'Waitress' Movie Exceeds Box Office Expectations, Extends Theatrical Run Through Holiday Season

Naman Ramachandran “Aquaman and the Lost Kingdom” led the worldwide box office with a $108 million debut weekend, according to numbers released by Comscore. Warner Bros. and DC Studio’s “Aquaman 2” also topped the U.S.

led a crowd of new releases at the box office on the weekend before Christmas Monday. The DC and Warner Bros.

Two Indian films Salaar Part 1 – Ceasefire and Dunki buoyed the North American box office on a relatively quiet holiday weekend as Searchlight Pictures’ All Of Us Strangers had a solid per-screen openings and Poor Things a nice expansion.

Rebecca Rubin Film and Media Reporter “Aquaman and the Lost Kingdom” opened to $80 million at the international box office, which isn’t all that super considering those ticket sales are on par with eventual big-budget superhero disappointments like “The Flash,” “The Marvels” and “Ant-Man and the Wasp: Quantumania.” The comic book sequel, starring Jason Momoa as the king of Atlantis and directed by James Wan, has generated $120 million globally to start, including a weak $40 million in North America. The Warner Bros.

The numbers are in for Aquaman 2.

Rebecca Rubin Film and Media Reporter “Aquaman and the Lost Kingdom” failed to make a splash at the Christmas box office, debuting to $28 million over the weekend and an estimated $40 million through the four-day holiday weekend. Those ticket sales were enough to top domestic charts over three other newcomers, Universal and Illumination’s animated “Migration,” Sydney Sweeney and Glen Powell’s romantic comedy “Anyone but You” and A24’s sports biopic “The Iron Claw.” But Warner Bros. and DC Studio’s “Aquaman 2” has little to boast about beyond its No.

J. Kim Murphy ‘Twas the weekend before Christmas and all through the theaters, “Aquaman and the Lost Kingdom” was the box office leader.

Zack Sharf Digital News Director As 2023 draws to a close, Christopher Nolan is feeling pretty good about the state of the movie business. That shouldn’t come as too much of a surprise considering “Oppenheimer” pulled in a remarkable $954 million at the box office this year, beating every superhero movie and several major Hollywood tentpoles, like “Indiana Jones and the Dial of Destiny.” Audiences turning out in droves for a three-hour, R-rated and incredibly dense biographical drama as if it were a major action movie blockbuster has Nolan quite optimistic about the future. “I’ve just made a three-hour film about Robert Oppenheimer which is R-rated and half in black-and-white – and it made a billion dollars.

After a domestic box office that’s been battered by double strikes, exhibition, and the industry overall, can thank Warner Bros for leaving three potential, ultimate $100M+ grossing movies under the tree; those being DC’s Aquaman and the Lost Kingdom, Wonka and The Color Purple.

Holiday shoppers were in a Broadway spirit last week, with total box office for the 26 shows up a couple percentage points from the previous week to $31,465,465, attendance holding steady at 225,585 and the average ticket price a strong $139.48.

Rebecca Rubin Film and Media Reporter Will the box office hit $9 billion in 2023? Analysts have predicted, or at least hoped, that’s where domestic grosses would wind up. And there are no less than eight new releases set to unspool over the next 14 days, which could help theaters finish the year having passed that coveted figure. But after a 12-month stretch that’s seen two labor strikes wallop a business that’s yet to recover from the pandemic, Hollywood may struggle to get its happily ever after.

according to IMDB’s Box Office Mojo.The musical fantasy, which tells the story of the fictional proprietor in the 1964 Roald Dahl novel “Charlie and the Chocolate Factory” stars Timothée Chalamet in the titular role. The Post said the actor exudes “impish charm and oddball quirks” and the film “delivers not so much a world of pure imagination as a land of constant cuteness.”The flick reportedly cost $125 million to make, so will have to earn double its budget, $250 million, to be deemed a box office success, according to Screen Rant.

J. Kim Murphy Oompa loompa doopity doo — here is a box office opening for you. “Wonka” is off to a promising start in North America after earning $14.4 million across Friday and preview screenings.

Girls5Eva just got a first look at the show’s upcoming third season!

Bleecker Street said it’s extending the theatrical run of Waitress: The Musical through the holiday season after its “exceptional performance and sellouts nationwide.”

Beyoncé’s ‘Renaissance‘ concert film has suffered a sharp drop at the US box office over a week after its release.Renaissance: A Film By Beyoncé – which documents the singer’s recent tour of the same name – initially topped the US domestic box office following its release on December 1.However, the film has now fallen to fifth place after earning $5million (£3.98million) in its second weekend, a 77 per cent drop, taking its total US haul to $28million (£22million), and $33million (£26million) globally.It comes after Renaissance initially stormed the US box office, taking in $21million (£16million) in North America in its opening weekend. However, it fell short of Taylor Swift‘s recent Eras Tour film, which made $92.8million (£73.9million) in its opening weekend and took $250million (£199million) globally across its run.Beyoncé partnered with AMC Theatres to distribute the film, much like Swift, meaning each will reportedly earn 50 per cent of ticket sales.

according to IMDB’s Box Office Mojo.The Japanese animated fantasy, which The Washington Post called a “magical, otherworldly tale,” is expected to enjoy a $10.7 to 12 million opening weekend, Deadline reported.It is the only entirely foreign film to lead the weekend box office this year, the first since August 2022’s “Dragon Ball Super: Super Hero.”In second place was “Godzilla Minus One,” with a $2.25 million take. The film, which is the 37th in the Godzilla franchise, now holds the title ofBiggest Single-Day Domestic Box Office For A Foreign Live-Action Film, according to Screen Rant.Queen Bey was dethroned this week as Beyoncé’s film, which was in first place last week, fell down to third.Her documentary concert movie “Renaissance: A Film by Beyoncé” took injust $1.6 million, a drop of 75% since last Friday.“Trolls Band Together,” which debuted on Nov.

Caroline Brew editor After Broadway shut down due to the pandemic, “Waitress” received an arts grant from Chuck Schumer’s office that allowed the production to reopen in 2021. Sara Bareilles, who wrote the music and lyrics, said this opportunity inspired her and the team to make the most of their time back on stage by shooting a live recording. Bleecker Street and Fathom Events will release “Waitress: The Musical” in theaters for a five-day series of nationwide special-event screenings, starting Dec.

Waitress is full of layers—some sweeter than others.Few know that better than , who wrote the music and lyrics for the Broadway musical (and later, took over the lead role of Jenna Hunterson from Jessie Mueller). Although the show played its final performance in December 2021, it's held a pie-shaped space in fans' hearts, which will finally be filled when Waitress: The Musical hits theaters nationwide on December 7.The film is a taping of the live Broadway show, and, according to Bareilles, it “feels like a legitimate miracle” that the movie was made at all.“I can't even tell you the karma of this show,” Bareilles tells Glamour over Zoom.

Elsa Keslassy International Correspondent Justine Triet‘s “Anatomy of a Fall” missed out on being chosen as France’s Oscar entry, but the movie has been a critical and commercial hit — including in the U.S., where it’s become the highest-grossing specialized foreign-language release post-pandemic, according to distributor Neon. Released in the States on Oct. 13, “Anatomy of a Fall” has pulled in $3.5 million so far, putting it ahead of Joachim Trier’s “The Worst Person in the World” and on track to match last year’s Palme d’Or winner “Triangle of Sadness,” another Neon movie.