Venice Festival: NatGeo Doc Films Acquires Worldwide Rights For ‘Bobi Wine: The People’s President’

EXCLUSIVE: Manila-based TBA Studios has acquired Philippines theatrical rights to award-winning drama Plan 75, which is Japan’s submission for the best international feature category of the Academy Awards.

Oscar-winning director Laura Poitras will be guest of honor at the 35th International Documentary Film Festival Amsterdam (IDFA), running from November 9 to 20.

Venice Film Festival. Set in England in 1988 as Margaret Thatcher’s government is set to pass the anti-LGBT Section 28 law, “Blue Jean” stars Rosy McEwen as Jean, a gym teacher who must now live a double life.

Magnolia Pictures acquired North American rights to Blue Jean, the directorial debut of Georgia Oakley which just world-premiered in the Venice Days section of the Venice Film Festival. Pic stars Rosy McEwen and won Venice’s Giornate degli Autori (GdA) People’s Choice award. Magnolia plans to release the film next year.

Manori Ravindran International Editor Magnolia Pictures has acquired the North American rights to Venice Film Festival sensation “Blue Jean.” The directorial debut of Georgia Oakley, which just world-premiered in the Venice Days section of the Italian festival, is set in England in 1988, where Margaret Thatcher’s Conservative government is about to pass a law stigmatizing gays and lesbians. The new legislation forces Jean (Rosy McEwen), a closeted gym teacher, to live a double life. But as pressure mounts from all sides, the arrival of a new student catalyzes a crisis that will challenge Jean to her core.

HBO Documentary Films has acquired U.S. television and streaming rights to Oscar winner Laura Poitras’s film All the Beauty and the Bloodshed, fresh from its world premiere at the Venice Film Festival and sneak preview at Telluride.

Oliver Stone is in Venice this year to debut his latest documentary, Nuclear. Written alongside political scholar Joshua S. Goldstein, the film sets out to re-examine the role nuclear power can play in our lives and makes the case that the energy source is humanity’s only realistic alternative to fossil fuels in the fight against climate change. Deadline sat down with Stone and Goldstein prior to the film’s premiere on the Lido to discuss why the pair decided to link up and how the lengthy production process almost “took the life” out of Stone.

Following the premiere of Olivia Wilde’s new film Don’t Worry Darling at the 2022 Venice International Film Festival, one piece of footage prompted fierce online debate. The clip in question, however, wasn’t from the film itself but from its screening’s aftermath, and it depicts what many are convinced is Harry Styles spitting on his co-star, American actor Chris Pine.

Leo Barraclough International Features Editor Berlin-based sales outfit M-Appeal has closed distribution deals for Italy and Greece following the film’s world premiere at the Venice Film Festival. The Israeli-Ukrainian co-production plays in Venice’s Horizons Extra section, and will have its North American premiere on Sept. 14 at Toronto Film Festival in the Contemporary World Cinema section. Rome-based P.F.A Films Srl will distribute the film in Italy, with a theatrical release planned for April 2023. The company’s recent titles include “Fabian – Going to the Dogs” by Dominik Graf, “The Audition” by Ina Weisse, and “Border” by Abbasi Ali.

As the 49th Annual Telluride Film Festival comes to a close on this Labor Day holiday, it once again could be a fest that ignites the Oscar chances of a number of films that have either had their World Premieres or North American Premieres this weekend. As part of the so-called Fall Festival Trifecta of Venice/Telluride/Toronto (the latter beginning this Thursday), this is where the six month+ awards season officially starts, even if the even longer Emmy season doesn’t conclude until a week from today.

Colin Farrell suits up sharp for the premiere of his new movie, The Banshees of Inisherin, during the 2022 Venice International Film Festival on Monday (September 5) in Venice, Italy.

Phoebe Waller-Bridge stands next to partner Martin McDonagh during the premiere of his new film, The Banshees of Inisherin, during the 2022 Venice International Film Festival on Monday (September 5) in Venice, Italy.

Christopher Vourlias On the eve of the 79th Venice Film Festival, where his powerful Ukraine war documentary “Freedom on Fire: Ukraine’s Fight for Freedom” will premiere out of competition on Sept. 7, Oscar-nominated filmmaker Evgeny Afineevsky was in a frantic race against time. Footage was still being shot in Ukraine into the second week of August, with Afineevsky only completing the film on Aug. 31 — the same day that Ukrainian President Volodymyr Zelenskyy addressed the A-list celebrities and foreign press at the festival’s opening ceremony, urging the world not to forget the war in Ukraine with the impassioned plea: “Don’t turn your back to us.”

To love is to want to consume someone whole, to pick their skin and sinews out of the gaps between your teeth, to swallow their pancreas and wash it all down with gulps of throat-fizzing stomach acid. Take the age-old question that dominates the Grindr lexicon: do you want to be someone, be with them, or be inside them? “Bones and All,” Luca Guadagnino’s typically sumptuous, deeply romantic American parable — about a pair of teen cannibals, coming of age against the backdrop of ‘80s Reaganism — literalizes this allure, as any great anthropophagist love story should.

Manori Ravindran International Editor It’s Timothée Chalamet Day in Venice. This isn’t a national holiday, but perhaps it should be. It’s just past 1:30 p.m. outside the Venice Film Festival’s Sala Casino, and a crowd of youth have set aside work and school commitments to travel into the Lido to catch a glimpse of the American superstar arriving for a press conference. Every generation has their movie star heartthrob — from Jonathan Taylor Thomas to Brad Pitt in the ’90s and Robert Pattison at the dawn of the Twilight movies. For many young women, Chalamet represents the pinnacle of Gen Z cool. The Chalamet stans arrived as early as 7 a.m. on Friday to catch a glance of Timothée. They are, not surprisingly, mostly female. They describe their favorite performances as “Call Me By Your Name” and “The King” but are mostly drawn to Chalamet because of his kind and friendly nature.

Nick Vivarelli International Correspondent Hillary Clinton and Universal’s Donna Langley praised U.S. director, producer and social justice activist Ava DuVernay for being “a pathbreaker, a change-maker, a historical filmmaker,” as Clinton put it, during the 13th DVF Awards. The gala was held Thursday on the sidelines of the Venice Film Festival by fashion designer Diane von Furstenberg to honor extraordinary women.  The former U.S. secretary of state noted that DuVernay – who is among this year’s DVF honorees – “became the first African American woman ever nominated for an Academy Award as director [for “Selma”]. “Yes, her visionary works about Black histories and experiences are more relevant today than ever,” Clinton added. But Clinton went on to further praise DuVernay for “opening doors not just for herself, but for so many others.”

Leo Barraclough International Features Editor Berlin-based sales outfit M-Appeal has debuted the trailer (below) for the Israeli-Ukrainian drama “Valeria Is Getting Married,” which will have its world premiere in Venice’s Horizons Extra Friday. The film will have its North American premiere at Toronto Film Festival on Sept. 14, where it is part of the Contemporary World Cinema lineup. The film, directed by Israeli female filmmaker Michal Vinik, is shot from the perspective of two Ukrainian sisters, and follows the tense emotional journey that unfolds over the course of one day. Valeria (Dasha Tvoronovich) arrives in Israel to meet the man she is supposed to marry, thanks to a deal made online. She is following in the footsteps of her older sister Christina (Lena Fraifeld), who is happy with her new life in Israel, but Valeria struggles with the decision.

Man, the 20th century really thought it was something, didn’t it? Thankfully, in the middle of the 1980s, just when Western (read: American) culture was fully losing the run of itself in a frenzy of gum-snapping consumerism and prescription narcotics, Don DeLillo‘s “White Noise” appeared — you might almost say manifested — as a mischievous, mindbending 326-page reminder to the century that it wasn’t, in fact, all that.