Telluride Wraps And Now Let The Oscar Buzz Begin As Venice Continues And Toronto Looms

Nicola Peltz and husband Brooklyn Beckham headed out on a stroll in New York city amid rumours of a Beckham family feud.The loved-up pair could be seen holding hands as they headed out, with Nicola opting for a noughties style ultra low waist, which some fashion fans were likely hoping had been consigned to the dustbin of history. Nicola, 27, wore a casual black t-shirt with pale blue flared trousers, adding some extra height with chunky platform boots. Meanwhile Brooklyn, 23, had also opted for a casual look in denim jeans, a white T-shirt and a navy blue zipped jacket.

Colin Farrell is opening up about his friendship with Elizabeth Taylor.

Ethan Shanfeld Timothée Chalamet has worn the crown of Hollywood “it boy” ever since his turn in Luca Guadagnino’s “Call Me by Your Name.” Since then, he’s starred in indie favorites like “Lady Bird” and “Beautiful Boy,” as well as headlined fantasy blockbuster “Dune.” Up next: Guadagnino’s film festival darling “Bones and All,” a cannibal love story that earned an 8.5-minute standing ovation in Venice. Following in the footsteps of Hollywood hotshots before him, Chalamet revealed to British Vogue the career advice that Leonardo DiCaprio gave him: “No hard drugs and no superhero movies.” DiCaprio and Chalamet shared the screen in Adam McKay’s 2021 satirical comedy “Don’t Look Up,” which premiered in limited theaters and on Netflix last December, and was nominated for a best picture Oscar.

Colin Farrell is showing off his buff bod while out on a run in Los Angeles on Wednesday afternoon (September 14).

Clayton Davis It’s more than prosthetics. More than the comeback. Brendan Fraser’s work as Charlie in Darren Aronofsky’s “The Whale” is a profound performance for the ages. The A-list star that brought us “The Mummy” and “Encino Man” goes above and beyond the calling of an actor, showcasing the vulnerability of a broken, 600-pound man. Like Aronofsky’s resurrection of Mickey Rourke in “The Wrestler” (2008), Frase delivers one of the best performances of the year. “The Whale” will surely land him an Oscar nomination for best actor. The drama is a stark, dour examination of regret and addiction, wrapped into the script written by Samuel D. Hunter, who adapts his play of the same name. Distributed by A24, “The Whale” tells the story of Charlie, am obese gay man who reconnects with his estranged 17-year-old daughter Ellie (played by Sadie Sink) after leaving her and her mother for his younger male lover.

EXCLUSIVE: Oscar-winning star Mark Rylance and his wife Claire van Kampen, a playwright, composer and director, have teamed with Steven Spielberg and his Amblin Entertainment on a TV project, the actor revealed to Deadline.

Colin Farrell suits up sharp for the premiere of his new movie, The Banshees of Inisherin, during the 2022 Venice International Film Festival on Monday (September 5) in Venice, Italy.

Phoebe Waller-Bridge stands next to partner Martin McDonagh during the premiere of his new film, The Banshees of Inisherin, during the 2022 Venice International Film Festival on Monday (September 5) in Venice, Italy.

Nick Vivarelli International Correspondent Last year Andrea Scrosati – who is group COO and continental Europe CEO of Fremantle – was at Venice with two films. This year Fremantle’s got six pics launching from the Lido, three of them in competition, which is a larger contingent than any of the U.S. studios or streamers.  Fremantle’s business model, which involves a cluster of companies mostly across Europe that they either fully own or are majority investors in, has been bearing fruit on their film side. Their output has grown “from 8 to 32 delivered movies in two years,” Scrosati says.  And the multi-pronged company’s Venice lineup – which includes Luca Guadagnino’s “Bones and All,” Emanuele Crialese’s “L’Immensità,” and Joanna Hogg’s “The Eternal Daughter” – is a reflection of that.

Martin McDonagh is back on the Lido where he’s set to debut his latest film The Banshees of Inisherin, the first film he’s produced in his home country Ireland.

There’s no shortage of star power on the Lido this year. The 79th Venice Film Festival boasts such boldface names as Timothée Chalamet — along with his fellow the Bones And All castmates and filmmaker Luca Guadagnino — Cate Blanchett, Alejandro G. Iñárritu, Adam Driver and dozens more.

It’s Bones and All day here at the Venice Film Festival, where the Timothée Chalamet-Taylor Russell starrer from Luca Guadagnino received a 10-minute standing ovation after its world premiere screening this evening.

Film premiere and headlines spilling from a trio of fests in full swing (Venice), just starting (Telluride) and queued up (Toronto) have indie exhibitors and distributors the most hopeful since Covid hit that a stream of new films could fire up the arthouse market.

Timothee Chalamet had all of Venice seeing red on Friday night at the world premiere of “Bones & All.” The actor donned a sparkling red pantsuit (with no back above the waist) in the shade of blood, a cheeky wink to the drama’s central protagonists — two cannibals in love.The drama, which reteams Chalamet with his “Call Me By Your Name” director Luca Guadagnino, lives up to its title with gory attacks and scenes that involve limb chewing and eating. But despite the uncomfortable subject matter, the audience at the Venice premiere for the movie devoured “Bones & All.” The film received a 8.5-minute standing ovation, the longest and most enthusiastic of the festival so far. (It handily beat the previous record holder “Tar,” a drama starring Cate Blanchett as a tortured composer.)

Timothée Chalamet has delivered yet another bold red carpet style.

The beginning of Bones and All is genuinely the stuff of nightmares and could easily stand alone as a short, tapping into the American tradition of the urban myth while at the same time laying down a deceptively sophisticated narrative. The rest of Luca Guadagnino’s latest doesn’t quite maintain this level of mastery and tension, which is in some ways a blessing, but that’s possibly because Bones and All isn’t really a horror movie. After the shocking opening salvo, the film sheds its genre skin to become an almost anthropological study of outsiderdom, using the false dawn of the American 1980s as a sort of petri dish for a new kind of conformity that has led us where we are today.

To love is to want to consume someone whole, to pick their skin and sinews out of the gaps between your teeth, to swallow their pancreas and wash it all down with gulps of throat-fizzing stomach acid. Take the age-old question that dominates the Grindr lexicon: do you want to be someone, be with them, or be inside them? “Bones and All,” Luca Guadagnino’s typically sumptuous, deeply romantic American parable — about a pair of teen cannibals, coming of age against the backdrop of ‘80s Reaganism — literalizes this allure, as any great anthropophagist love story should.

Timothée Chalemet is wary of social media.

Timothee Chalamet arrives at the 2022 Venice Film Festival ahead of the premiere of his new movie Bones and All on Friday (September 2) in Venice, Italy.