‘The Father’ Director Florian Zeller Launches Blue Morning Pictures With Mediawan & Former CAA Agent Federica Sainte-Rose

EXCLUSIVE: Fresh off her feature directorial debut world premiere of Emily at TIFF, actress-turned-filmmaker Frances O’Connor has inked with WME.

K.J. Yossman The first image has been released of Bill Bailey and Adjoa Andoh’s characters in upcoming BBC short film “The Smeds and The Smoos.” Based on Julia Donaldson and Axel Scheffler’s picture-book of the same name, it tells the story of two warring families whose children, Bill and Janet, fall in love and run away together. Hotly pursued by their grandparents, Grandfather Smed (Bailey) and Grandmother Smoo (Andoh), the two young aliens lead their families on a chase across space, giving them the opportunity to find out they have more in common than they think. Rounding out the cast are Ashna Rabheru as Janet, Daniel Ezra as Bill, Rob Brydon as Uncle Smoo, Meera Syal as Aunt Smed and Sally Hawkins as the narrator.

Both Jonathan Bailey and Bridgerton have been making headlines this week, so we figured it’s the perfect time to look back at these hot photos of him on the show!

The “Despicable Me” animation studio Illumination is launching a new label that will help it expand beyond family films and into more adult animated fare, and they’ve tapped Mike Moon, previously the head of Adult Animation at Netflix, to lead the new label.Moon will serve as the president of the label titled Moonlight, and he will also come aboard as a creative advisor to Illumination. His role will at Moonlight will be to augment Illumination’s existing slate and produce animated films that push beyond the family genre.

There’s huge Wicked movie news that just broke!

Marc Malkin Senior Film Awards, Events & Lifestyle EditorJonathan Bailey is in talks to join the cast of Jon M. Chu’s “Wicked” movies.The “Bridgerton” star will play Fiyero in the two-part feature adaptation headlined by Ariana Grande as Glinda and Cynthia Erivo as Elphaba. The Universal Pictures films are set for release on Christmas in 2024 and 2025.“Wicked” is a prequel to “The Wizard of Oz,” telling the story of how Elphaba became the Wicked Witch of the West and Glinda the Good Witch.“We decided to give ourselves a bigger canvas and make not just one ‘Wicked’ movie but two!” Chu wrote in a statement when announcing the two-parter. “With more space, we can tell the story of ‘Wicked’ as it was meant to be told while bringing even more depth and surprise to the journeys for these beloved characters.”

The Son and The Father director Florian Zeller will direct, write and co-produce the upcoming big-budget TV adaptation of Tony Award-winning play The Lehman Trilogy, his debut TV project.

Elsa Keslassy International Correspondent Florian Zeller, the French filmmaker behind the Oscar-winning “The Father” and “The Son,” is set to make his TV debut with the adaptation of Stefano Massini’s play “The Lehman Trilogy.” Zeller will write, direct and co-produce the series under his newly formed Blue Morning. Lorenzo Mieli at The Apartment Pictures, a Fremantle company, and Domenico Procacci at Fandango are executive producing the series. The pair previously teamed on the acclaimed series “My Brilliant Friend” based on the Elena Ferrante novels. Massini’s epic drama charts the history of one of the global financial institutions that helped spark the 2008 recession. The original production inspired Sam Mendes to stage an English-language version of Massini’s five-hour play. Adapted by Ben Power, the production won five Tony Awards earlier this year, including prizes for Sam Mendes’ direction and for the lead performance of Simon Russell Beale.

festival debut of his new film “The Son,” Florian Zeller has signed on to write, direct and co-produce a television adaptation of the Tony-winning play “The Lehman Trilogy.”The series will mark the first project under the Oscar-winner’s newly formed Blue Morning Pictures banner alongside Mediawan and Federica Sainte-Rose. Lorenzo Mieli will produce for The Apartment Pictures, a Fremantle company, while Domenico Procacci will produce for Fandango.

Madonna and her daughter, Lourdes Leon, were just two of the major stars sitting front row at the Tom Ford fashion show during 2022 New York Fashion Week held at Skylight on Vesey on Wednesday night (September 14) in New York City.

“The Music Man”, Broadway’s hit musical revival starring Hugh Jackman and Sutton Foster is coming to an end.

The producers of Broadway’s hit musical revival The Music Man will end the show’s successful run on Jan. 1, 2023, when star Hugh Jackman exits after a year a Professor Harold Hill.

Ethan Shanfeld Disney made quite a splash at its D23 Expo last weekend with a first look at Halle Bailey’s live-action “The Little Mermaid,” which earned over 104 million global views, Variety has learned exclusively. The clip takes viewers on a journey through the ocean before showing the shimmering underwater life of Ariel (Bailey), who teases her version of the iconic “Little Mermaid” song “Part of Your World.” “The Little Mermaid” teaser floated above those of all recent Disney live-action titles, including “Cruella” (68 million views), “Beauty and the Beast” (94 million views), “Alladin” (74 million views) and “Maleficent 2” (62 million views). Due to Queen Elizabeth II’s death on Thursday, “The Little Mermaid” metrics do not include views from the U.K., Ireland and Australia.

Today at D23, Disney offered a first look at its live-action adaptation of The Little Mermaid, starring Halle Bailey and directed by Rob Marshall, which is slated to hit theaters May 26. Watch the teaser above.

Elsa Keslassy International Correspondent Playwright-turned-filmmaker Florian Zeller (“The Father”), who is at Venice with “The Son,” is joining forces with the European group Mediawan (“Call My Agent!”) and former CAA executive Federica Sainte-Rose to launch Blue Morning Pictures, a new production company. The multi-year deal will see Mediawan finance and produce with Blue Morning Pictures programming across an array of platforms. Zeller recently relocated in Los Angeles to accompany the release of “The Son” in the U.S., and promote the film during the awards season. Operating from both Paris and L.A., Zeller will now be working hand-in-hand with Sainte-Rose to develop a slate of premium films and television series.

Naman Ramachandran BFI’s director of culture and Inclusion, Jen Smith, has been seconded to become the interim CEO of the Independent Standards Authority (ISA). The ISA is a new organization led by Creative U.K. and U.K. Time’s Up, aimed at strengthening efforts to tackle bullying and harassment. Time’s Up U.K. has developed the ISA in consultation with the creative industries, led by Caroline Norbury, chief executive of Creative U.K.. It is designed to ensure that people experiencing bullying and harassment whilst working in the creative industries can receive confidential advice, mediation and crucially, investigation into the most serious and complex complaints.

Hugh Jackman and Laura Dern devastated the Venice Film Festival with the world premiere of Florian Zeller’s “The Son,” which earned a 10-minute standing ovation. Jackman appeared visibly moved during the  film’s reception, as did the audience. Jackman hugged his young co-star Zen McGrath amid the ovation. The film, which centers on a gut-wrenching family tragedy, led to audible gasps from viewers during one dramatic scene. Based on this rapturous reception, Zeller might be back for more Oscar glory with “The Son.”“The Son” centers on “a family as it falls apart and tries to come back together again,” according to Sony Pictures Classics’ official synopsis. Jackman stars as a father whose 17-year-old son comes to live with him after deciding he can no longer stay with his mother (Dern) years after his parents’ divorce. Jackson’s character, Peter, has a new partner, Kirby’s Beth. As Peter overextends himself to give his son a better life. 

Writer/director Florian Zeller cannot manage to reproduce the magic of “The Father” with his latest film, “The Son.” This latest screen adaptation of Zeller’s trilogy of stage plays about families falling apart, co-written with Englishman Christopher Hampton, expands its setting outside the limited confines of a single apartment – yet somehow manages to feel less cinematic. Without a clever conceit to elevate the material, this domestic drama is a mostly middling piece of maudlin manipulation.