Tokyo Film Festival Rebounds After Navigating Current Affairs Obstacle Course, Says Ichiyama Shozo: ‘China’s Revival Happened at the Right Time for Us’ (EXCLUSIVE)

Patrick Frater Asia Bureau Chief “The Marvels” narrowly missed the top spot at the mainland China box office on its opening weekend. And its debut was far short of its blockbuster predecessor. Data from consultancy firm Artisan Gateway shows “The Marvels” earning RMB82.7 million or $11.5 million between Friday and Sunday in Chinese cinemas. Of that some $2 million or 17%, was earned in Imax theaters. The film’s debut weekend haul was a fraction below the RMB84.2 million ($11.7 million) earned by Chinese film “Last Suspect” in its second weekend of release.

Patrick Frater Asia Bureau Chief “Auto-bio Pamphlet,” a Marathi-language film that is both a love story and a rage against class divisions, will open the 18th edition of the Jogja-NETPAC Asian Film Festival later this month. The festival will close with the world premiere of spy thriller “13 Bombs in Jakarta.” JAFF run Nov.

Patrick Frater Asia Bureau Chief France and Taiwan on Thursday signed a wide-ranging agreement to enable their film and TV industries co-operate on a higher level. At a signing ceremony in Taipei at the Taiwan Creative Culture Fest (TCCF) convention, government representatives of both territories stressed shared values at the political level and in the audiovisual sphere.

Patrick Frater Asia Bureau Chief “My Stand-In,” an action drama that starts shooting imminently, is a new Thai-language original series for Chinese streaming platform iQiyi. Fitting the booming ‘Boys Love’ genre, the series is a screen adaptation of a hit Chinese-language web novel “Stand-In Ship” written by Shui Qiancheng. The underlying novel has garnered over a billion readers on platforms including Weibo and iQiyi Novels.

Patrick Frater Asia Bureau Chief Chen Shaojie, the founder and CEO of leading gaming live-streaming platform DouYu, has disappeared and has been incommunicado for some three weeks, according to multiple Chinese media sources. The local reports, subsequently carried by the Financial Times and the Alibaba-owned South China Morning Post based in Hong Kong, allege that Chen’s disappearance is related to discovery by authorities of pornography and gambling content on the platform. Both are illegal in mainland China.

Patrick Frater Asia Bureau Chief Two films from Japan, Wim Wenders’ “Perfect Days” and Hamaguchi Ryusuke’s “Evil Does Not Exist,” won the top prizes at the Asia Pacific Screen Awards on Friday. Multiple other honors went to films from Korea and Kazakhstan. The 16th edition of the APSA Awards was held on the Gold Coast, Queensland, Australia and recognized films from eight countries. “Perfect Days,” a gentle comedy drama about a toilet cleaner in Tokyo finding happiness in the everyday, premiered in Cannes and more recently was selected as Japan’s Oscar contender and as the opening title of the Tokyo International Film Festival.

Patrick Frater Asia Bureau Chief “Godzilla Minus One,” the biggest picture to date in the Japanese monster movie franchise and the Wednesday night closing gala title at the Tokyo International Film Festival, is set for pan-European release at the beginning of December. Rights were acquired for 38 territories (excluding the U.K., Ireland and German-speaking territories) by theatrical-only specialist distributor Piece of Magic Entertainment from Toho, the Japanese studio that controls the ‘kaiju’ franchise and distributes the picture in Japan from Nov.

Patrick Frater Asia Bureau Chief Hong Kong-based sales firm Autumn Sun has acquisition worldwide rights to Chinese family-oriented animated film “I Am T-Rex,” directed by Shang Ming and Si Lin, produced by Beijing Create Dream. “I Am T-Rex” follows a young T-Rex named Didi in her coming of age journey after the death of powerful father T-Rex Rog, who is killed by a rival dino gang. She must learn the ways of the T-Rex and claim the crown again with the help of her uncle and a very caring friend.

Patrick Frater Asia Bureau Chief Top Japanese director Kurosawa Kiyoshi is in post-production of “Le Chemin du Serpent,” a French-language adaptation of his own 1998 film “The Serpent’s Path.” The story sees a mysterious woman team up with a man whose daughter was killed and who is now seeking revenge. Together they kidnap members of an organization and torture them to find out what really happened. With Damien Bonnard (“Asteroid City,” “Les Miserables”) and Shibasaki Ko (“47 Ronin,” “Battle Royale”) in the leading roles, the picture is the anchor title of the TIFFCOM sales slate of major Japanese studio Kadokawa. Production is by Kadokawa and Jean-Luc Ormieres’ Cinefrance Studios.

Patrick Frater Asia Bureau Chief Vietnam-based sales agent Skyline Media has closed multi-territory deals for two of its current titles “The Soul Reaper” and “Vietnamese Horror Story.” The deals follow Skyline’s recent trip to Busan’s ACFM and come ahead of its participation as exhibitor at a string of further final quarter sales events – Tokyo’s TIFFCOM, Santa Monica’s American Film Market and Taipei’s Taiwan Creative Content Fest. Folk horror film “The Soul Reaper,” currently in the final stages of post-production, was licensed to GaragePlay for Taiwan and to Westec Media Limited (WML) for Laos, Cambodia and nine other Southeast Asian territories. The film, adapted from Thao Trang’s best-selling horror novel “Lunar New Year in Hell Village” (aka “Tet O Lang Dia Nguc”), is set to be released in Vietnam cinemas on 08 December. GaragePlay is one of Taiwan’s leading distributors, and recently handles releases of “Suzume,” “John Wick: Chapter 4” and “Someday or One Day.” WML is the biggest content distributor in Cambodia and has distributed more than 1,000 titles theatrically since its establishment.

Patrick Frater Asia Bureau Chief Japanese drama film “Mountain Woman,” which was one of the standouts titles at last year’s Tokyo International Film Festival, is to be represented for global sales by EST N8. Inspired by “The Legends of Tono,” which is Japanese folklore from the Tohoku region, the film depicts a small Japanese village overrun by famine. The burden falls upon Rin, a woman whose connections with the spirit and natural worlds allow her to rise amidst familial conflicts.

Patrick Frater Asia Bureau Chief Leading Chinese filmmaker Zhang Yimou has a tough guy exterior – leather jackets, black shirts and a square jaw that has earned him acting awards alongside his top-level credentials as cinematographer and director of “Hero,” “The Road Home” – but on a visit to the Tokyo International Film Festival this week he was all smiles and frank talk. Zhang received a lifetime achievement award on Monday. On Tuesday the festival gave a gala screening to his historical blockbuster “Full River Red.” And at a Wednesday masterclass, Zhang was more gushed usable details about his process and frank advice for newcomers. “To be a film director you need to be physically in good shape. No smoking and no drinking,” he advised. “I generally adopt a two-stage process,” he explained.

Patrick Frater Asia Bureau Chief Toei Animation, the Japanese studio behind “Dragon Ball,” “Slam Dunk” and the “One Piece” cartoon franchises, is planning to open a European office in Italy. That may be followed by others in Latin America and India as well as a ramp up of its international production. The group already has a handful of overseas regional offices covering Asia, the Americas and Australasia, and Europe-Middle East and Africa (EMEA).

Patrick Frater Asia Bureau Chief TIFFCOM, the film market attached to the Tokyo International Film Festival, is set to be more international and more diverse in its first full comeback year after the COVID hiatus. It should also be more pleasant and convenient, having re-located to a more modern venue that is close to the film festival. “Bringing the in-person market back after four years, my priority was to make sure that TIFFCOM could happen during the festival, not some other time,” said Shiina Yasushi, who has headed the market for ten years.

Patrick Frater Asia Bureau Chief “Only the River Flows,” a pitch-black crime noir from auteur Wei Shujun, comfortably topped the mainland China box office on a quietish weekend. The film, ostensibly a murder mystery, but one concerned more with atmosphere than linear plotting, earned $12.6 million (RMB90.8 million) in its opening three days, according to data from consultancy Artisan Gateway, or close to a third of the market. The film had its premiere in Cannes where Variety gave it a rave review, calling it an “inventive riff on Asian-noir” and making comparisons with films by Park Chan-wook and Diao Yinan. “Only the River Flows” has since played at a succession of festivals ever since, including New Zealand, BFI London, Vancouver, Adelaide and last week’s Pingyao event in China. Falling to second place at the box office after three weeks on top was Zhang Yimou’s “Under the Light,” which earned $6.9 million for a four-weekend cumulative of $176 million. Chen Kaige’s war, propaganda film “The Volunteers: To the War” earned $5.3 million in third place.

Patrick Frater Asia Bureau Chief “The Quiet Yakuza,” is one of two late additions made by Japanese indie sales firm Free Stone Productions to its slate of films being pitched at TIFFCOM, the film rights market attached to the Tokyo International Film Festival. Directed by Yamaguchi Kento, the two-part-film is adapted from the highly popular manga “Shizukanaru Don – Yakuza Side Story” by Nitta Tatsuo, which runs to 108 volumes and has sold nearly 50 million copies. It sees Ito Kentaro as Shizuya, the only son of the Shinsen Group, the largest yakuza group in Kanto,. However, Shizuya has zero interest in the yakuza and wants to be a regular civilian. He is perfectly happy working at a design company, living a simple, puritan life and lusting after his colleague Akino.

Patrick Frater Asia Bureau Chief Hong Kong-based studio Edko Films will launch “Table for Six 2,” a sequel to its 2022 smash hit, at TIFFCOM, the rights market attached to the Tokyo International Film Festival. The heartfelt comedy is again written and directed by Sunny Chan, who enjoyed breakout success with “Table for Six,” a comedy-drama that starts with an awkward family reunion dinner where past and present romantic relationships are tangled and almost anything that could go wrong did. For the sequel. Chan has reunited the original cast – Stephy Tang, Louis Cheung, Ivana Wong, Lin Min Chen, Peter Chan Charm Man – for three weddings and their aftermath.

Patrick Frater Asia Bureau Chief Netflix has picked up rights to Japanese financial drama series “Trillion Game” from leading local broadcaster Tokyo Broadcasting System (TBS) and will begin airing it from Saturday. The show involves two young men – one a computer programming ace, the other a self-centered but charismatic entrepreneurial type – who have their early career moves thwarted by Dragon Bank and instead start their own company with the seemingly impossible ambition of building a trillion dollar company. They have no business plan and no capital and must come up with innovative ways to raise money and get ahead. The story was based on a manga originally written by Inagaki Riichiro and illustrated by Ikegami Ryoichi that was serialized in Shogakukan’s Big Comic Superior magazine from 2020. The TBS series, directed by Murao Yoshiaki, written by Habara Daisuke and produced by Matsumoto Akiko, Matsushita Hiromi and Kato Shoichi, began airing as weekly instalments in primetime evening slots from July 14 to Sept. 15.Meguro Ren, a member of the J-pop idol group Snowman, plays Haru Tennoji, the charming but tricksy protagonist.

Patrick Frater Asia Bureau Chief “This Time,” a romantic drama reminiscent of Richard Linklater’s “Before Sunrise” trilogy, but not officially based on it, has been picked up for global distribution by fast-moving sales company EST N8. The story follows two high school sweethearts who unexpectedly reunite in Los Angeles 23 years after they were separated in Jakarta and must decide if they’re still in love. The film, directed by Sebastien Tobler, stars Ken Kirby (“Good Trouble,” “Dynasty”), Leila Perry (“Filthy Animals”) and was produced by Theresa Chiu. It had its world premiere at the Los Angeles Asian Pacific Film Festival in May. The rights deal was brokered by Tenten Wei and Sophie Shi of EST N8.

Patrick Frater Asia Bureau Chief Chinese movie conglomerate Hengdian Films has inked a contract to fit Imax with Laser premium large format screen systems at 20 of its cinema locations. The order is the Imax’s largest recorded during the past four years. Hengdian Films is a pre-existing Imax client and the new deal will expand its Imax screen count to 27 when completed.