Korea Box Office: ‘Napoleon’ Opens in Third Place, as ‘12.12: The Day’ Hits $50 Million

according to IMDB’s Box Office Mojo.“Wonka” also surpassed the $100 million earning mark domestically this week, as per Variety. Last week, the Timothee Chalamet-led musical fantasy had been dethroned by “Aquaman and the Lost Kingdom,” which is now in second place with $6.75 million in earnings.

Brent Lang Executive Editor Timothée Chalamet retained his holiday season crown as “Wonka” topped the box office on Thursday. The family film, which looks at chocolatier Willy Wonka and his quest to open the world’s most fantastical candy company, earned $8 million, pushing its domestic gross to $110.6 million. “Wonka” carries an $125 million budget and has been a success overseas, where it has earned more than $180 million.

It’s funky times at the holiday box office.

Ridley Scott’s Napoleon has crossed the $200M mark globally, getting to the milestone with Tuesday’s numbers included. The worldwide tally for the biographical epic is $200.7M, of which $141.1M is from the international box office. Through yesterday, the domestic cume is $59.6M.

Naman Ramachandran “Aquaman and the Lost Kingdom” led the worldwide box office with a $108 million debut weekend, according to numbers released by Comscore. Warner Bros. and DC Studio’s “Aquaman 2” also topped the U.S.

Timothée Chalamet‘s Wonka has topped the global box office.The musical prequel directed by Paul King pulled in a whopping $92.6million (£73.1million) over the weekend, topping the box office in 60 of its 77 international markets, according to Screen Daily. Its worldwide total currently stands at $150million (£118.4million).In the US, it made its debut pulling in $39million (£30.8million) over the weekend to top the box office and enjoyed strong openings in France at $5.1million (£4million) and Australia $4million (£3.2million).The UK/Ireland leads the international pack with $23.2million (£18.3million) after 10 days, ahead of Mexico with $11.2million (£8.3million).

Patrick Frater Asia Bureau Chief Static Waves, a Netherlands-based channels and content distribution company, has teamed with Korea’s Arirang TV to launch K-Wave, which they claim will be the world’s first free ad-supported television (FAST) channel dedicated to Korean popular music (K-pop). K-Wave will launch in January in the U.S. Europe and Asia via Zeasn, a platform which distributes to TCL, HiSense TV+ and Vestel brands of connected TVs pre-installed with Zeasn’s Whale OS. Its content will include: original series, live concerts, documentaries on K-pop stars, music and fashion trends, dance instruction videos and behind-the-scenes clips. To propel its Korean expansion, Static Waves has established a local business entity, Static Waves Korea, based in Seoul.

Patrick Frater Asia Bureau Chief Fact-based action drama “12.12: The Day” won a fourth weekend at the South Korea box office and became the second highest grossing film of the year. The political thriller incurred a steep week-on-week drop in takings, managing only $5.89 million in its fourth weekend, compared with $11.4 million in its third. But it still hogged a 72% market share, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). After releasing on Nov.

according to IMDB’s Box Office Mojo.The musical fantasy, which tells the story of the fictional proprietor in the 1964 Roald Dahl novel “Charlie and the Chocolate Factory” stars Timothée Chalamet in the titular role. The Post said the actor exudes “impish charm and oddball quirks” and the film “delivers not so much a world of pure imagination as a land of constant cuteness.”The flick reportedly cost $125 million to make, so will have to earn double its budget, $250 million, to be deemed a box office success, according to Screen Rant.

Jennifer Aniston has opened up about her final conversation with her late Friends co-star, Matthew Perry.Speaking to Variety for her first interview since Perry’s untimely death in late October, Aniston recalled to the outlet that she had been texting with him in the morning of the day that he died.While she did not share details on what the pair talked about, Aniston said of her former co-star’s behaviour that morning: “He was happy. He was healthy. He had quit smoking.

Jennifer Aniston is opening up about her late pal Matthew Perry.

Patrick Frater Asia Bureau Chief Fifth Season, the production and distribution company previously known as Endeavor Content, has secured a $225 million strategic investment from Toho International, the Japanese film and TV studio behind current box office hit “Godzilla Minus One.” The investment gives Toho a 25% equity stake in the company and leaves Korean entertainment conglomerate CJ ENM as Fifth Season’s majority owner. Former parent company, Endeavor Group Holdings continues as a strategic shareholder. CJ ENM and Fifth Season will work with Toho to both produce global content and participate in content produced in Japan.

Patrick Frater Asia Bureau Chief Thailand’s broadcast and streaming group Mono Next and Korea’s Studio Genie have struck a deal to collaborate on content creation and distribution. Production of a Thai remake of a Korean series is on the cards, but has not been finalized. The memorandum was announced on stage at the Asia Television Forum in Singapore on Wednesday, with streaming unit Mono Streaming signing on behalf of the Thai group.

Patrick Frater Asia Bureau Chief Something Special, the Seoul-based international format agency founded by format specialists Jin Woo Hwang (president and executive producer) and Kim In Soon (EVP & head of content) announce that ITV Studios has optioned the hit Korean celebrity format “Battle in the Box” for France, Australia, New Zealand, and Israel. The deal was unveiled on Wednewday, the first full day of the Asia Television Forum and Market (ATF) in Singapore. “Battle in the Box,” created by Korea’s NMedia and represented globally by Something Special, has previously seen deals announced with Fremantle for Denmark, Norway, Sweden, Finland, the Netherlands, Belgium and Portugal.

Patrick Frater Asia Bureau Chief Leading Japanese publishing house Kodansha has struck a deal with new production company Majestic Limited for a feature film adaptation of its “Origin” comic. Created by Boichi (“Dr. Stone,” “Sun-Ken Rock”), a renown Korean manga artist (real name Park Mu-jik) who is based in Japan, “Origin” is set in a near-future where humanity has achieved incredible advancements in technology and robotics. It tells a story of self-discovery, morality, and what it means to be human. Winning the grand prize for manga at the 22nd Japan Media Arts Festival and currently only printed abroad, the English translation of “Origin” hit U.S.

Patrick Frater Asia Bureau Chief Webtoons, the vertical-scrolling iteration of digital comics that emerged some twenty years ago in Korea, along with the smartphone, are now a global medium. But they are only at the beginning of their global journey, says Charlie Park, CEO of Kakao Entertainment-owned Tapas. Park was speaking Tuesday at the Asia Television Forum in Singapore in a session moderated by industry consultant Jimmy Kim. Park explained that the webtoon segment was for several years a niche fan-driven activity with few opportunities for monetization.

Beyoncé‘s concert film, Renaissance: A Film By Beyoncé, stormed at the box office this weekend, with $21million in ticket sales in North America alone.READ MORE: Beyoncé – ‘Renaissance’ review: a celebration of love and Black joyWritten, directed and produced by the 42-year-old singer herself, the movie focuses on the tour for her Grammy-winning album ‘Renaissance‘.Debuting in 2,539 theatres in the US and Canada, and 94 other territories globally, the movie features guest appearances from Diana Ross, Kendrick Lamar and Megan Thee Stallion.However, the opening did not quite reach the enormous success of the release of Beyonce’s peer and friend, Taylor Swift’s concert movie tour which debuted in October.Taylor Swift: The Eras Tour made a staggering $92.8million in its opening weekend.

Patrick Frater Asia Bureau Chief Political drama thriller “12.12: The Day” dominated the South Korean box office for a second weekend with a $13 million haul. Its second weekend outing topped its first session, when it earned $11.2 million, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). And the film (aka “Seoul Spring”) increased its share of the weekend’s total cinema market to a crushing 81%. Separately, ComScore calculated that the film’s single country receipts made it the seventh highest grossing film in the world over the weekend. After two weekends on release, “12.12: The Day” has garnered $34.2 million, making it already the sixth ranking film in Korea this year and the third biggest Korean-produced picture.

Naman Ramachandran Sandeep Vanga Reddy’s blood-soaked Bollywood epic “Animal,” starring Ranbir Kapoor, emerged as the No. 1 film globally with $42.1 million, according to data published by ComScore. “Animal” released across 38 global territories.

Brent Lang Executive Editor Queen Bey got the weekend off to a hot start. “Renaissance,” a concert film written, directed and produced by Beyoncé, earned $5.1 million in previews on Thursday. The film is expected to earn between $17 million to $20 million in its opening weekend from approximately 2,539 domestic locations.