Ted Sarandos Calls Korean Content ‘Surprising and Unpredictable’ as Netflix Prepares to Double Investment in Shows, Industry Development

is denouncing the use of footage from the show in Florida Governor Ron DeSantis' latest presidential campaign video. The 63-second campaign video, which was originally released June 30 on Twitter, opens with former President Trump voicing his support for the LGBTQ+ community and contrasts it with DeSantis being lambasted for his anti-LGBTQ+ policies alongside various news headlines criticizing the governor. The video includes scenes of well-known fictional Hollywood characters, such as Cillian Murphy's Thomas Shelby in , Brad Pitt's Achilles in , Leonardo DiCaprio's Jordan Belfort in  and Christian Bale's Patrick Bateman in.

is opening its doors for season 2!As filming gets underway for the new season of the popular Korean survival drama later this year, Netflix is gearing up for the anticipated nine-episode follow-up to the breakout 2021 season.After being crowned its most-watched series ever with 1.6 billion total hours watched during its opening month, Netflix co-CEO and chief content officer Ted Sarandos revealed in January 2022 that «the universe has begun.» A season 2 greenlight was made official by Netflix in June 2022, nine months after the series premiered, with creator/writer/director Hwang Dong-hyuk back to oversee the entire thing. follows ordinary people forced to enter a secret competition, where they could either win a massive cash prize or lose their life.

Raquel Leviss is reportedly in talks to return to “Vanderpump Rules” following that cheating scandal.

Showtime has scrapped a number of greenlit originals including the series remake of Gattaca from Homeland co-creators Howard Gordon and Alex Gansa and Seasoned, a comedy starring real-life husband and wife Mandy Patinkin and Kathryn Grody.

According to The Sun, while the couple's six-part docuseries delivered a pleasing amount of viewers, the remainder of their reported $150 million of pay lies in suspense. The couple has allegedly been paid half thus far.

Ethan Shanfeld “There is some kinky-ass shit in this house,” says Destiny in the fourth episode of HBO’s “The Idol,” apparently assuming the role of this series’ viewers. “This shit is weird, scary shit.” As the Weeknd’s Tedros tightens his grip on Lily-Rose Depp’s Jocelyn — both metaphorically and literally, with his hands around her waist in the studio — her managers, played by Da’Vine Joy Randolph and Hank Azaria, plot to save their troubled client from the predatory nightclub mogul. At the beginning of the episode, Destiny (Randolph) and Chaim (Azaria) run through Tedros’ rap sheet, which is full of violence and abuse charges. Oh, and his real name is Mauricio Costello Jackson.

#TrollingStone #RollingSmear”Expect Rolling Stone to lead the corporate media’s frantic crusade to vilify me to stop my White House bid. Rolling Stone was once the premier standard-bearer of the counterculture.

The African American Film Critics Association will honor Jennifer Hudson, Delroy Lindo, Marla Gibbs, “Ted Lasso” and “S.W.A.T.” at the fifth annual AAFCA TV Honors.Hudson will receive the “We See You” Award, given to performers who demonstrate versatility in their work with consistent excellence in their craft. Delroy Lindo (“UnPrisoned”) will receive the “Legacy Award” presented to an artist or institution that inspires others to follow their path.Marla Gibbs will receive the “Legend Ward” for changing the landscape of TV and Film.The “Inclusion Award” will go to AppleTV+’s “Ted Lasso,” for it’s ability to “prioritize representation of people from all walks of life.” CBS’ “S.W.A.T.,” produced by Sony, will receive the “Impact Award” for its influential storylines and performances to the African American community.On July 19, the AAFCA will also announce winners in 14 categories, including Best TV Comedy, Best TV Drama, Best New Show, Breakout Star, Best Ensemble, Best Writing, Best TV Directing and more.

Sam Heughan has spoken candidly about the end of Outlander and said that losing the on-set family will be the 'hardest part'.

During a three-day visit to Seoul, Netflix co-CEO Ted Sarandos said the streamer is fairly compensating producers and nurturing new talent, after calls from some local lawmakers and industry figures for more profit-sharing with creators. 

committed to invest US$2.5billion on new South Korean TV shows and films.“[Korean content] is very often unpredictable and catches the American audience by surprise,” Sarandos said at the event, per Variety. “I think what’s brilliant is to see film, unscripted and series all grow according to the interests of our Korean audience.”He added that “great stories can come from anywhere and be loved anywhere [and] nowhere has this proven more true than here in Korea”, per Yonhap News Agency.Over the past two years, Netflix has released a number of hit Korean series and films, from the global phenomenon Squid Game, to the thrilling revenge series The Glory, to the reality TV series Single’s Inferno.Sarandos added that 60 per cent of all Netflix subscribers have watched at least one Korean title, while viewership of Korean content is up sixfold over the past half decade.During the event, the Netflix co-CEO also spoke about how the company is looking to use its US$2.5billion investment plan to “grow the industry” in Korea.

The Crowded Room has been “a kick in the teeth”.The actor plays Danny Sullivan, a man with dissociative identity disorder who gets arrested for attempted murder, in the new Apple TV+ series.He spoke to The Hollywood Reporter about the critical panning of his series, which he executively produced, and how he is trying to manage the poor response.“It was a kick in the teeth,” Holland said. “Rolling over, looking up the reviews, and then all of a sudden I was like, ‘Wow.

Chris Pine and Andrew Garfield were among the stars who attended the Zegna fashion show during Milan Fashion Week!

Manchester United are in the market for reinforcements in several parts of their squad this summer.

Manchester United are apparently frontrunners in the race for Inter Milan goalkeeper Andre Onana after Chelsea pulled out of the race.

“As children, we fear the dark. Anything might be out there. The unknown troubles us. There are those who say we should not inquire too closely into who else might be living in that darkness.”

UPDATED, Day 46: After visiting many, many picket lines over the last month, we’ve learned that lots of pickets signs are reused for conservation purposes. And to that we say — screw the recycling. Bring on more of those sweet corporate burns!

Scotland assistant manager John Carver believes Manchester United midfielder Scott McTominay can have just as big an influence as Erling Haaland when they face Norway in Oslo on Saturday evening.

Nick Vivarelli International Correspondent Italian actor-turned-director Andrea Di Stefano, whose sleek cop thriller “Last Night of Amore” just had its U.S. premiere at the Tribeca Film Festival, is in advanced stages of development on “Karski” a feature about Jan Karski, the World War II Polish resistance fighter who risked his life to blow the whistle on the Holocaust. Di Stefano’s high-profile project, which is titled “Karski,” is being developed by New York City-based production company Phiphen Pictures, the indie founded by Molly Conners most recently behind Netflix’s “Like Father” and “It’s Bruno!,” the director said. Italy’s expanding Indiana Production, which shepherded “Amore,” is also on board.

Zack Sharf Digital News Director Wes Anderson announced in an interview with IndieWire that his upcoming Netflix movie “The Wonderful Story of Henry Sugar,” based on Roald Dahl’s 1977 short story collection, will only be 37 minutes long. The film is Anderson’s second Dahl adaptation after “Fantastic Mr. Fox” and stars Benedict Cumberbatch, Ralph Fiennes, Dev Patel and Ben Kingsley. Notably, “Henry Sugar” marks Anderson’s first Netflix original. He told IndieWire that collaborating with the streamer was more out of necessity than personal preference. “In my case it’s a little bit of a weird thing,” Anderson said about partnering with Netflix. “I knew Roald Dahl since before we made ‘Fantastic Mr. Fox.’ I met Lindsay Dahl, his widow, when we were shooting ‘The Royal Tenenbaums’ like 20 years ago. For years I wanted to do ‘Henry Sugar.’ They set this story aside for me because I was friends with them. Lindsay kind of handed the torch to Luke, Dahl’s grandson. So I had this waiting for me. But I really couldn’t figure out the approach. I knew what I liked in the story was the writing of it, Dahl’s words. I couldn’t find the answer, and then suddenly I did. It’s not a feature film. It’s like 37 minutes or something. But by the time I was ready to do it, the Dahl family no longer had the rights at all. They had sold the whole deal to Netflix.”