” before delivering a stripped-down cover of the “Friends” theme song (“I’ll Be There for You” by The Rembrandts). Perry died unexpectedly on Oct.