‘Death on the Nile’ Film Review: Kenneth Branagh’s 2nd Poirot Outing Makes for a Plusher Puzzler

they’re everywhere — and by the time the imagery is kinda-sorta explained, it’s too late to get un-distracted). When the film allows itself to be intimate, lovely moments occur.

Universal has released the first official photo for Christopher Nolan‘s upcoming Oppenheimer movie.

Today, Universal Pictures announced that Christopher Nolan’s atomic bomb film “Oppenheimer” has officially started production with multiple locations in the U.S., such as New Mexico, California, and New Jersey. The project has an ambitious budget of $100 million and will be heading to theaters the summer of 2023.

Naman Ramachandran Kenneth Branagh’s “Belfast” leads the nominations at the 2022 Irish Film and Television Academy Film and Drama award nominations with 10 nods across categories. “Belfast” is nominated for best film, best director and script for Branagh, with a lead actor nod for Jude Hill, supporting actor recognitions for Ciarán Hinds and Jamie Dornan and a supporting actress nod for Caitríona Balfe, besides craft nominations.

Sony Pictures Classics has pushed back the release for Roger Michell’s film The Duke, starring Academy Award winners Jim Broadbent and Helen Mirren, by a month—from March 25 to April 22, 2022. It will be released in theaters in New York and Los Angeles on the latter date before expanding to additional cities over the following weeks.

Death on the Nile (★★☆☆☆) miscalculates from the start, marching into a mystery Christie herself showed no interest in exploring: the origins of Hercule Poirot’s trademark mustache.Director and star Kenneth Branagh, helming his second Christie adaptation following the 2017 hit Murder on the Orient Express, digs into a black-and-white, WWI-set prologue that firmly establishes Belgian sleuth Poirot as the film’s romantic hero.Christie’s sturdy plots and colorful characters certainly invite inventive reinterpretation, but it feels misguided making this or any Poirot story more about the man solving the mystery, than about the mystery that Poirot must solve.The sprightlier 1978 version of Death on the Nile, directed by John Guillermin and scripted by Sleuth playwright Anthony Shaffer, struck a more satisfying balance between the famous detective and the cast of suspects all harboring motives for murder.That whodunnit boasted a lineup of eccentric legends — Bette Davis, Angela Lansbury, Maggie Smith, David Niven, and, of course, Peter Ustinov as Poirot — inhabiting Dame Agatha’s larger-than-life characters while swooning about in Anthony Powell’s Oscar-winning ’30s-era costumes.The result was gloriously camp, as much as it was wickedly intriguing.

The long-awaited movie Death on the Nile has finally arrived in theaters and audiences checking out the film this weekend will probably wonder if they should stick around for an end credits scene.

Murder on the Orient Express,” a miserable, poorly cast, sleepy take on the author’s most famous novel. Bad on its own terms, the film was made even worse by the fact that Sidney Lumet’s superb 1974 version, starring Lauren Bacall, Sean Connery, Ingrid Bergman and Albert Finney, is a screen classic.Running time: 127 minutes. Rated PG-13 (violence, some bloody images, and sexual material).

Belfast creator Sir Kenneth Branagh says Outlander star Caitriona Balfe will return to the Oscars stage despite her snub at this year's ceremony.

The stars of Death on the Nile are gearing up for the release of their new movie!

“Belfast” writer, director and producer Kenneth Branagh went into Tuesday morning’s Academy Award nominations knowing he had a chance to make some Oscar history as the person nominated in the largest number of categories, but he wasn’t really thinking about that as he watched the announcement from a studio where he’s working in the Twickenham area of London.“It had been pointed out to me, but at the moment of listening to them any such thoughts went out of my head and I was a nervous wreck,” he told TheWrap on Tuesday morning. “Every finger was crossed for anything and everything, hoping that some recognition might come our way.

Kenneth Branagh received three Oscar nominations today for Belfast – Best Director, Best Original Screenplay, and Best Picture – bringing his total to eight nominations. His nominations for Best Original Screenplay and Best Picture means Branagh has just broken a record by being nominated for Oscars in seven different categories throughout his career.

Clayton Davis Along with being one of the favorites in the best picture category, “Belfast” shepherded producer, writer and director Kenneth Branagh into Oscars history books.With nominations for best picture (as one of the film’s producers) and original screenplay, Branagh is the first person to be nominated in seven individual Oscar categories, surpassing George Clooney, Alfonso Cuarón and Walt Disney, who were recognized in six.In addition, Branagh joins Clooney and Warren Beatty as the only people to have received noms in every eligible major category — picture, director, lead or supporting acting and both original and adapted screenplay.Prior to nominations, he received five noms over his respectable career, across different categories — director (“Henry V”), actor (“Henry V”), supporting actor (“My Week With Marilyn”), adapted screenplay (“Hamlet”) and live-action short (“Swan Song”). Branagh has been a respected actor and director for over three decades.

The 2022 Oscar nominations are in.

Belfast writer-director Kenneth Branagh broke an Oscar record today for receiving seven nominations in seven different categories throughout his career. Branagh’s roles as writer, director, and producer of Belfast has netted him nominations today for Best Original Screenplay and Best Picture. Branagh also received a nomination today for Best Director.

Kenneth Branagh's Agatha Christie adaptation “Death on the Nile” begins with a flashback to the trenches of World War I before shifting to 1930s London two decades later, but that’s nothing compared to the time that's passed since Branagh's preceding 2017 whodunit “Murder on the Orient Express.”That film, which packed a bevy of stars aboard an opulent locomotive, was a saggy contrivance that lacked the warm fizz of Sidney Lumet's 1974 version, with Albert Finney. But “Murder on the Orient” did offer a welcome reminder of two immutable cinematic maxims: Train movies are irresistible and whodunits are, generally speaking, a hoot.

Owen Gleiberman Chief Film CriticAgatha Christie was born in 1890, and the heyday of movie adaptations of her novels goes quite a ways back (like, 70 or 80 years). The whole structure and flavor of this sort of delectably engineered whodunit, with its cast of suspects drawn in deliberate broad strokes and its know-it-all detective whose powers of deduction descend directly from Sherlock Holmes, is rooted in the cozy symmetry of the studio-system era.