Catalonia Leads Spain’s Pan-Regional Surge at Berlin

EXCLUSIVE: IFC Films has set a July 8 stateside release date for Claire Denis’ Berlin Film Festival winner Fire, starring Juliette Binoche and Vincent Lindon.

Naman Ramachandran The Berlin Film Festival has called for peace over the situation in Ukraine, which is currently in a state of military conflict after Russian forces struck on Thursday morning.“We — festival workers, artists, filmmakers — think fondly of our friends in Ukraine and we are by their side in a call for peace,” the festival said in a statement issued on Thursday. “One week ago, the Berlin International Film Festival was celebrating a complicated yet successful edition.

Resembling more of a personal tribute than exhaustive biography, Pietro Marcello‘s Lucio Dalla documentary, “For Lucio,” takes its title as an invitation. A rambling eulogy that is just as often confusing as it is profound, Marcello’s wisp of a film (running less than 80 minutes) may be missing key context for those not already versed in the life and music of the politically-oriented Italian singer-songwriter.

Many of Hong Sang-soo’s films are structured around a woman’s solitary wanderings. The single ladies played by Kim Min-Hee in “On the Beach at Night Alone” or “The Woman Who Ran,” or Lee Hye-Young in “In Front of Your Face,” are free radicals, moving from encounter to encounter and disrupting the equilibrium of the people they meet, as meandering conversations reveal a friend’s dissatisfaction or a couple’s disagreement.

Gail Halvorsen was a United States Air Force pilot known as the “Candy Bomber” for dropping candy over Berlin from his airplane during the Berlin airlift in 1948.  Gail Halvorsen joined the Air Force as a pilot during World War II, serving as a transport pilot in the South Atlantic. After World War II, Berlin was divided into four sections occupied by the United States, France, England, and Russia.

Leaves rustle in the wind, sand swiftly lifted from the ground as it resumes its nomadic journey, taking from one place to give to another. Around it, all seems to be consumed by stillness, but, in the safety of this deceiving quietness, life bursts through settled roots to create anew.

Premiering in the Special Gala section of this year’s Berlinale, the latest film from Italian director Dario Argento is surprising in more ways than one. Rather than copy the style of the giallo films from the 1970s and 1980s that made him famous (“The Bird with the Crystal Plumage,” “Deep Red,” and “Suspiria,” to cite just a few), his “Dark Glasses” finds ingenious ways to retain the core of the giallo while adapting to our current times.

Patrick Frater Asia Bureau Chief“The Novelist’s Film,” which Wednesday earned Korean director Hong Sang-soo the Grand Jury Prize in Berlin, has scored multiple rights deals. With Seoul-based Finecut handling the rights sales, the film was licensed to Ama Films for Greece and Cyprus, Mimosa Films for Japan, L’Atalante Cinema for Spain, Arizona Films Distribution for France and to The Cinema Guild for the U.S.Finecut also did European Film Market business with “Contorted,” an unorthodox horror about a family tragedy.

BERLIN -- The Catalan family drama “Alcarràs” won the Golden Bear award for best movie at the Berlin International Film Festival on Wednesday.Director Carla Simón's film was picked from a field of 18 by a seven-member jury under American filmmaker M. Night Shyamalan.He said the movie was honored “for its extraordinary performances, from the child actors to the actors in their 80s, for the ability to show the tenderness and comedy of family and struggle, and for the betrayal of our connection and dependence on the land around us.”The film depicts a family that spends its summers picking peaches in an orchard in a village in Spain's Catalonia region, but faces new owners who plan to replace the peach trees with solar panels.Meltem Kaptan took the best leading performance honor for the title role in German director Andreas Dresen's “Rabiye Kurnaz vs.

It sounds like the set-up to a French New Wave film: a French au pair falls in love with an Irish pickpocket leading to a whirlwind romance that changes both their lives. It might be twee, but Joan Verra (Isabelle Huppert) lived it, and on a long, rainy, nighttime drive reflects on the intense, yet fleeting relationship of her youth.

Sat in front of a computer, musician Nick Cave reads a few questions aloud. These are deeply existential musings sent in by people he has never met.

EXCLUSIVE: Saban Films is continuing to expand its international footprint, having recently inked a deal with distribution partners in Switzerland and Benelux. The L.A.-based company has signed with WW Entertainment in Benelux (Belgium, Netherlands and Luxembourg) and Ascot Elite in Switzerland, which it will add to deals it already has in place in the UK and Ireland (Altitude), Germany and Austria (Splendid), France (ACE Entertainment), Spain (Key2Media), Scandinavia (Mis.Label) and Australia and New Zealand (Defiant Screen Entertainment).

Elsa Keslassy International CorrespondentLoco Films, the Paris-based world sales and production company, has unveiled the trailer for Yulia Trofimova’s feature debut “The Land of Sasha” which is premiering today at the Berlinale, in the Generation 14plus strand.“The Land of Sahsa” tells the story of an indecisive 18-year-old struggling to pursue his desire to become a painter as his mother urges him to choose a safer career path. The sudden appearance of the boy’s estranged father complicates things further. But when Sasha has an unexpected encounter with an unusual girl called Zhenia, he realizes he has no choice but to finally grow up.“The Land of Sasha” was produced by Katerina Mikhaylova and Konstantin Fam for Moscow-based Vega Film.

The streets outside her window are dripping with hope, and yet Élisabeth (Charlotte Gainsbourg) is lost. It is Paris, 1981, a new president has been elected, and Élisabeth’s husband has left, claiming the thrillingness of motion by moving in with a new girlfriend while his ex is left with the stagnance of remaining, the apartment where they’ve raised their children, Judith (Megan Northam) and Matthias (Quito Rayon-Richter), at once comfortingly familiar and dreadfully new.

A couple struggles to process the aftermath of the Bataclan terrorist attack in One Year, One Night (Un Ano, Una Noche), an affecting Berlin Film Festival competition title from Spanish director Isaki Lacuesta (Between Two Waters). Inspired by a book from Ramón González entitled Peace, Love and Death Metal, it’s based on recollections from real survivors of the 2015 attack in Paris, and the level of detail is compelling.

Elsa Keslassy International CorrespondentMemento International has closed major sales on Ursula Meier’s Berlin contender “The Line,” and “Boy from Heaven” by Tarik Saleh, the Swedish-Egyptian helmer of “The Nile Hilton Incident.” A religious and political thriller, “Boy From Heaven” is set in Cairo, in a Koranic school following the collapse of a grand imam which marks the start of a ruthless battle for influence.The movie is headlined by Tawfeek Barhom and Fares Fares, who previously starred in “The Nile Hilton Incident.” Saleh’s Stockholm-based outfit Atmo is producing the movie with Memento. Memento International has sold the film to Benelux (Cineart), Spain (La Aventura), Italy (Movies Inspired), Greece (Cinobo), Hungary (Vertigo) and Middle East (Falcon). Other territories in negotiation.

Of all the unsolved mysteries in Claire Denis‘ new Berlin Competition film, the biggest may just be its U.S. retitling to a generic and not particularly representative “Fire.” The film’s English title in the rest of the world, “Both Sides of the Blade” — a line from the terrific Tindersticks track that ends the film —is not just cooler and more compelling.

EXCLUSIVE: Isaki Lacuesta’s drama One Year, One Night (Un Año, Una Noche), about survivors grappling with trauma following the devastating terrorist attack at Paris’ Bataclan theater on November 13, 2015, world premieres in competition at the Berlin Film Festival today. Check out a clip above as a group of friends discusses messages of support they received in the wake of the tragedy.

Christopher Vourlias Training their lens on the largely untold story of the atrocities committed against Thessaloniki’s Jewish population during World War II, Syllas Tzoumerkas and Christos Passalis will bow “The City and the City” Feb. 15 in the Berlin Film Festival’s competitive Encounters strand.Unspooling in six fragmented chapters, the film tells the story of Thessaloniki’s Jewish community from the first half of the 20th century until the present day, where contemporary life reflects a city that violently and irrevocably lost its multicultural character, almost overnight.Natives who both left Thessaloniki in their twenties, the directors said they wanted to focus on what Tzoumerkas described as a “blind spot” in their respective upbringings, in which the suffering and near annihilation of the city’s Jewish community went virtually unmentioned.