‘Wonka’ sweetens the box office with a $10.9 million opening night

Will Mellor was left "fuming" after playing Lee Castleton, a victim of the Post Office scandal, in ITV's series Mr Bates vs The Post Office.The series tells the true story of Alan Bates and his fight for justice following the Post Office scandal in the late 90s. The cast, alongside Will, 47, includes Toby Jones, Katherine Kelly, Amy Nuttall, Julie Hesmondhalgh, Monica Dolan, Lia Williams and Alex Jennings.There are four episodes in the series, with all of them available to watch on ITVX. After filming, Will questioned how those responsible for the crisis could live with themselves and labelled it as "vile" that former Post Office boss Paula Vennells received a CBE.

Lionsgate CEO Jon Feltheimer expressed an optimistic view of the movie business – at least the way it is approached by his cost-conscious executive team.

The familiar face of Toby Jones has returned to our screens for the new ITV drama Mr Bates vs Post Office, but what fans might not know is that he also has star-studded parents.Toby, 57, who holds an OBE, is best known for being the voice of Dobby in the Harry Potter films from 2002 to 2010. Other huge roles from the actor include Percy Alleline in Tinker Tailor Soldier Spy and Claudius, the announcer for The Hunger Games.

Brent Lang Executive Editor “Wonka,” a musical fantasy that has been the biggest hit of the holiday season, topped the box office on New Year’s Eve, closing 2023 on a sweet note. The film, which stars Timothée Chalamet as a more youthful Willy Wonka, grossed $22.7 million for the weekend and a projected $29.5 million for the four-day holiday. That brings the domestic gross to $140.2 million, a strong result for the $125 million production.

Rebecca Rubin Film and Media Reporter “Aquaman and the Lost City” is quickly sinking at the box office. The comic book adventure, starring Jason Momoa as the King of Atlantis, was positioned on the calendar as the de facto blockbuster of the holiday season. But, so far, the follow-up to 2018’s megahit “Aquaman” has failed to recapture the spark of the original.

according to IMDB’s Box Office Mojo.“Wonka” also surpassed the $100 million earning mark domestically this week, as per Variety. Last week, the Timothee Chalamet-led musical fantasy had been dethroned by “Aquaman and the Lost Kingdom,” which is now in second place with $6.75 million in earnings.

Brent Lang Executive Editor Timothée Chalamet retained his holiday season crown as “Wonka” topped the box office on Thursday. The family film, which looks at chocolatier Willy Wonka and his quest to open the world’s most fantastical candy company, earned $8 million, pushing its domestic gross to $110.6 million. “Wonka” carries an $125 million budget and has been a success overseas, where it has earned more than $180 million.

Brent Lang Executive Editor “Wonka,” a family-friendly look at how Willy Wonka broke into the confection game, topped the box office on Wednesday, adding $8 million to push the film past the $100 million mark domestically. The movie’s stateside gross stands at a delicious $102.5 million. “Wonka” is also performing well overseas — its global haul of more than $270 million is a strong result for Warner Bros.

box office. But in the last year, many of the movie business’ Tiffany franchises had all the appeal of an Old Navy clearance bin, with the likes of Indiana Jones and Ethan Hunt swinging back into action for more high-flying adventures only to be greeted with grosses that were decidedly Earthbound. And cinema’s mightiest heroes, from Ant-Man to Aquaman, were told to hang up their tights and tridents as comic book movies suffered a historic collapse at the box office.

Ridley Scott’s Napoleon has crossed the $200M mark globally, getting to the milestone with Tuesday’s numbers included. The worldwide tally for the biographical epic is $200.7M, of which $141.1M is from the international box office. Through yesterday, the domestic cume is $59.6M.

Rebecca Rubin Film and Media Reporter “The Color Purple,” a vibrant adaptation of the book-turned-beloved-movie-turned-hit-Broadway-musical, dominated at the box office on Christmas Day. The film has outperformed expectations with $18 million from 3,152 North American theaters. It’s the largest Christmas Day opening for a film since 2009, and the second-biggest Christmas Day opening of all time.

Rebecca Rubin Film and Media Reporter “Aquaman and the Lost Kingdom” didn’t give Hollywood much to be merry about at the Christmas box office. The comic book sequel, starring Jason Momoa as the King of Atlantis and directed by James Wan, opened slightly below estimates with $27.7 million over the traditional weekend and a disappointing $40 million through the four-day holiday frame.

led a crowd of new releases at the box office on the weekend before Christmas Monday. The DC and Warner Bros.

Rebecca Rubin Film and Media Reporter “Aquaman and the Lost Kingdom” opened to $80 million at the international box office, which isn’t all that super considering those ticket sales are on par with eventual big-budget superhero disappointments like “The Flash,” “The Marvels” and “Ant-Man and the Wasp: Quantumania.” The comic book sequel, starring Jason Momoa as the king of Atlantis and directed by James Wan, has generated $120 million globally to start, including a weak $40 million in North America. The Warner Bros.

according to IMDB’s Box Office Mojo.The Jason Momoa-led movie is expected to earn over $40 million plus on the four-day Christmas weekend, according to Deadline. However, if those numbers are correct, it will have a worse opening weekend than Marvel’s biggest bomb, “The Marvels,” which was released in November.The Post said the DC Studios film “isn’t well done, but it isn’t miserable either.”“Wonka,” which held the No.

Paramount‘s reboot of Mean Girls arrived on tracking today and let’s just say it’s not just hot with the cool girls. With double digit in unaided awareness among older and younger women over and under 25, the feature take of the Tina Fey scripted Broadway musical is looking at a $27M+ opening over the four-day MLK holiday.

Timothée Chalamet‘s Wonka has topped the global box office.The musical prequel directed by Paul King pulled in a whopping $92.6million (£73.1million) over the weekend, topping the box office in 60 of its 77 international markets, according to Screen Daily. Its worldwide total currently stands at $150million (£118.4million).In the US, it made its debut pulling in $39million (£30.8million) over the weekend to top the box office and enjoyed strong openings in France at $5.1million (£4million) and Australia $4million (£3.2million).The UK/Ireland leads the international pack with $23.2million (£18.3million) after 10 days, ahead of Mexico with $11.2million (£8.3million).

Refresh for latest…: After opening early in 37 international box office markets last weekend, Warner Bros/Village Roadshow/Heyday Films’ Wonka expanded its release this session to the rest of the world (save Korea which goes in late January). The results are sweet.

Rebecca Rubin Film and Media Reporter “Wonka,” a fantasy musical starring Timothée Chalamet as the eccentric chocolatier, charmed in its box office debut, collecting $39 million over the weekend. It’s a sweet start, as long as the $125 million-budgeted family film has momentum around the holidays. The good news for Warner Bros.

Beyoncé’s ‘Renaissance‘ concert film has suffered a sharp drop at the US box office over a week after its release.Renaissance: A Film By Beyoncé – which documents the singer’s recent tour of the same name – initially topped the US domestic box office following its release on December 1.However, the film has now fallen to fifth place after earning $5million (£3.98million) in its second weekend, a 77 per cent drop, taking its total US haul to $28million (£22million), and $33million (£26million) globally.It comes after Renaissance initially stormed the US box office, taking in $21million (£16million) in North America in its opening weekend. However, it fell short of Taylor Swift‘s recent Eras Tour film, which made $92.8million (£73.9million) in its opening weekend and took $250million (£199million) globally across its run.Beyoncé partnered with AMC Theatres to distribute the film, much like Swift, meaning each will reportedly earn 50 per cent of ticket sales.