‘Only the River Flows,’ ‘Inside the Yellow Cocoon Shell’ Win Prizes at Pingyao Film Festival

Patrick Frater Asia Bureau Chief “Godzilla Minus One,” the biggest picture to date in the Japanese monster movie franchise and the Wednesday night closing gala title at the Tokyo International Film Festival, is set for pan-European release at the beginning of December. Rights were acquired for 38 territories (excluding the U.K., Ireland and German-speaking territories) by theatrical-only specialist distributor Piece of Magic Entertainment from Toho, the Japanese studio that controls the ‘kaiju’ franchise and distributes the picture in Japan from Nov.

Patrick Frater Asia Bureau Chief Japanese drama film “Mountain Woman,” which was one of the standouts titles at last year’s Tokyo International Film Festival, is to be represented for global sales by EST N8. Inspired by “The Legends of Tono,” which is Japanese folklore from the Tohoku region, the film depicts a small Japanese village overrun by famine. The burden falls upon Rin, a woman whose connections with the spirit and natural worlds allow her to rise amidst familial conflicts.

Veteran Hong Kong actor Tony Leung passed through the Tokyo Film Festival this afternoon, where he led a masterclass session following a screening of 2046, his sixth collaboration with filmmaker Wong Kar-Wai. 

Patrick Frater Asia Bureau Chief Six film projects currently at development stage have been selected to take part in a workshop session as part of mylab+@Jogja next month. The six share a common characteristic of Indonesian co-production and a recurring theme of luminescence. “This theme underscores the importance of having the distinctive light of Asian cinema arise from its own characteristics.

Patrick Frater Asia Bureau Chief A TIFFCOM seminar on Thursday demonstrated both a sense of incredulity that Japanese animation “Suzume” could have enjoyed such wide international success and conveyed the depth of passionate behind-the-scenes strategizing that made it happen. Since its release in Japan at the end of 2022 and international expansion in spring of 2023, following a Berlin festival competition slot, “Suzume,” a fantasy drama about a girl who helps avert natural disasters, sold more than 47 million tickets worldwide. “And most of those people don’t even speak Japanese,” said the session’s moderator Sudo Tadashi, journalist and professor at the Japan University of Economics. Sunami Kazuki, MD of producer CoMix Wave Films and the Takeda Akihiro, an executive attached to the president’s office at the film’s worldwide distributor Toho, said that “Suzumi’s” success was not a foregone conclusion. Its success was years in the making and based on the growing performance of director Makoto Shinkai’s previous movies as well as growing international understanding of the Japanese anime genre. At the beginning of their collaboration, Shinkai and CoMix had little expectation that Shinkai’s works could appeal to non-Japanese distributors and audiences. But, within Asia at least, fans are tuned in to certain kinds of content from other countries. “We also owe this success to the cumulative impact of Studio Ghibli and ‘Demon Slayer 2’,” said Sunami. Shinkai’s 2013 film “The Garden of Words” was initially a Japan-only theatrical release, but it registered in China after Japanese box office success.

Patrick Frater Asia Bureau Chief Leading Chinese filmmaker Zhang Yimou has a tough guy exterior – leather jackets, black shirts and a square jaw that has earned him acting awards alongside his top-level credentials as cinematographer and director of “Hero,” “The Road Home” – but on a visit to the Tokyo International Film Festival this week he was all smiles and frank talk. Zhang received a lifetime achievement award on Monday. On Tuesday the festival gave a gala screening to his historical blockbuster “Full River Red.” And at a Wednesday masterclass, Zhang was more gushed usable details about his process and frank advice for newcomers. “To be a film director you need to be physically in good shape. No smoking and no drinking,” he advised. “I generally adopt a two-stage process,” he explained.

Patrick Frater Asia Bureau Chief Ichiyama Shozo assumed control of the program of the Tokyo International Film Festival after a long programming career that included Tokyo and the slightly more indie Tokyo Filmex events. He is also a regular producing partner of Chinese art-house darling Jai Zhangke. These influences have shaped his approach to this year’s Tokyo IFF lineup, he told Variety.

Patrick Frater Asia Bureau Chief The Zootopia-themed land at Shanghai Disneyland is now confirmed to open in December. It will be the eighth land within the seven-year-old theme park. Based on the Walt Disney Animation Studios animated film “Zootopia,” which released in 2016, the new land will include a new attraction, Zootopia: Hot Pursuit, where guests can hop on an all-terrain cruiser powered by a trackless ride system in an action-filled chase through Zootopia’s different districts. Other themed entertainment experiences and character moments include the Zootopia Park Apartments, where a lineup of animal residents will interact with each other and guests throughout the day, appearing from time to time, in a show. Guests will also get the chance to spend at Fashions by Fru Fru, a merchandise store owned by Fru Fru, a Zootopia fashionista.

Dwayne “The Rock” Johnson is requesting an alteration.

Patrick Frater Asia Bureau Chief “Only the River Flows,” a pitch-black crime noir from auteur Wei Shujun, comfortably topped the mainland China box office on a quietish weekend. The film, ostensibly a murder mystery, but one concerned more with atmosphere than linear plotting, earned $12.6 million (RMB90.8 million) in its opening three days, according to data from consultancy Artisan Gateway, or close to a third of the market. The film had its premiere in Cannes where Variety gave it a rave review, calling it an “inventive riff on Asian-noir” and making comparisons with films by Park Chan-wook and Diao Yinan. “Only the River Flows” has since played at a succession of festivals ever since, including New Zealand, BFI London, Vancouver, Adelaide and last week’s Pingyao event in China. Falling to second place at the box office after three weeks on top was Zhang Yimou’s “Under the Light,” which earned $6.9 million for a four-weekend cumulative of $176 million. Chen Kaige’s war, propaganda film “The Volunteers: To the War” earned $5.3 million in third place.

Jean-Jacques Annaud has worked with an impressive roster of actors across his 60-year career including big names such as Sean Connery, Tony Leung and Brad Pitt as well as Christian Slater and Jane Marsh, who were emerging talents when he cast them in The Name Of The Rose and L’Amant respectively.

A man from Wythenshawe has completed the massive achievement of cycling just under 1200 miles across 11 countries in just over two weeks.

Peter Debruge Chief Film Critic In America, doing what Andy Lau does in Hong Kong film industry satire “The Movie Emperor” would likely net him an Oscar nomination. Or at least an MTV Movie Award.

Patrick Frater Asia Bureau Chief Amanda Nell Eu, director of breakout film “Tiger Stripes,” has disowned the censored version of the movie that launched in her native Malaysia on Thursday. “I do not stand behind the cut that will be shown in local cinemas […] the film that will be shown in local cinemas is not the film that we made, and it is not the film that won the Grand Prize of the Critics Week in Cannes,” said Eu in a statement (see below for full letter). The debut feature had received wide acclaim as the first Malaysian film in many years to play in Cannes, the first by a Malaysian woman director. It won a prize as best picture in Cannes Critics’ Week sidebar, will be the opening film of the Singapore International Film Festival and has been selected as Malaysia’s Oscar contender. Pitched somewhere between a coming-of-age drama and a body horror movie, the film tells the story of a 12-year-old who becomes the first among her friends to reach puberty.

Wei Shujun’s Only The River Flows was presented with Best Film in the Fei Mu Awards at this year’s Pingyao International Film Festival (PYIFF), while Inside The Yellow Cocoon Shell, directed by Vietnam’s Pham Thien An, won Best Film in the festival’s Roberto Rossellini Awards.

Jonnie Irwin's terminal cancer diagnosis has inspired A Place in the Sun's Jasmine Harman to live for the moment.The pair co-presented Channel 4's sun-kissed lifestyle series together for 15 years up until 2019, and during her recent interview with HELLO!, the 47-year-old explained how "very, very special friend" Jonnie's health battle made her "take stock" and move to Spain with her husband and kids. "It has been a huge decision – a year or more in the making. For both of us, it was about making the best life.The years slip away and that was very much why we wanted to make this move; to have more quality time together, more family time," said Jasmine.

Patrick Frater Asia Bureau Chief A dearth of new release films allowed Zhang Yimou’s “Under the Light” to retain a comfortable lead at the China box office over the weekend, in its third week of release. The contemporary crime drama film earned $13.5 million (RMB97.2 million) between Friday and Sunday, according to data from consultancy Artisan Gateway. Since releasing on Sept. 28, it has accumulated gross revenues of $163 million (RMB1.17 billion).

Patrick Frater Asia Bureau Chief Iqbal H. Choudhury’s “The Wrestler” and Mori Tatsutya’s “September 1923” were announced joint winners of the New Currents competition at the Busan International Film Festival. “The Wrester” “was like a single round match, magically depicting an exciting narrative,” the jury said.

Patrick Frater Asia Bureau Chief “Tiger Stripes,” the Malaysian coming-of-age, body horror film that debuted in Cannes’ Critics Week section has been set as the opening title for this year’s Singapore International Film Festival (Nov. 30 – Dec.

Patrick Frater Asia Bureau Chief Some twenty aspiring film projects have been selected to participate in the inaugural edition of the Qcinema Project Market (Nov. 18-19) that this year represents and expansion of the QCinema Film Festival in The Philippines’ Quezon City. The selected titles include development projects by several of East Asia’s better known independent and art-house directors and projects.