‘The Marvels’ Ends Box Office Run as Lowest-Grossing MCU Movie in History

Zack Sharf Digital News Director As 2023 draws to a close, Christopher Nolan is feeling pretty good about the state of the movie business. That shouldn’t come as too much of a surprise considering “Oppenheimer” pulled in a remarkable $954 million at the box office this year, beating every superhero movie and several major Hollywood tentpoles, like “Indiana Jones and the Dial of Destiny.” Audiences turning out in droves for a three-hour, R-rated and incredibly dense biographical drama as if it were a major action movie blockbuster has Nolan quite optimistic about the future. “I’ve just made a three-hour film about Robert Oppenheimer which is R-rated and half in black-and-white – and it made a billion dollars.

It has just about 30 years since NBC’s hit television show Friends debuted to rave reviews and became an instant hit.

Timothée Chalamet‘s Wonka has topped the global box office.The musical prequel directed by Paul King pulled in a whopping $92.6million (£73.1million) over the weekend, topping the box office in 60 of its 77 international markets, according to Screen Daily. Its worldwide total currently stands at $150million (£118.4million).In the US, it made its debut pulling in $39million (£30.8million) over the weekend to top the box office and enjoyed strong openings in France at $5.1million (£4million) and Australia $4million (£3.2million).The UK/Ireland leads the international pack with $23.2million (£18.3million) after 10 days, ahead of Mexico with $11.2million (£8.3million).

Rebecca Rubin Film and Media Reporter Will the box office hit $9 billion in 2023? Analysts have predicted, or at least hoped, that’s where domestic grosses would wind up. And there are no less than eight new releases set to unspool over the next 14 days, which could help theaters finish the year having passed that coveted figure. But after a 12-month stretch that’s seen two labor strikes wallop a business that’s yet to recover from the pandemic, Hollywood may struggle to get its happily ever after.

Rebecca Rubin Film and Media Reporter “Wonka,” a fantasy musical starring Timothée Chalamet as the eccentric chocolatier, charmed in its box office debut, collecting $39 million over the weekend. It’s a sweet start, as long as the $125 million-budgeted family film has momentum around the holidays. The good news for Warner Bros.

according to IMDB’s Box Office Mojo.The musical fantasy, which tells the story of the fictional proprietor in the 1964 Roald Dahl novel “Charlie and the Chocolate Factory” stars Timothée Chalamet in the titular role. The Post said the actor exudes “impish charm and oddball quirks” and the film “delivers not so much a world of pure imagination as a land of constant cuteness.”The flick reportedly cost $125 million to make, so will have to earn double its budget, $250 million, to be deemed a box office success, according to Screen Rant.

The filmed version of Broadway’s Waitress: The Musical was a surprise hit at the box office this past weekend and now the movie will stay in theaters longer than expected!

Beyoncé’s ‘Renaissance‘ concert film has suffered a sharp drop at the US box office over a week after its release.Renaissance: A Film By Beyoncé – which documents the singer’s recent tour of the same name – initially topped the US domestic box office following its release on December 1.However, the film has now fallen to fifth place after earning $5million (£3.98million) in its second weekend, a 77 per cent drop, taking its total US haul to $28million (£22million), and $33million (£26million) globally.It comes after Renaissance initially stormed the US box office, taking in $21million (£16million) in North America in its opening weekend. However, it fell short of Taylor Swift‘s recent Eras Tour film, which made $92.8million (£73.9million) in its opening weekend and took $250million (£199million) globally across its run.Beyoncé partnered with AMC Theatres to distribute the film, much like Swift, meaning each will reportedly earn 50 per cent of ticket sales.

according to IMDB’s Box Office Mojo.The Japanese animated fantasy, which The Washington Post called a “magical, otherworldly tale,” is expected to enjoy a $10.7 to 12 million opening weekend, Deadline reported.It is the only entirely foreign film to lead the weekend box office this year, the first since August 2022’s “Dragon Ball Super: Super Hero.”In second place was “Godzilla Minus One,” with a $2.25 million take. The film, which is the 37th in the Godzilla franchise, now holds the title ofBiggest Single-Day Domestic Box Office For A Foreign Live-Action Film, according to Screen Rant.Queen Bey was dethroned this week as Beyoncé’s film, which was in first place last week, fell down to third.Her documentary concert movie “Renaissance: A Film by Beyoncé” took injust $1.6 million, a drop of 75% since last Friday.“Trolls Band Together,” which debuted on Nov.

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J. Kim Murphy Hayao Miyazaki’s “The Boy and the Heron” looks to soar atop domestic charts this weekend after earning about $5.4 million across Friday and various preview screenings. Playing in 2,205 theaters, the GKids release has the benefit of Imax and other premium large format auditoriums to boost those numbers.

After one Japanese title delivered at the sleepy December box office last weekend, that being Godzilla Minus One, here’s another that’s set to dominate: Studio Ghibli and GKIDS’ Hayao Miyazaki‘s The Boy and the Heron which is looking at a No. 1 lead with $10M+ after $2.39M Thursday and early access previews.

Alejandro Garnacho sent an encouraging message to Bruno Fernandes after the Manchester United captain's missed penalty in Wednesday's 2-1 win at home to Chelsea.

Merrily We Roll Along, the hit Broadway revival of the Stephen Sondheim-George Furth musical starring Daniel Radcliffe, Jonathan Groff and Lindsay Mendez, is extending performances through Sunday, July 7, 2024, giving ticket-buyers an additional three months to grab seats.

The Marvels” won’t live up to its sparkling title.The Disney-produced superhero movie, from all indications, will wind up as the lowest-grossing Marvel Cinematic Universe movie in its entire 15-year history.While the film starring Brie Larson, Iman Vellani and Teyonah Parris opened less than a month ago — and has so far grossed a scant $80 million domestically and $197 worldwide — any hopes of it becoming a sleeper hit have disappeared.According to the Hollywood Reporter, the 33rd MCU film’s box office dropped a staggering 78% in its second weekend, and it’s only gotten worse from there.And Variety reported that Disney sent a note to press saying, “With ‘The Marvels’ box office now winding down, we will stop weekend reporting of international/global grosses on this title.”The previous record-holder for biggest MCU loser was 2008’s “The Incredible Hulk” starring Mark Ruffalo, with $80 million domestically and $264.7 million worldwide. The numbers for “The Marvels” are especially dire when you consider the boffo earnings of the studio’s most popular titles: “Avengers: Endgame” ($2.8 billion worldwide); “The Avengers” ($1.52 billion); “Avengers: Age of Ultron” ($1.4 billion).

played Matthew Perry’s mother, Nora Tyler Bing, on “Friends,” is still feeling the impact of his death — more than a month later.Perry died Oct. 28 at the age of 54.

Beyoncé‘s concert film, Renaissance: A Film By Beyoncé, stormed at the box office this weekend, with $21million in ticket sales in North America alone.READ MORE: Beyoncé – ‘Renaissance’ review: a celebration of love and Black joyWritten, directed and produced by the 42-year-old singer herself, the movie focuses on the tour for her Grammy-winning album ‘Renaissance‘.Debuting in 2,539 theatres in the US and Canada, and 94 other territories globally, the movie features guest appearances from Diana Ross, Kendrick Lamar and Megan Thee Stallion.However, the opening did not quite reach the enormous success of the release of Beyonce’s peer and friend, Taylor Swift’s concert movie tour which debuted in October.Taylor Swift: The Eras Tour made a staggering $92.8million in its opening weekend.

The Marvels is achieving the kind of milestone no film wants to reach.

Rebecca Rubin Film and Media Reporter Queen Bey is the new box office queen. “Renaissance,” a concert film written, directed and produced by Beyoncé, topped the domestic box office with $21 million in its opening weekend, slightly ahead of expectations. These ticket sales rank as one of the best debuts for a concert film, joining the company of Taylor Swift’s “The Eras Tour” (far and away the biggest with $92.9 million), 2008’s “Hannah Montana & Miley Cyrus: Best of Both Worlds Concert” ($31.1 million), 2011’s “Justin Bieber: Never Say Never” and 2009’s “Michael Jackson: This Is It” ($23.2 million).

according to IMDB’s Box Office Mojo.The documentary concert film written, directed and produced by Beyoncé Knowles-Carter, is expected to enjoy as much as a $24-million-dollar opening, according to Deadline.Variety said the movie, which chronicles her 2023 tour, “highlights the pursuit of perfection with dazzling results.”Japanese adventure “Godzilla Minus One,” which also debuted Friday, landed in second, with earnings of $4.72 million. The Hollywood Reporter called the flick, the 37th in the Godzilla franchise “one of the best Godzilla films ever.“The Hunger Games: The Ballad of Songbirds & Snakes,” which was in the No.