“Joy Ride” star Ashley Park recently spoke about her beginnings and her big break with People.
23.06.2023 - 09:17 / deadline.com
The viability of South Korea’s KBS is under threat due to government plans to alter its funding mechanism, according a public service media advocacy group.
The Global Task Force for Public Media — which counts KBS, the BBC and CBC among its members — has issued a statement warning plans to change legislation would hand the public service broadcaster “an existential crisis.”
Korea’s government wants to separate the collection of KBS’s license fee from electricity bills. The current system has been in place since 1994, and sees every household with a TV receiver charged a monthly ₩2,500 ($1.91) a month for a bundle on top of their electrical services. KBs filed an injection against the Korea Communications Commission two days ago to stop the move, mind fears it lacks proper scrutiny.
KBS argues changing the existing mechanism could dramatically reduce its revenue pot and impact its public service mission. The Global Task Force’s statement backs up this analysis, saying KBS would be “crippled financially, risking its programs and services to South Koreans, and leaving it unable to fulfil its mandate.”
“The very foundation of public service media in the country would be endangered,” it added.
“The success of any public media organization depends on sustainable public funding that supports and respects its organizational and editorial independence,” said Global Task Force Chair and CBC-Radio Canada CEO Catherine Tait. “In the South Korean context, we hope that KBS’s financial stability and ability to operate are assured so that it can continue to fulfil its public service mandate.”
KBS has been a Global Task Force member since 2020. This year, it celebrated its 50th anniversary though it has dogged in recent times by a
“Joy Ride” star Ashley Park recently spoke about her beginnings and her big break with People.
Patrick Frater Asia Bureau Chief Manta, one of the leading platforms for subscription-based digital comics, has unveiled plans to launch more than ten original cartoon series through the third quarter of 2023. The company, which is owned by Korea’s RIDI Corporation, launched in 2020 and has become the number one comics app on Google Play in certain territories including the U.S., Mexico and Spain.Webtoons are a made for mobile genre of comics, that have become yet another Asian entertainment category that is having fast-growing international success. Many webtoons offer vertical scrolling, opportunities for new creators and content that is immediately available in multiple languages.
Naman Ramachandran Amazon miniTV, the free streaming service available on the Amazon Shopping app in India, is dubbing a raft of Korean, Turkish, Mandarin and Spanish dramas into the Hindi language for local consumption under the MiniTV Imported banner. The first set of shows, which streams from July 7, are all Korean and includes “Cheer Up,” “Heart Surgeons” and “Doctor Detective.” Amogh Dusad, head of content, Amazon miniTV, said: “In recent times, the viewing preferences of digital video consumers in India have changed significantly. They love diversity in content offering and are looking for unique stories & captivating characters from across the world. We have curated a list of blockbuster shows, from Korean, Turkish, Mandarin, Spanish and many more languages, that we believe will resonate with Indian viewers.”
Rebecca Souw Korea’s leading entertainment company, CJ ENM has appointed Choi Ju-hui as CEO of the TVing streaming service in which it has a controlling stake, following the recent resignation of CEO Jay Yang. Choi becomes the first female CEO in the Korean OTT platform business. Choi’s appointment also follows completion of the merger between TVing and Seezn, a smaller streamer previously owned by local telco giant, KT Corp. The merger is expected to bring cost savings in marketing and customer acquisition, benefitting from KT’s network of 14 million subscribers.
Patrick Frater Asia Bureau Chief Some 18 film industry guilds and trade associations are calling for urgent structural reform of the Busan International Film Festival. They point out that this year’s edition of the festival is looming less than 100 days away. The festival’s management has made a succession of management missteps in recent weeks, including one that resulted in an official apology. At the beginning of May, a decision to split the festival’s senior management in two by creating a new position for Cho Jongkook, was followed by consternation among guilds and the resignation of festival director Huh Moonyoung.
AleXa has spoken out on the hate she has received has a half-Korean K-pop idol.In a recent livestream, as archived by fans on TikTok, AleXa opened up about being called the “White girl idol”. The singer also touched on how she feels she is treated differently from other half-Korean K-pop idols such as SEVENTEEN‘s Vernon, former MOMOLAND member Nancy and ex-I.O.I singer Jeon Somi.“Is it because I’m American that people choose to treat me differently and that I didn’t grow up in Korea?” AleXa said during the livestream.
During a three-day visit to Seoul, Netflix co-CEO Ted Sarandos said the streamer is fairly compensating producers and nurturing new talent, after calls from some local lawmakers and industry figures for more profit-sharing with creators.
Patrick Frater Asia Bureau Chief KC Global Media, a leading multi-territory operator of linear TV channels in Asia, has sold Animax Korea to Aniplus, an Asian multinational television channel and anime distributor based in Singapore and South Korea. The deal “aims to elevate Animax Korea’s offerings while focusing on horizontally integrating its content across Aniplus’ platform and reach,” the companies said. The deal was agreed in April, but was subject to regulatory approvals. These have now been obtained. Deal terms were not disclosed. But sources close to the transaction suggest that it was valued at some KRW46 billion ($35.5 million).
committed to invest US$2.5billion on new South Korean TV shows and films.“[Korean content] is very often unpredictable and catches the American audience by surprise,” Sarandos said at the event, per Variety. “I think what’s brilliant is to see film, unscripted and series all grow according to the interests of our Korean audience.”He added that “great stories can come from anywhere and be loved anywhere [and] nowhere has this proven more true than here in Korea”, per Yonhap News Agency.Over the past two years, Netflix has released a number of hit Korean series and films, from the global phenomenon Squid Game, to the thrilling revenge series The Glory, to the reality TV series Single’s Inferno.Sarandos added that 60 per cent of all Netflix subscribers have watched at least one Korean title, while viewership of Korean content is up sixfold over the past half decade.During the event, the Netflix co-CEO also spoke about how the company is looking to use its US$2.5billion investment plan to “grow the industry” in Korea.
Rebecca Souw There’s more to Korean TV than a greenlit second season of “Squid Game” and Ted Sarandos, Netflix co-CEO, shed new light on what’s making the “Korean wave” worthy of large-scale commitment. After meeting with leading helmer Park Chan-wook (“Oldboy” and upcoming series “War and Revolt”) and 100 film students a day earlier, Sarandos on Wednesday held a public forum at Seoul’s Four Seasons Hotel on the future of Korean content. The abundant glad-handing follows a public commitment made in April to spend $2.5 billion on original Korean content over the next four years. “[Korean content] is very often unpredictable and catches the American audience by surprise,” said Sarandos at the event. “I think what’s brilliant is to see film, unscripted and series all grow according to the interests of our Korean audience.”
Korean opera singer Choi Sung-bong, who has died at the age of 33. Korean Police believe he apparently died by suicide, according to the Yonhap news agency. Having shot to fame on Korea’s Got Talent, he went on to establish a successful singing career which made him famous in his homeland and beyond.
Patrick Frater Asia Bureau Chief C CGV, a company that is one of the world’s top ten cinema exhibitors and is also a major cinema technology developer, is to raise close to $800 million in order to shore up its finances after a devastating COVID era. The company operates the largest cinema chain in its native South Korea and has significant numbers of screens in Vietnam, Indonesia, Turkey and mainland China, with smaller operations in Myanmar and the U.S. It also owns CJ 4DPlex, which developed the technology for films to be augmented with practical effects, including motion-seats, wind, strobe-lights, simulated-snow, and scents. In addition, its ScreenX system provides screenings that use the side walls of an auditorium to create a 270-degree sensory experience.
Paramount+ crime-thriller Bargain, Prime Video’s absurdist comedy I’m a Virgo and Greek infertility dramedy Babython were among the awards series winners at last week’s Seriencamp in Germany.
Naman Ramachandran Paramount+ and Tving‘s Korean series “Bargain” has won the critics’ choice award at the Serien Camp Festival in Cologne. In April, “Bargain” became the first-ever Korean series to win best screenplay at the Canneseries Festival in France. The series stars actors Jun Jong-seo (“Money Heist: Korea”) and Jin Seon-kyu (“Extreme Job”) and is an adaptation of director Lee Chung-hyun’s 2015 short film of the same name. Director Jun Woo-sung, who was part of the production team of the short, picked up the story and developed it into a six-part series. “Bargain” revolves around a group of strangers who gather at a remote motel with ulterior motives – seeking to bargain. Unlike the original film, the series follows the characters after an unexpected earthquake traps them inside the building. With no one to trust, they must find a way to survive.
Patrick Frater Asia Bureau Chief The International Olympic Committee said on Thursday that Swiss-based, Chinese-owned Infront Sports & Media would handle broadcast right sales in much of Asia for the next series of Summer and Winter games. The deal covers 22 territories including Afghanistan, Brunei, Cambodia, Chinese Taipei, Hong Kong, Indonesia, Iran, Kazakhstan, Kyrgyzstan, Laos, Malaysia, Mongolia, Myanmar, Papua New Guinea, Philippines, Singapore, Tajikistan, Thailand, Timor-Leste, Turkmenistan, Uzbekistan and Vietnam – but not China, Japan or South Korea, and runs 2026-2032. That means it will cover the Milan-Cortina 2026 Winter Olympics and the Los Angeles 2028 and Brisbane 2032 Summer games. The 2030 Winter Olympics, which have yet to be allocated a host, and all Youth Olympic Games during this period will also be covered.
A New Wave of K-Cinema: Korean Women Directors,” The Academy Museum of Motion Pictures is hoping to change that. Across the month of June, the Los Angeles museum is showing 10 contemporary Korean films made by women that “explore the complexities of diverse conditions, including the trauma of domestic violence, investigations into gender and class politics, humanity’s relation to nature and the environment, and love and friendship.” Hyesung ii, who organized “A New Wave of K-Cinema,” told TheWrap it is a series she has had in mind since she began working at the museum.
Patrick Frater Asia Bureau Chief “Killing Romance,” one of the most creative Korean films of the past year, has been set as the opening night title for the upcoming New York Asian Film Festival. The deliberately multi-genre picture tells the tale of a beautiful movie star with dubious acting skills (portrayed by Le Ha-nee) who suddenly quits the industry and retires to newly-married life that turns out to be anything but bliss. When she decides to return to acting she teams up with a fan and an absurd plot to kill her absurdly rich husband. The film is directed by Lee Won-suk who previously attended the NYAFF with his first film, “How to Use Guys With Secret Tips,” in 2013 and returned with his second feature, the big-budget period drama The Royal Tailor, which earned the audience award at NYAFF in 2015.
Welcome to Global Breakouts, Deadline’s fortnightly strand in which we shine a spotlight on the TV shows and films killing it in their local territories. The industry is as globalized as it’s ever been, but breakout hits are appearing in pockets of the world all the time and it can be hard to keep track… So, we’re going to do the hard work for you.
Amy Duggar King hasn’t heard from her cousin Josh Duggar’s wife, Anna, amid his legal trials.
Physical: 100 will return for a second season.Physical: 100 is a survival show where a hundred men and women with well-developed physiques compete in various challenges to determine the one contestant with the “perfect” physique. The first season debuted in January 2023 and became Netflix’s first unscripted show to top the streamer’s list of most-popular non-English TV programs.In a press release today (June 14), Netflix confirmed that Physical: 100 has been renewed for a second season and will feature a new group of 100 contestants.