Florain Zeller’s ‘Son’ Rises at the Venice Festival

“The Music Man”, Broadway’s hit musical revival starring Hugh Jackman and Sutton Foster is coming to an end.

The producers of Broadway’s hit musical revival The Music Man will end the show’s successful run on Jan. 1, 2023, when star Hugh Jackman exits after a year a Professor Harold Hill.

Elsa Keslassy International Correspondent Playwright-turned-filmmaker Florian Zeller (“The Father”), who is at Venice with “The Son,” is joining forces with the European group Mediawan (“Call My Agent!”) and former CAA executive Federica Sainte-Rose to launch Blue Morning Pictures, a new production company. The multi-year deal will see Mediawan finance and produce with Blue Morning Pictures programming across an array of platforms. Zeller recently relocated in Los Angeles to accompany the release of “The Son” in the U.S., and promote the film during the awards season. Operating from both Paris and L.A., Zeller will now be working hand-in-hand with Sainte-Rose to develop a slate of premium films and television series.

Oscar winner Florian Zeller (The Father), fresh off Venice Film Festival drama The Son, is launching production firm Blue Morning Pictures with backing from European studio Mediawan (Call My Agent).

Hugh Jackman and Laura Dern hit the red carpet together for the premiere of their new movie, The Son, during the 2022 Venice Film Festival on Wednesday (September 7) in Venice, Italy.

Hugh Jackman and Laura Dern devastated the Venice Film Festival with the world premiere of Florian Zeller’s “The Son,” which earned a 10-minute standing ovation. Jackman appeared visibly moved during the  film’s reception, as did the audience. Jackman hugged his young co-star Zen McGrath amid the ovation. The film, which centers on a gut-wrenching family tragedy, led to audible gasps from viewers during one dramatic scene. Based on this rapturous reception, Zeller might be back for more Oscar glory with “The Son.”“The Son” centers on “a family as it falls apart and tries to come back together again,” according to Sony Pictures Classics’ official synopsis. Jackman stars as a father whose 17-year-old son comes to live with him after deciding he can no longer stay with his mother (Dern) years after his parents’ divorce. Jackson’s character, Peter, has a new partner, Kirby’s Beth. As Peter overextends himself to give his son a better life. 

Florian Zeller’s family drama The Son had its world premiere at the Venice Film Festival on Wednesday evening, eliciting a 10-minute standing ovation after the film’s screening.

Writer/director Florian Zeller cannot manage to reproduce the magic of “The Father” with his latest film, “The Son.” This latest screen adaptation of Zeller’s trilogy of stage plays about families falling apart, co-written with Englishman Christopher Hampton, expands its setting outside the limited confines of a single apartment – yet somehow manages to feel less cinematic. Without a clever conceit to elevate the material, this domestic drama is a mostly middling piece of maudlin manipulation.

Writer/Director Florian Zeller had such great success with his 2020 film adaptation of his stage play, The Father which won six Academy Award nominations including Best Picture, winning for his and co-writer Christopher Hampton’s screenplay, as well as Best Actor for Anthony Hopkins, that he was able to move very quickly in getting a film version going for his next play, 2018’s Le Fils. The result, The Son, premiering today at the Venice Film Festival in competition, is the second of a three part stage and film series on stories dealing with mental health, in this case a troubled 17 year old boy who has been deeply affected by the divorce of his parents and is suffering severe problems. Of course The Father dealt with one elderly man’s devastating descent into dimentia and the effect that had on his family, and it was an intimate film production for Zeller, largely taking place in the man’s apartment, yet still managed to be cinematic despite its stage origins.

Hugh Jackman and Laura Dern are stepping out at the 2022 Venice Film Festival.

Naman Ramachandran Florian Zeller and the cast of his “The Son,” including Hugh Jackman, Vanessa Kirby, Laura Dern and Zen McGrath, addressed the issue of mental health, the film’s central subject, ahead of its world premiere at the Venice Film Festival. The film, Zeller’s follow up to his Oscar-winning “The Father,” is an adaptation of his own stage play. It focuses on Peter (Jackman), whose busy but happy life with his infant and new partner Beth (Kirby) is disrupted when his ex-wife Kate (Dern) informs him about their teenage son Nicholas (McGrath), who has been missing from school for months and is disturbed. Addressing a press conference at Venice, Zeller said that he wanted to “explore these very emotional territories in a very honest and humble way” and that his work with the cast “was such a joyful, truthful and intense journey that we shared.”

Hugh Jackman and Laura Dern are stepping out at the 2022 Venice Film Festival.

As the 49th Annual Telluride Film Festival comes to a close on this Labor Day holiday, it once again could be a fest that ignites the Oscar chances of a number of films that have either had their World Premieres or North American Premieres this weekend. As part of the so-called Fall Festival Trifecta of Venice/Telluride/Toronto (the latter beginning this Thursday), this is where the six month+ awards season officially starts, even if the even longer Emmy season doesn’t conclude until a week from today.

Martin McDonagh is back on the Lido where he’s set to debut his latest film The Banshees of Inisherin, the first film he’s produced in his home country Ireland.

Elsa Keslassy International Correspondent On Sunday night, an hour before the hotly anticipated Sept. 5 world premiere of “Don’t Worry Darling” on the Lido, Variety celebrated director Olivia Wilde with a cocktail party hosted at the posh Danieli Hotel in Venice. Wilde, who is unveiling her second feature as a director out of competition at the festival, graces the cover of Variety’s Venice issue, on newsstands now. It marks the first dedicated Venice magazine issue that Variety has done, as the magazine’s co-editor-in-chief Ramin Setoodeh pointed out. “We couldn’t think of a better subject than Olivia,” Setoodeh said. Setoodeh praised Warner Bros., the studio behind “Don’t Worry Darling,” for championing theatrical releases.

Elsa Keslassy International Correspondent Best-known for her role as Noemie in the hit French series “Call My Agent!,” Laure Calamy has emerged in recent years as one of France’s biggest stars and most versatile actors. After a busy career in theater and many notable supporting roles, she finally got a shot at leading roles, and kudos have followed, for Caroline Vignal’s romantic comedy “My Donkey, My Lover and I,” which was part of Cannes’ Official Selection and earned her a Cesar award, and Eric Gravel’s social drama “A Plein Temps,” for which she won best actress at Venice in the Horizons section. Calamy is now on a roll and she’s shown that she can play anything. Case in point: Over this summer, she was at Locarno to present Blandine Lenoir’s period drama “Angry Annie,” in which she plays a working mother who joins the Movement for the Liberation of Abortion and Contraception (the film won Variety‘s Piazza Grande Award), and she’s now at Venice with Sebastien Marnier’s psychological thriller “The Origin of Evil,” in which she flirts with genre. In-between Locarno and Venice, she also made a stop at Angouleme Film Festival, where she presented “Angry Annie” and Marc Fitoussi’s “Two Tickets to Greece.”

National Geographic Documentary Films has announced the acquisition of worldwide rights to Bobi Wine: The People’s President, following its Venice Festival premiere.

Brendan Fraser says the role of dangerously obese teacher Charlie in the upcoming The Whale is “the biggest challenge” of his career.

Alissa Simon Film Critic By ALISSA SIMON  Actress, producer and musician Trace Lysette, known for her recurring role as Shea on all five seasons of Amazon’s “Transparent,” and for her appearance alongside Jennifer Lopez and Constance Wu in “Hustlers,” takes her career to a new level with a heart-rending turn in the title role of Venice competition title “Monica.”  • What drew you to this project? What stuck out to me most are the universal themes. A lot of people can relate to a loved one nearing the end of this physical life. Also, just the fact that families in general go through a lot together. There are strains on relationships, drama, humor, sadness… all of these things. This movie just happens to place a trans woman at the center of it all and we get to see it through her eyes. Which unfortunately is very rare and maybe even unheard of in film.  

Nick Vivarelli International Correspondent Hillary Clinton and Universal’s Donna Langley praised U.S. director, producer and social justice activist Ava DuVernay for being “a pathbreaker, a change-maker, a historical filmmaker,” as Clinton put it, during the 13th DVF Awards. The gala was held Thursday on the sidelines of the Venice Film Festival by fashion designer Diane von Furstenberg to honor extraordinary women.  The former U.S. secretary of state noted that DuVernay – who is among this year’s DVF honorees – “became the first African American woman ever nominated for an Academy Award as director [for “Selma”]. “Yes, her visionary works about Black histories and experiences are more relevant today than ever,” Clinton added. But Clinton went on to further praise DuVernay for “opening doors not just for herself, but for so many others.”