Review: The long-delayed 'Death on the Nile' runs aground

Sally Kellerman, known for her role in the "M*A*S*H" film, has died at the age of 84, Fox News Digital can confirm. Kellerman died Thursday morning from heart failure at her home in Woodland Hills, her manager and publicist Alan Eichler told Fox News Digital. The actress received worldwide fame for her role as Margaret "Hot Lips" Houlihan in the Robert Altman classic.

Actress Sally Kellerman, most famous for her role in the 1970 satirical war film MASH, has passed away at age 84 from complications of dementia. Below we’re breaking down five things to know about the actress who had an illustrious and wide-spanning career in Hollywood.

Tyler Perry’s iconic, gun-slinging grandma, Mabel «Madea» Earlene Simmons!Just when fans thought Perry stepped out of the wig and housecoat for the last time in 2019, Madea's back, in , and she may be here to stay.“Listen, I thought it was over this last time,” Perry told ET’s Kevin Frazier at the film’s premiere on Tuesday. “So, I’ve decided not to say anything. Just let it be.”Perry promised that he «officially hung up» the character with 2019’s.

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Death on the Nile (★★☆☆☆) miscalculates from the start, marching into a mystery Christie herself showed no interest in exploring: the origins of Hercule Poirot’s trademark mustache.Director and star Kenneth Branagh, helming his second Christie adaptation following the 2017 hit Murder on the Orient Express, digs into a black-and-white, WWI-set prologue that firmly establishes Belgian sleuth Poirot as the film’s romantic hero.Christie’s sturdy plots and colorful characters certainly invite inventive reinterpretation, but it feels misguided making this or any Poirot story more about the man solving the mystery, than about the mystery that Poirot must solve.The sprightlier 1978 version of Death on the Nile, directed by John Guillermin and scripted by Sleuth playwright Anthony Shaffer, struck a more satisfying balance between the famous detective and the cast of suspects all harboring motives for murder.That whodunnit boasted a lineup of eccentric legends — Bette Davis, Angela Lansbury, Maggie Smith, David Niven, and, of course, Peter Ustinov as Poirot — inhabiting Dame Agatha’s larger-than-life characters while swooning about in Anthony Powell’s Oscar-winning ’30s-era costumes.The result was gloriously camp, as much as it was wickedly intriguing.

The long-awaited movie Death on the Nile has finally arrived in theaters and audiences checking out the film this weekend will probably wonder if they should stick around for an end credits scene.

Billionaire real estate developer Rick Caruso, who developed the Grove and a number of other high-end commercial properties across the Southland is officially running for mayor of Los Angeles. Long rumored, it became official when he fliled paperwork today with the City Clerk.

Minamata, the Andrew Levitas film starring Johnny Depp, is getting a U.S. theatrical release this weekend with 27 runs, a full year after it was first skedded for U.S. screens.

Murder on the Orient Express,” a miserable, poorly cast, sleepy take on the author’s most famous novel. Bad on its own terms, the film was made even worse by the fact that Sidney Lumet’s superb 1974 version, starring Lauren Bacall, Sean Connery, Ingrid Bergman and Albert Finney, is a screen classic.Running time: 127 minutes. Rated PG-13 (violence, some bloody images, and sexual material).

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The stars of Death on the Nile are gearing up for the release of their new movie!

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Owen Gleiberman Chief Film CriticAgatha Christie was born in 1890, and the heyday of movie adaptations of her novels goes quite a ways back (like, 70 or 80 years). The whole structure and flavor of this sort of delectably engineered whodunit, with its cast of suspects drawn in deliberate broad strokes and its know-it-all detective whose powers of deduction descend directly from Sherlock Holmes, is rooted in the cozy symmetry of the studio-system era.

accused of sexual assault and rape.) There are plenty of other reasons to wish the perfectly watchable “Death” had been better, if only because it’s already an upgrade from the flat, purposeless “Express.” This one’s trappings are plusher, its puzzle and solution niftier, yet still not totally there as a smoothly glamorous, engrossing piece of escapism.Christie aficionados may wonder what a grey WWI prologue in Belgium’s blood-soaked trenches has to do with Mediterranean misadventure. But Branagh and Green believe, a tad obnoxiously, that Poirot is more interesting if he’s less comical oddball and more heavy-headed hero with a lost love.

A second unexplained death probe has been launched in a Scots town after the bodies of a man and woman were discovered just a day apart.