Fifth Season Secures $225 Million Investment From Japan’s Toho

It’s been an eventful 2023 for international TV and film. As the strikes shut down Hollywood and streamers retrenched from the mega-spends of the Covid era, shows and movies from far and wide came were already in demand like never before, as viewers look to new countries for inspiration. Call it the Squid Game effect, or whatever you want, but neither subtitles nor geographical boundaries are an impediment to content getting seen any more. Here, we run down each Deadline International journalist’s top pick from the year, for the most part avoiding spoilers (there are some though, so this is a fair warning). You’ll find big-ticket U.S. fare, Japanese anime, restaurant TV dramas and Australian newsroom stories among our eclectic selections.

Patrick Frater Asia Bureau Chief Really, a company that creates augmented reality content for theatrical release movies has hired veteran media executive Peter Gaida as its chief commercial officer in Asia Pacific. The appointment is part of a wider expansion into Asia by the AR company. Founded by media entrepreneur James Andrew Felts in 2017, Really creates “highly functional, large-scale AR content” that it delivers weekly.

Teo Yoo (Past Lives, Love to Hate You) will join Noah Centineo in Season 2 of Netflix‘s The Recruit as a series regular.

EXCLUSIVE: Production has wrapped in Paris on Audrey Diwan‘s (Happening) anticipated erotic drama Emmanuelle, which stars Noémie Merlant (Portrait Of A Lady On Fire) in the title role.

Patrick Frater Asia Bureau Chief Chinese-made crime drama, “Endless Journey” opened on top of the mainland China box office on a weekend with three new releases in the top five. The Wanda Pictures and Alibaba title earned $20.5 million (RMB146 million) between Friday and Sunday, its official opening weekend, according to data from consultancy Artisan Gateway. Together with previews from the week earlier, it ended the weekend with a cumulative total of $34.5 million (RMB245 million).

Patrick Frater Asia Bureau Chief Fact-based action drama “12.12: The Day” won a fourth weekend at the South Korea box office and became the second highest grossing film of the year. The political thriller incurred a steep week-on-week drop in takings, managing only $5.89 million in its fourth weekend, compared with $11.4 million in its third. But it still hogged a 72% market share, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). After releasing on Nov.

according to IMDB’s Box Office Mojo.The musical fantasy, which tells the story of the fictional proprietor in the 1964 Roald Dahl novel “Charlie and the Chocolate Factory” stars Timothée Chalamet in the titular role. The Post said the actor exudes “impish charm and oddball quirks” and the film “delivers not so much a world of pure imagination as a land of constant cuteness.”The flick reportedly cost $125 million to make, so will have to earn double its budget, $250 million, to be deemed a box office success, according to Screen Rant.

Thania Garcia Nearly two years after the idea became a reality, Verswire – a venture capital model alternative for signing musicians – has announced its forthcoming publishing arm, set to launch in 2024 in partnership with Kobalt Music Group. With a $12.3 million investment from E.O.A.

wrote Monday alongside several photos of his and Beyonce’s visuals. In one of the photos, the “Break My Soul” singer, 42, can be seen wearing a chrome — which later became the tour’s unofficial dress code — headpiece with what looks to be wires sticking out from the side.It is currently unclear if Sorayama is pursuing any legal action against the “Halo” songstress.

BreAnna Bell “Blue Eye Samurai” has been renewed for a second season at Netflix. Created by Amber Noizumi and Michael Green, “Blue Eye Samurai” tells the story of Mizu (voiced by Maya Erskine), a mixed-race master of the sword. Set in Edo-period Japan, Mizu lives a life in disguise seeking the deliverance of revenge.

Netflix has renewed the critically acclaimed animated action series Blue Eye Samurai for a second season.

EXCLUSIVE: In a rare foray into TV, six-time Oscar nominee Amy Adams is attached to headline and executive produce The Holdout, a legal thriller drama written by Oscar winner Graham Moore (The Imitation Game) based on his novel of the same name. The limited series project, from Yellowjackets executive producer Drew Comins‘ Creative Engine Entertainment and Fifth Season, recently hit the marketplace and has attracted multiple offers, Deadline has learned.

Demon Slayer won’t have to wait long for the release of its upcoming fourth season.Demon Slayer: Kimetsu no Yaiba season four will follow the Hashira Training Arc, the anime’s X (formerly Twitter) account confirmed last night (December 10), and is set to premiere in Japan in Spring next year with an hour-long episode. A concrete release date for the series has yet to be announced.Demon Slayer: Kimetsu no Yaiba Hashira Training Arc TV series will be premiering in Spring 2024 with an Hour-Long Episode!#DemonSlayer pic.twitter.com/euEX9lv5ZI— Demon Slayer: Kimetsu no Yaiba (English) (@DemonSlayerUSA) December 10, 2023However, a number of Demon Slayer fans won’t have to wait until Spring to catch the first episode of the Hashira Training Arc as the upcoming Demon Slayer: Kimetsu no Yaiba – To the Hashira Training world tour kicks off in February across select countries.The world tour will screen the final episode of season three (the Swordsmith Village arc) and the first episode of the Hashira Training arc in cinemas this February in 4K and IMAX.

Japanese studio Toho, producer of current box office hit Godzilla Minus One, is paying $225M to acquire a 25% stake in producer-distributor Fifth Season. 

Patrick Frater Asia Bureau Chief Fact-based political thriller “12.12: The Day” dominated the Korean box office for the third successive weekend and advanced its takings haul beyond $50 million. It was far ahead of “Napoleon,” which opened a disappointing third. The Kim Sung-soo-directed picture earned $11.4 million between Friday and Sunday, accounting for 75.8% of nationwide weekend cinema revenues, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). It has held up particularly strongly and dropped by only 12% in its third weekend.

Barry M. Bloom The long wait for Shohei Ohtani to end his free agency is over.

J. Kim Murphy Hayao Miyazaki’s “The Boy and the Heron” looks to soar atop domestic charts this weekend after earning about $5.4 million across Friday and various preview screenings. Playing in 2,205 theaters, the GKids release has the benefit of Imax and other premium large format auditoriums to boost those numbers.

Patrick Frater Asia Bureau Chief Johnny & Associates, the Japanese talent agency that has been embroiled in a huge sexual abuse scandal, is rebranding itself as Starto Entertainment. The name is derived from the words ‘star’ and ‘to’ implying “to head toward the future,” the group said on Friday. “It is an expression of our commitment to all our artists current and yet to come, with whom we inaugurate a new era in accordance with their individual talents and personal goals,” the group explained. Johnny & Associates was for many years the most powerful talent shop in Japan, creating idol groups such as Snow Man, and leveraging its male performers into film and TV roles. It was brought low by a scandal relating to its founder Johnny Kitagawa who abused young male performers over a period of decades before his death in 2019.

The Formula 1 season for 2023 may be over, but race fans will only have to wait a few more months until the 2024 season!

Patrick Frater Asia Bureau Chief The Korean-produced series “The Glory” won the best drama series award on Thursday at the Asian Academy Creative Awards Gala Final. Thai-produced TV movie “Hunger” was named best feature film. The awards are organized by the Asian Academy of Creative Arts (AACA) a.k.a Asian Academy Creative Awards (AAA) and are held alongside the Asia Television Forum and Market (ATF) in Singapore. The AACA “was established to honor creative excellence and serve as a peer judged pinnacle of achievement in content creation, performance and media production.” By the conclusion of the gala ceremony, Singapore, Japan and India had each claimed seven prize wins.