European studio Mediawan has signed a strategic partnership with Death of Stalin producer Laurent Zeitoun and Gregory Ouanhon’s nascent creative studio Good Hero to co-develop and produce high-end international TV shows and feature films.
07.02.2022 - 18:07 / variety.com
Owen Gleiberman Chief Film CriticAgatha Christie was born in 1890, and the heyday of movie adaptations of her novels goes quite a ways back (like, 70 or 80 years). The whole structure and flavor of this sort of delectably engineered whodunit, with its cast of suspects drawn in deliberate broad strokes and its know-it-all detective whose powers of deduction descend directly from Sherlock Holmes, is rooted in the cozy symmetry of the studio-system era.
The last big-screen Christie adaptation that could be considered an all-out success, critically and commercially, was probably Sidney Lumet’s 1974 “Murder on the Orient Express,” a lavishly corny and irresistible amusement in which Albert Finney played the Belgian detective Hercule Poirot as a fussbudget egomaniac with pursed lips and hair that resembled an oil slick (he was like Inspector Clouseau with a brain transplant). “Murder on the Orient Express” was actually an event movie (it received half a dozen Oscar nominations, and Ingrid Bergman even won).
But the Christie adaptations that followed — “Death on the Nile” (1978), “The Mirror Crack’d” (1980), “Evil Under the Sun” (1982) — were half-baked suspense films that felt, collectively, like the fading embers of a genre. In recent decades, the Christie formula has seemed more at home on television (e.g., the British “Miss Marple” series), where it has come off as less hermetic and precious — that is, until Kenneth Branagh picked up the gauntlet for his 2017 remake of “Murder on the Orient Express.” That picture was something of a mixed bag: sterling production values, a puckish sense of play, not enough tension to an overly familiar mystery.
European studio Mediawan has signed a strategic partnership with Death of Stalin producer Laurent Zeitoun and Gregory Ouanhon’s nascent creative studio Good Hero to co-develop and produce high-end international TV shows and feature films.
Refresh for latest…: After debuting early in 15 overseas markets last weekend, Sony’s Uncharted was game for another $55.4M at the international box office this session in a total 62 offshore hubs. With a projected $51M four-day domestic frame, the weekend maps out at $106.4M worldwide. This takes the running offshore cume to $88M and global to $139M.
Refresh for latest…: Hitting 15 offshore markets ahead of its domestic debut and further overseas expansion next weekend, Sony’s Uncharted mapped out an international box office launch of $21.5M. The Tom Holland/Mark Wahlberg-starrer was No. 1 in each of its openings, taking advantage of school holidays in some markets and, of course, the Spider-Man Holland halo.
Death on the Nile (★★☆☆☆) miscalculates from the start, marching into a mystery Christie herself showed no interest in exploring: the origins of Hercule Poirot’s trademark mustache.Director and star Kenneth Branagh, helming his second Christie adaptation following the 2017 hit Murder on the Orient Express, digs into a black-and-white, WWI-set prologue that firmly establishes Belgian sleuth Poirot as the film’s romantic hero.Christie’s sturdy plots and colorful characters certainly invite inventive reinterpretation, but it feels misguided making this or any Poirot story more about the man solving the mystery, than about the mystery that Poirot must solve.The sprightlier 1978 version of Death on the Nile, directed by John Guillermin and scripted by Sleuth playwright Anthony Shaffer, struck a more satisfying balance between the famous detective and the cast of suspects all harboring motives for murder.That whodunnit boasted a lineup of eccentric legends — Bette Davis, Angela Lansbury, Maggie Smith, David Niven, and, of course, Peter Ustinov as Poirot — inhabiting Dame Agatha’s larger-than-life characters while swooning about in Anthony Powell’s Oscar-winning ’30s-era costumes.The result was gloriously camp, as much as it was wickedly intriguing.
The long-awaited movie Death on the Nile has finally arrived in theaters and audiences checking out the film this weekend will probably wonder if they should stick around for an end credits scene.
Murder on the Orient Express,” a miserable, poorly cast, sleepy take on the author’s most famous novel. Bad on its own terms, the film was made even worse by the fact that Sidney Lumet’s superb 1974 version, starring Lauren Bacall, Sean Connery, Ingrid Bergman and Albert Finney, is a screen classic.Running time: 127 minutes. Rated PG-13 (violence, some bloody images, and sexual material).
Lebanon and Kuwait won’t be playing Death on the Nile, Deadline has confirmed, and that’s unfortunately due to both countries’ protest of Israeli native star Gal Gadot.
Oscars have been announced, so here’s how you can catch-up on all the nominees for Best Picture.The 94th Academy Awards will take place on Sunday, March 27 at the Dolby Theatre in Hollywood, Los Angeles. The event will have a host for the first time since 2018, although exactly who is yet to be confirmed.Jane Campion’s The Power Of The Dog is currently the frontrunner for awards success with 12 nominations, followed by Dune with 10, and Belfast and West Side Story with seven each.Among all the categories, the award for Best Picture is the most coveted prize – with last year’s going to Nomadland.
The stars of Death on the Nile are gearing up for the release of their new movie!
The 94th Oscar nominations were full of surprises in both satisfying and disappointing ways, but when there are only five nominees in most categories, it's almost guaranteed that a few favorites will miss the cut.Here, the AP takes a look at some of the biggest shocks and upsets.DENIS MISSES IN DIRECTORThere is a general rule in Oscar snubs that you can’t just declare something a snub. You have to say who they should replace and the directing category this year is stacked with talent and merit, including Steven Spielberg for “West Side Story,” Paul Thomas Anderson for “Licorice Pizza,” Ryusuke Hamaguchi for “Drive My Car,” Kenneth Branagh for “Belfast” and Jane Campion (the first woman to ever get two directing nominations) for “The Power of the Dog.” That’s all to say that it was just a competitive year for directing and Denis Villeneuve, whose “Dune” got the second most nominations, simply missed the cut, though he can still celebrate his personal nominations for adapted screenplay and best picture.KSTEW GETS REDEEMEDIt’s been quite a journey for Kristen Stewart on the way to her first Oscar nomination.
The full list of Oscar nominations has been revealed for 2022.
Kenneth Branagh's Agatha Christie adaptation “Death on the Nile” begins with a flashback to the trenches of World War I before shifting to 1930s London two decades later, but that’s nothing compared to the time that's passed since Branagh's preceding 2017 whodunit “Murder on the Orient Express.”That film, which packed a bevy of stars aboard an opulent locomotive, was a saggy contrivance that lacked the warm fizz of Sidney Lumet's 1974 version, with Albert Finney. But “Murder on the Orient” did offer a welcome reminder of two immutable cinematic maxims: Train movies are irresistible and whodunits are, generally speaking, a hoot.
Kenneth Branagh’s adaptation of “Death on the Nile” begins with a sequence that is miles removed from Agatha Christie — indeed, it feels like a Branagh has spliced in a missing reel from “1917.” In an unbroken take, his camera snakes through a WWI-era foxhole, ending with the delivery of orders for a suicide mission. But maybe not.
accused of sexual assault and rape.) There are plenty of other reasons to wish the perfectly watchable “Death” had been better, if only because it’s already an upgrade from the flat, purposeless “Express.” This one’s trappings are plusher, its puzzle and solution niftier, yet still not totally there as a smoothly glamorous, engrossing piece of escapism.Christie aficionados may wonder what a grey WWI prologue in Belgium’s blood-soaked trenches has to do with Mediterranean misadventure. But Branagh and Green believe, a tad obnoxiously, that Poirot is more interesting if he’s less comical oddball and more heavy-headed hero with a lost love.
Outlander'sCatriona Balfe has admitted she is "proud" after she and new film Belfast got a whopping six BAFTA nominations.
Denis Villeneuve's sci-fi epic Dune leads the 2022 British Academy Film Awards nominations with 11. The movie adaptation of Frank Herbert's epic, starring Timothee Chalamet, Rebecca Ferguson and Oscar Isaac, topped the nominations when they were announced in London on Thursday.
British Academy Film Awards have kicked things off by announcing the highly-anticipated nominations list for the 2022 ceremony. MORE: 9 movies to catch in the cinema in February 2022: Death on the Nile, The Duke, Marry Me and moreThis year's ceremony is set to take place on Sunday 13 March at the Royal Albert Hall and will be hosted by Australian actress Rebel Wilson.