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Robert De-Niro
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Ann Dowd
USA
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SXSW Film Review: Richard Linklater’s ‘Apollo 10 1/2: A Space Age Childhood’ - deadline.com - USA - Texas - Beyond
deadline.com
14.03.2022 / 08:27

SXSW Film Review: Richard Linklater’s ‘Apollo 10 1/2: A Space Age Childhood’

Richard Linklater’s periodic forays into animation (Waking Life, A Scanner Darkly) have been distinctively imaginative, and that goes double for Apollo 10 ½: A Space Age Childhood. A nostalgic but not in the least sentimental look at Texas life when the American space program was at full thrust, this highly personal but entirely accessible account of growing up in a culture both historically momentous and banal has something to offer all audiences in terms of its vivid portrait of a very specific place and time. But most receptive of all will be viewers in their 60s and beyond who have personal memories of the July 20, 1969 moon landing and a of milieu both memorable and banal.

SXSW Film Review: Winona Ryder In ‘The Cow’ - deadline.com - county Bullock
deadline.com
14.03.2022 / 08:05

SXSW Film Review: Winona Ryder In ‘The Cow’

The Cow is a film about a mystery that comes with many mysteries of its own, chief among them being the question of why Winona Ryder’s career is so shaped by her past. Stranger Things may have brought her back to the public eye, but it seemed to claim her as an ’80s icon when Ryder only had a walk-on part in that decade’s final reel. Her role in Darren Aronofsky’s 2010 ballet psychodrama Black Swan likewise came with a sting in the casting, pitting Ryder as the outgoing grand dame against Natalie Portman as an ingenue snapping at her heels. And here again, much mention is made of her age when Sandra Bullock—seven years her senior—could lead a bigger movie without a peep.

‘Apollo 10 1/2’ Film Review: Richard Linklater’s Nostalgic Reverie Is Less ‘First Man,’ More ‘Crooklyn’ - thewrap.com - county Alexander
thewrap.com
14.03.2022 / 07:47

‘Apollo 10 1/2’ Film Review: Richard Linklater’s Nostalgic Reverie Is Less ‘First Man,’ More ‘Crooklyn’

Presidential Fitness Challenge certificate) to go to the moon before Neil Armstrong to test out a capsule that has accidentally been made too small for adult astronauts. But no sooner does Stan upchuck during his first G-force simulation than adult Stan (Jack Black) hijacks the narration and takes a long detour into the sights and sounds and memories of growing up as a youngest child in late-’60s suburbia.This charming walk down memory lane — which includes everything from “Dark Shadows” to grandparents who remember the Depression to riding to the beach on the back of pick-up trucks and using gasoline-soaked rags to wipe the tar off your feet — is the heart of “Apollo 10 1/2,” and it’s an exhilarating, Proustian wave of reminiscences.

SXSW Film Review: Gracie Otto’s ‘Seriously Red’ - deadline.com - Australia - USA
deadline.com
14.03.2022 / 05:47

SXSW Film Review: Gracie Otto’s ‘Seriously Red’

“We need more Dollys in the world,” is the message of this raucous but hugely enjoyable comedy, which, at the same time, reminds us that there is—and can only be—one Dolly Parton. The 76-year-old country legend is having quite a moment at SXSW this year, arriving at the festival with a concert to promote her new album (and novel) Run, Rose, Run and her online NFT project Dollyverse, while riding a wave of public goodwill after her philanthropic support of the Covid vaccine with a $1 million donation.

‘Tony Hawk: Until the Wheels Fall Off’ Film Review: Legendary Skateboarder Makes a Reticent Doc Subject - thewrap.com
thewrap.com
13.03.2022 / 00:11

‘Tony Hawk: Until the Wheels Fall Off’ Film Review: Legendary Skateboarder Makes a Reticent Doc Subject

as an art form, addresses the interviewer with shining eyes and a kind voice. In an impassioned monologue that lends the documentary its name, he speaks about skateboarding with a kind of sublime reverence. Despite the bodily costs, he insists, “this is the luxury of having spent my life doing what I love.”“I’m not going to give up until the wheels fall off,” Mullen goes on.

‘Peaky Blinders’ star Joe Cole on leaving series: “For me, it was a no brainer” - www.nme.com - county Gray - county Shelby
nme.com
04.03.2022 / 03:21

‘Peaky Blinders’ star Joe Cole on leaving series: “For me, it was a no brainer”

Peaky Blinders star Joe Cole has opened up about leaving the hit BBC show, which returned to screens last weekend (February 27).The actor played John Shelby in the show, brother of Tommy Shelby played by Cillian Murphy. He held the role for three seasons before leaving in 2017.Speaking to Radio Times about leaving the show, Cole said he had no regrets.“In society we’re told to play by the rules and live your life in a certain way,” he began.

‘Page One’ Film Review: Doc Reveals New York Times’ Digital Dilemma - thewrap.com - New York - New York
thewrap.com
01.03.2022 / 23:53

‘Page One’ Film Review: Doc Reveals New York Times’ Digital Dilemma

This review of “Page One” was first published on January 24, 2011 after the film’s premiere at the Sundance Film Festival.  It’s kind of weird for me to watch “Page One,” a year-long chronicle of my former colleagues on the media desk of The New York Times and their struggle to produce journalism in this most challenging of times.The film, which starts around the time I started TheWrap in 2009 after having left the paper, is kind of like watching the conversation continue in the room after you’ve walked out.On the one hand, the film directed by Andrew Rossi does an able job of documenting the critically important role that the Times continues to play in news-gathering and dissemination – and why it can be so damn exciting to be there.On the other hand, the film gives a rather superficial assessment of what everybody really wants to know: Will the Times make it, or not? Can the newspaper of record change fast enough, dramatically enough, to adjust to an upside-down business model?That he doesn’t answer.In 2008, the Times cut 100 jobs, borrowed $250 million and re-leased its building. In 2009, it cut another 100 jobs.It is distinctly odd to hear someone say on film exactly what I felt at that tie: “The mood is funereal.” And, I might have added, not conducive to doing great journalism.The team on which he focuses includes heroically smart and dedicated journalists – David Carr, Brian Stelter, Bruce Headlam (proud to say I’ve worked with two of them, hope one day to work with the third) who make up much of the media desk.The challenge of the media desk is even more profound – to chronicle the potential demise of an industry of which you are a part.

Former Peaky Blinders star Joe Cole reveals exit from drama was 'a no-brainer' - www.msn.com - Birmingham - city Holby
msn.com
01.03.2022 / 05:57

Former Peaky Blinders star Joe Cole reveals exit from drama was 'a no-brainer'

Peaky Blinders star Joe Cole felt like he ‘exhausted’ his character on the popular BBC series, which ultimately led to his exit in 2017. The 33-year-old actor played Tommy Shelby’s (Cillian Murphy) younger brother John in the Birmingham-based drama – which focuses on the famous families’ reign following World War I in 1918. Cole had cameos in Holby City, The Bill, and teen comedy Skins before landing the Peaky Blinders gig in 2013, and although he starred in the popular programme for three seasons, he still doesn’t regret walking away from it five years later.

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