‘Godzilla Minus One’ Sets Pan-Europe Theatrical Releases Through Piece of Magic (EXCLUSIVE)

Patrick Frater Asia Bureau Chief Leading Korean star Jung Woo-sung (“A Moment to Remember”) will star opposite Shin Hyun-been (“Hospital Playlist”) in “Tell Me That You Love Me,” an original series for Genie TV. The show is a remake of the hit Japanese series of the same name that first aired at Tokyo Broadcasting Systems linear channel in Japan some 28 years ago in 1995. The new show will upload to Genie’s own streaming service on Nov. 27 and the same day in Japan on Disney+.

Patrick Frater Asia Bureau Chief Leading Japanese indie film company Gaga Corporation has seen a controlling share stake sold to Genda Inc., a fast-moving entertainment conglomerate with its roots in arcade gaming. Genda is buying the 78% share holding owned by Gaga chairman Tom Yoda’s T.Y. Limited company.

Patrick Frater Asia Bureau Chief Mystery-horror film “Five Nights at Freddy’s” landed on top of the South Korean cinema box office. But fellow new release title “The Hunger Games: The Ballad of Songs and Snakes” managed only a fourth placed start. “Five Nights” earned $1.78 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council.

Patrick Frater Asia Bureau Chief Sting, Jonas Brothers, Halsey and OneRepublic are among the headline acts set to perform at Lollapalooza India. The music festival is set for a second edition Jan.

Patrick Frater Asia Bureau Chief The Ridley Scott-directed historical epic “Napoleon” is set to get a release in mainland Chinese theaters next month. The Apple Original Films and Sony Pictures’ title has received approval for import into China and release in a Dec. 1 slot, Sony said on Thursday. Per a Sony synopsis, the film “details the checkered rise and fall of the iconic French Emperor Napoleon Bonaparte, played by Oscar-winner Joaquin Phoenix.

Patrick Frater Asia Bureau Chief A man in his 40s, who was a member of the association for victims of sexual abuse by the late Johnny Kitagawa, has died in Japan. While the police have not commented, reputable local media on Tuesday reported that it is a possible case of death by suicide. The unnamed man’s body was found in the mountains near Osaka in mid-October.

Patrick Frater Asia Bureau Chief “Deep Sea,” an innovative Chinese-made animation film that has played the international festival circuit throughout this year, will release in North American theaters later this month. Theatrical rights were acquired by Viva Films from Netherlands-China sales outfit Fortissimo Films. Viva plans an outing on Nov.

Patrick Frater Asia Bureau Chief “Pokémon Concierge,” an unusual, animated miniseries, will launch on Netflix at the end of December. The first collaboration between the global streamer and Japanese firm The Pokémon Company, the show involves hand-drawn animation with four episodes of 14-20 minutes each. Fans can get a glimpse of the new show through a trailer that releases on Wednesday in Japan and on Tuesday in North America. The show uploads globally on Dec.

Patrick Frater Asia Bureau Chief All three of Sony Group Corporation’s entertainment segments – film and TV, music and Games and network services – improved their profitability between July and September, the second quarter of the Japan and Hollywood conglomerate’s financial year. Group revenues increased by 8% in local currency terms to JPY2.83 trillion, compared with JPY2.75 trillion in the same quarter last year. But Sony’s financial services unit and its entertainment technology segment pulled down group sales and profitability. The group’s net after tax profits dropped a hefty 29% to JPY200 billion.

Patrick Frater Asia Bureau Chief Japanese entertainment conglomerate Kadokawa is seeking to double its international revenues through a strategy of diversification and localization. Taiwan is expected to be a key plank in the outreach, executives at the Taiwan Creative Content Fest (TCCF) heard on Tuesday. “Currently 20% of Kadokawa’s revenues come from outside Japan. I want to get this figure to 40%,” said Natsuno Takeshi, CEO Kadokawa Corp. Kadokawa has its roots in publishing of comics and other fiction and also has deeply-established roots in film production and distribution.

Patrick Frater Asia Bureau Chief Unscripted queer reality dating series “Boys Like Boys” is to air on Warner Bros. Discovery’s TLC channel in Taiwan in early 2024, making it the first local LGBTQ+ dating reality show to air on linear TV in the territory. The show is an original production by GagaOOLala, Asia’s out and proud LGBTQ+ streaming service, which is pitching an expanded array of queer content at the Taiwan Creative Contents Fest (TCCF) that launches Tuesday in Taipei. “Boys Like Boys” had its premiere at the Kaohsiung International Film Festival and is now available worldwide on GagaOOLala and WeTV in the Philippines and Thailand, where the ‘Boys Love’ genre has become highly popular.

Patrick Frater Asia Bureau Chief “The Boy and the Heron” supposedly the final feature film by Japanese animation maestro Miyazaki Hayao, placed on top of the south Korean box office for a second weekend. It held off challenges from a clutch of new releases, including “Taylor Swift: The Eras Tour” and “Talk to Me.” “The Boy and the Heron” collected $2.49 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

Patrick Frater Asia Bureau Chief Two films from Japan, Wim Wenders’ “Perfect Days” and Hamaguchi Ryusuke’s “Evil Does Not Exist,” won the top prizes at the Asia Pacific Screen Awards on Friday. Multiple other honors went to films from Korea and Kazakhstan. The 16th edition of the APSA Awards was held on the Gold Coast, Queensland, Australia and recognized films from eight countries. “Perfect Days,” a gentle comedy drama about a toilet cleaner in Tokyo finding happiness in the everyday, premiered in Cannes and more recently was selected as Japan’s Oscar contender and as the opening title of the Tokyo International Film Festival.

Patrick Frater Asia Bureau Chief Top Japanese director Kurosawa Kiyoshi is in post-production of “Le Chemin du Serpent,” a French-language adaptation of his own 1998 film “The Serpent’s Path.” The story sees a mysterious woman team up with a man whose daughter was killed and who is now seeking revenge. Together they kidnap members of an organization and torture them to find out what really happened. With Damien Bonnard (“Asteroid City,” “Les Miserables”) and Shibasaki Ko (“47 Ronin,” “Battle Royale”) in the leading roles, the picture is the anchor title of the TIFFCOM sales slate of major Japanese studio Kadokawa. Production is by Kadokawa and Jean-Luc Ormieres’ Cinefrance Studios.

Patrick Frater Asia Bureau Chief Vietnam-based sales agent Skyline Media has closed multi-territory deals for two of its current titles “The Soul Reaper” and “Vietnamese Horror Story.” The deals follow Skyline’s recent trip to Busan’s ACFM and come ahead of its participation as exhibitor at a string of further final quarter sales events – Tokyo’s TIFFCOM, Santa Monica’s American Film Market and Taipei’s Taiwan Creative Content Fest. Folk horror film “The Soul Reaper,” currently in the final stages of post-production, was licensed to GaragePlay for Taiwan and to Westec Media Limited (WML) for Laos, Cambodia and nine other Southeast Asian territories. The film, adapted from Thao Trang’s best-selling horror novel “Lunar New Year in Hell Village” (aka “Tet O Lang Dia Nguc”), is set to be released in Vietnam cinemas on 08 December. GaragePlay is one of Taiwan’s leading distributors, and recently handles releases of “Suzume,” “John Wick: Chapter 4” and “Someday or One Day.” WML is the biggest content distributor in Cambodia and has distributed more than 1,000 titles theatrically since its establishment.

Patrick Frater Asia Bureau Chief Japanese drama film “Mountain Woman,” which was one of the standouts titles at last year’s Tokyo International Film Festival, is to be represented for global sales by EST N8. Inspired by “The Legends of Tono,” which is Japanese folklore from the Tohoku region, the film depicts a small Japanese village overrun by famine. The burden falls upon Rin, a woman whose connections with the spirit and natural worlds allow her to rise amidst familial conflicts.

Patrick Frater Asia Bureau Chief A TIFFCOM seminar on Thursday demonstrated both a sense of incredulity that Japanese animation “Suzume” could have enjoyed such wide international success and conveyed the depth of passionate behind-the-scenes strategizing that made it happen. Since its release in Japan at the end of 2022 and international expansion in spring of 2023, following a Berlin festival competition slot, “Suzume,” a fantasy drama about a girl who helps avert natural disasters, sold more than 47 million tickets worldwide. “And most of those people don’t even speak Japanese,” said the session’s moderator Sudo Tadashi, journalist and professor at the Japan University of Economics. Sunami Kazuki, MD of producer CoMix Wave Films and the Takeda Akihiro, an executive attached to the president’s office at the film’s worldwide distributor Toho, said that “Suzumi’s” success was not a foregone conclusion. Its success was years in the making and based on the growing performance of director Makoto Shinkai’s previous movies as well as growing international understanding of the Japanese anime genre. At the beginning of their collaboration, Shinkai and CoMix had little expectation that Shinkai’s works could appeal to non-Japanese distributors and audiences. But, within Asia at least, fans are tuned in to certain kinds of content from other countries. “We also owe this success to the cumulative impact of Studio Ghibli and ‘Demon Slayer 2’,” said Sunami. Shinkai’s 2013 film “The Garden of Words” was initially a Japan-only theatrical release, but it registered in China after Japanese box office success.

Patrick Frater Asia Bureau Chief Toei Animation, the Japanese studio behind “Dragon Ball,” “Slam Dunk” and the “One Piece” cartoon franchises, is planning to open a European office in Italy. That may be followed by others in Latin America and India as well as a ramp up of its international production. The group already has a handful of overseas regional offices covering Asia, the Americas and Australasia, and Europe-Middle East and Africa (EMEA).

Patrick Frater Asia Bureau Chief Ichiyama Shozo assumed control of the program of the Tokyo International Film Festival after a long programming career that included Tokyo and the slightly more indie Tokyo Filmex events. He is also a regular producing partner of Chinese art-house darling Jai Zhangke. These influences have shaped his approach to this year’s Tokyo IFF lineup, he told Variety.

Patrick Frater Asia Bureau Chief TIFFCOM, the film market attached to the Tokyo International Film Festival, is set to be more international and more diverse in its first full comeback year after the COVID hiatus. It should also be more pleasant and convenient, having re-located to a more modern venue that is close to the film festival. “Bringing the in-person market back after four years, my priority was to make sure that TIFFCOM could happen during the festival, not some other time,” said Shiina Yasushi, who has headed the market for ten years.