Paramount+’s Korean Drama ‘Bargain’, Prime Video’s ‘I’m A Virgo’ & Greek Infertility Drama ‘Babython’ Among Seriencamp Winners

South Korea is known globally for its web series, movies and K-pop, with content including Squid Game and Parasite and groups like BTS and Blackpink becoming household names internationally. But there is another Korean cultural export – webtoons and their associated IP – that is starting to have an impact, not just in Korea, but around the world. 

Patrick Frater Asia Bureau Chief Manta, one of the leading platforms for subscription-based digital comics, has unveiled plans to launch more than ten original cartoon series through the third quarter of 2023. The company, which is owned by Korea’s RIDI Corporation, launched in 2020 and has become the number one comics app on Google Play in certain territories including the U.S., Mexico and Spain.Webtoons are a made for mobile genre of comics, that have become yet another Asian entertainment category that is having fast-growing international success. Many webtoons offer vertical scrolling, opportunities for new creators and content that is immediately available in multiple languages.

Naman Ramachandran Amazon miniTV, the free streaming service available on the Amazon Shopping app in India, is dubbing a raft of Korean, Turkish, Mandarin and Spanish dramas into the Hindi language for local consumption under the MiniTV Imported banner. The first set of shows, which streams from July 7, are all Korean and includes “Cheer Up,” “Heart Surgeons” and “Doctor Detective.” Amogh Dusad, head of content, Amazon miniTV, said: “In recent times, the viewing preferences of digital video consumers in India have changed significantly. They love diversity in content offering and are looking for unique stories & captivating characters from across the world. We have curated a list of blockbuster shows, from Korean, Turkish, Mandarin, Spanish and many more languages, that we believe will resonate with Indian viewers.”

Rebecca Souw Korea’s leading entertainment company, CJ ENM has appointed Choi Ju-hui as CEO of the TVing streaming service in which it has a controlling stake, following the recent resignation of CEO Jay Yang. Choi becomes the first female CEO in the Korean OTT platform business. Choi’s appointment also follows completion of the merger between TVing and Seezn, a smaller streamer previously owned by local telco giant, KT Corp. The merger is expected to bring cost savings in marketing and customer acquisition, benefitting from KT’s network of 14 million subscribers.

Elsa Keslassy International Correspondent Prime Video has unveiled 12 new unscripted reality and entertainment series coming to the Nordics, including an adaptation of the hit format “LOL: Last One Laughing” for Denmark and Norway. The streamer has also renewed the Swedish version of “LOL: Last One Laughing” for a second season. All Nordic versions of “LOL: Last One Laughing” are filmed and produced in Sweden by Jarowskij in Sweden, Metronome in Denmark and Nordisk Banijay in Norway. New Prime Video shows also include the Norwegian docu-reality series “Girls of Oslo,” a behind-the-scenes look at the lives of of well-known influencers Sophie Elise, Isabel Raad, Nora Haukland and Anniken Englund Jørgensen. “Girls of Oslo” is produced by Salto Film and will launch this Fall on Prime Video in Norway.

Prime Video’s unscripted originals push in the Nordics is continuing.

Patrick Frater Asia Bureau Chief Some 18 film industry guilds and trade associations are calling for urgent structural reform of the Busan International Film Festival. They point out that this year’s edition of the festival is looming less than 100 days away. The festival’s management has made a succession of management missteps in recent weeks, including one that resulted in an official apology. At the beginning of May, a decision to split the festival’s senior management in two by creating a new position for Cho Jongkook, was followed by consternation among guilds and the resignation of festival director Huh Moonyoung.

The viability of South Korea’s KBS is under threat due to government plans to alter its funding mechanism, according a public service media advocacy group.

AleXa has spoken out on the hate she has received has a half-Korean K-pop idol.In a recent livestream, as archived by fans on TikTok, AleXa opened up about being called the “White girl idol”. The singer also touched on how she feels she is treated differently from other half-Korean K-pop idols such as SEVENTEEN‘s Vernon, former MOMOLAND member Nancy and ex-I.O.I singer Jeon Somi.“Is it because I’m American that people choose to treat me differently and that I didn’t grow up in Korea?” AleXa said during the livestream.

“Atlanta” to Terence Nance’s thought-provoking “Random Acts of Flyness” and Jordan Peele’s critically acclaimed films “Get Out” and “Nope,” this formerly niche genre seems to be thriving in mainstream entertainment.Writer, producer and musician Boots Riley, whose 2018 film “Sorry to Bother You” catapulted him to prominence as a filmmaker, returns with his latest project: “I’m A Virgo” on Prime Video. This highly anticipated series solidifies his position among the pioneers of the Afro-surrealist genre.Afrofuturism and Afro-surrealism, often seen as interchangeable, are different.

During a three-day visit to Seoul, Netflix co-CEO Ted Sarandos said the streamer is fairly compensating producers and nurturing new talent, after calls from some local lawmakers and industry figures for more profit-sharing with creators. 

committed to invest US$2.5billion on new South Korean TV shows and films.“[Korean content] is very often unpredictable and catches the American audience by surprise,” Sarandos said at the event, per Variety. “I think what’s brilliant is to see film, unscripted and series all grow according to the interests of our Korean audience.”He added that “great stories can come from anywhere and be loved anywhere [and] nowhere has this proven more true than here in Korea”, per Yonhap News Agency.Over the past two years, Netflix has released a number of hit Korean series and films, from the global phenomenon Squid Game, to the thrilling revenge series The Glory, to the reality TV series Single’s Inferno.Sarandos added that 60 per cent of all Netflix subscribers have watched at least one Korean title, while viewership of Korean content is up sixfold over the past half decade.During the event, the Netflix co-CEO also spoke about how the company is looking to use its US$2.5billion investment plan to “grow the industry” in Korea.

Rebecca Souw There’s more to Korean TV than a greenlit second season of “Squid Game” and Ted Sarandos, Netflix co-CEO, shed new light on what’s making the “Korean wave” worthy of large-scale commitment. After meeting with leading helmer Park Chan-wook (“Oldboy” and upcoming series “War and Revolt”) and 100 film students a day earlier, Sarandos on Wednesday held a public forum at Seoul’s Four Seasons Hotel on the future of Korean content. The abundant glad-handing follows a public commitment made in April to spend $2.5 billion on original Korean content over the next four years. “[Korean content] is very often unpredictable and catches the American audience by surprise,” said Sarandos at the event. “I think what’s brilliant is to see film, unscripted and series all grow according to the interests of our Korean audience.”

Korean opera singer Choi Sung-bong, who has died at the age of 33. Korean Police believe he apparently died by suicide, according to the Yonhap news agency. Having shot to fame on Korea’s Got Talent, he went on to establish a successful singing career which made him famous in his homeland and beyond.

Manori Ravindran Executive Editor of International Prime Video has revealed its top traveling non-English local originals in the history of the service, with Spanish YA romance “My Fault” and French crime thriller “Medellín” topping the list. Both are feature films that launched in the last two weeks across Prime Video’s footprint in 240 countries around the world. Interestingly, both titles have more than 75% of their viewership coming from outside their country of origin (Spain for “My Fault,” and France for “Medellín”), though Prime Video hasn’t disclosed any further metrics related to ratings or impressions. Of the list (available in full below), 60% are movies and 40% are TV series.

Patrick Frater Asia Bureau Chief C CGV, a company that is one of the world’s top ten cinema exhibitors and is also a major cinema technology developer, is to raise close to $800 million in order to shore up its finances after a devastating COVID era. The company operates the largest cinema chain in its native South Korea and has significant numbers of screens in Vietnam, Indonesia, Turkey and mainland China, with smaller operations in Myanmar and the U.S. It also owns CJ 4DPlex, which developed the technology for films to be augmented with practical effects, including motion-seats, wind, strobe-lights, simulated-snow, and scents. In addition, its ScreenX system provides screenings that use the side walls of an auditorium to create a 270-degree sensory experience.

Naman Ramachandran Paramount+ and Tving‘s Korean series “Bargain” has won the critics’ choice award at the Serien Camp Festival in Cologne. In April, “Bargain” became the first-ever Korean series to win best screenplay at the Canneseries Festival in France. The series stars actors Jun Jong-seo (“Money Heist: Korea”) and Jin Seon-kyu (“Extreme Job”) and is an adaptation of director Lee Chung-hyun’s 2015 short film of the same name. Director Jun Woo-sung, who was part of the production team of the short, picked up the story and developed it into a six-part series. “Bargain” revolves around a group of strangers who gather at a remote motel with ulterior motives – seeking to bargain. Unlike the original film, the series follows the characters after an unexpected earthquake traps them inside the building. With no one to trust, they must find a way to survive.

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A New Wave of K-Cinema: Korean Women Directors,” The Academy Museum of Motion Pictures is hoping to change that. Across the month of June, the Los Angeles museum is showing 10 contemporary Korean films made by women that “explore the complexities of diverse conditions, including the trauma of domestic violence, investigations into gender and class politics, humanity’s relation to nature and the environment, and love and friendship.” Hyesung ii, who organized “A New Wave of K-Cinema,” told TheWrap it is a series she has had in mind since she began working at the museum.

Patrick Frater Asia Bureau Chief “Killing Romance,” one of the most creative Korean films of the past year, has been set as the opening night title for the upcoming New York Asian Film Festival. The deliberately multi-genre picture tells the tale of a beautiful movie star with dubious acting skills (portrayed by Le Ha-nee) who suddenly quits the industry and retires to newly-married life that turns out to be anything but bliss. When she decides to return to acting she teams up with a fan and an absurd plot to kill her absurdly rich husband. The film is directed by Lee Won-suk who previously attended the NYAFF with his first film, “How to Use Guys With Secret Tips,” in 2013 and returned with his second feature, the big-budget period drama The Royal Tailor, which earned the audience award at NYAFF in 2015.