‘The Passengers Of The Night’ Review: Charlotte Gainsbourg Eventually Finds Her Way A Moody, Melancholic Drama [Berlin Film Festival]

Resembling more of a personal tribute than exhaustive biography, Pietro Marcello‘s Lucio Dalla documentary, “For Lucio,” takes its title as an invitation. A rambling eulogy that is just as often confusing as it is profound, Marcello’s wisp of a film (running less than 80 minutes) may be missing key context for those not already versed in the life and music of the politically-oriented Italian singer-songwriter.

Many of Hong Sang-soo’s films are structured around a woman’s solitary wanderings. The single ladies played by Kim Min-Hee in “On the Beach at Night Alone” or “The Woman Who Ran,” or Lee Hye-Young in “In Front of Your Face,” are free radicals, moving from encounter to encounter and disrupting the equilibrium of the people they meet, as meandering conversations reveal a friend’s dissatisfaction or a couple’s disagreement.

Gail Halvorsen was a United States Air Force pilot known as the “Candy Bomber” for dropping candy over Berlin from his airplane during the Berlin airlift in 1948.  Gail Halvorsen joined the Air Force as a pilot during World War II, serving as a transport pilot in the South Atlantic. After World War II, Berlin was divided into four sections occupied by the United States, France, England, and Russia.

Leaves rustle in the wind, sand swiftly lifted from the ground as it resumes its nomadic journey, taking from one place to give to another. Around it, all seems to be consumed by stillness, but, in the safety of this deceiving quietness, life bursts through settled roots to create anew.

Premiering in the Special Gala section of this year’s Berlinale, the latest film from Italian director Dario Argento is surprising in more ways than one. Rather than copy the style of the giallo films from the 1970s and 1980s that made him famous (“The Bird with the Crystal Plumage,” “Deep Red,” and “Suspiria,” to cite just a few), his “Dark Glasses” finds ingenious ways to retain the core of the giallo while adapting to our current times.

Jamie Lang SF Studios has announced that the 2021 Berlin Generation Kplus player “Nelly Rapp: Monster Agent” is getting a sequel. The original was a hit among kids and parents alike in its native Sweden and won a pair of Swedish Guldbagge Awards. Based on Martin Widmark’s popular children’s books of the same name, the film features rising star Matilda Gross as the titular Nelly, a young girl who, along with her dog London, are dragged into a world of ghosts, vampires and werewolves.Johan Rosell will direct with Jon Nohrstedt and Niklas Larsson producing for SF Studios.

Michael Nordine authorAnyone who’s ever scoffed at a company referring to its employees as family will immediately hear alarm bells ringing when Zhanna (Lyudmila Vasilyeva), the matriarch who runs Produkty 24, tells her workers they aren’t just employees, they’re her children. It won’t take long for “Convenience Store” to justify that skepticism and then some: A highlight of the 2022 Berlin Film Festival’s Panorama program, Michael Borodin’s look at an Uzbek immigrant working in the Moscow outskirts is all the more disturbing for the fact that it’s based on a real case of human trafficking.The marriage of Mukkahabat (a gently devastating Zukhara Sanzysbay) to a fellow worker is our entree into this world, but it’s hardly a storybook wedding.

Paolo and Vittorio Taviani directed films together from the early 1950s until Vittorio died in 2018, leaving his now 90-year-old brother to carry on alone. Leonora Addio, the second film Paolo has made without Vittorio, is not only dedicated to him but picks up many of the themes that ran through their earlier work, including their enthusiasm for theater in general and the writings of Nobel laureate Luigi Pirandello in particular. The Berlin Film Festival competition entry looks and sounds sumptuous, but its two stories — both of which raise questions about what the living owe the dead — are disappointingly slight.

BERLIN -- The Catalan family drama “Alcarràs” won the Golden Bear award for best movie at the Berlin International Film Festival on Wednesday.Director Carla Simón's film was picked from a field of 18 by a seven-member jury under American filmmaker M. Night Shyamalan.He said the movie was honored “for its extraordinary performances, from the child actors to the actors in their 80s, for the ability to show the tenderness and comedy of family and struggle, and for the betrayal of our connection and dependence on the land around us.”The film depicts a family that spends its summers picking peaches in an orchard in a village in Spain's Catalonia region, but faces new owners who plan to replace the peach trees with solar panels.Meltem Kaptan took the best leading performance honor for the title role in German director Andreas Dresen's “Rabiye Kurnaz vs.

Holly Jones Karlsson: It’s also the expectations they put on themselves. Harry’s constantly torn between what he feels is good music and what is just making money, a concern he shares with his father.

It sounds like the set-up to a French New Wave film: a French au pair falls in love with an Irish pickpocket leading to a whirlwind romance that changes both their lives. It might be twee, but Joan Verra (Isabelle Huppert) lived it, and on a long, rainy, nighttime drive reflects on the intense, yet fleeting relationship of her youth.

Sat in front of a computer, musician Nick Cave reads a few questions aloud. These are deeply existential musings sent in by people he has never met.

Jamie Lang Featuring in this year’s eight iteration of the Berlinale Co-Production Market’s Co-Pro Series, Italian drama “Belcanto” will hope to follow a trail blazed by former participating European standouts such as “Babylon Berlin,” “Freud,” “Furia,” and last year’s Series Mania winner “Blackport.”Co-created by the trio of Mariano Di Nardo, Antonio Manca and Federico Fava and produced by leading Italian distribution-production house Lucky Red, the series project is set in 1798, as 14-year-old Carolina, her 17-year-old sister Antonia and their mother Maria seek refuge in the city of Milan after stabbing their violent father to death.The elder sister dreams of becoming a renowned singer, much as her mother once hoped for when she was the girl’s age. However, an unhappy and often violent marriage waylaid young Maria, who is now willing to go the extreme lengths to ensure that her daughter is afforded every opportunity withheld from herself.

Holly Jones Set in Costa da Caparica, Portugal, amidst the 2008 economic crisis, “Vanda” – which screened at Berlin Film Festival’s European Film Market – tells the true-to-life story of distressed hairdresser turned unlikely criminal Dulce Caroço.Our titular character, played by Gabriella Barros (“Al Berto”), is introduced as she lies on the floor, vacant-faced, smoking a cigarette. Moments later, we see her doused in disguise, a blond wig and oversized sunglasses.In this hour-long, crime-heist episodic, created by Patrícia Müller (“Madre Paula”) and directed by Simão Cayatte (“A Viagem”), Vanda goes from surviving to destitute in a matter of scenes.

Elsa Keslassy International CorrespondentLoco Films, the Paris-based world sales and production company, has unveiled the trailer for Yulia Trofimova’s feature debut “The Land of Sasha” which is premiering today at the Berlinale, in the Generation 14plus strand.“The Land of Sahsa” tells the story of an indecisive 18-year-old struggling to pursue his desire to become a painter as his mother urges him to choose a safer career path. The sudden appearance of the boy’s estranged father complicates things further. But when Sasha has an unexpected encounter with an unusual girl called Zhenia, he realizes he has no choice but to finally grow up.“The Land of Sasha” was produced by Katerina Mikhaylova and Konstantin Fam for Moscow-based Vega Film.

An isolated house in the country, a small tribe of peculiar characters mostly keeping a wary distance from each other: That Kind of Summer (Un Ete Comme Ca) is a film set up perfectly for the pandemic era. The bonus zinger is that the house is a live-in retreat for supposedly, or maybe just possibly, recovering sex addicts. Nobody leaves, and everyone talks dirty. Denis Cote, the prolific Quebecois provocateur, must have been hugging himself when he thought of that one.

A couple struggles to process the aftermath of the Bataclan terrorist attack in One Year, One Night (Un Ano, Una Noche), an affecting Berlin Film Festival competition title from Spanish director Isaki Lacuesta (Between Two Waters). Inspired by a book from Ramón González entitled Peace, Love and Death Metal, it’s based on recollections from real survivors of the 2015 attack in Paris, and the level of detail is compelling.

Of all the unsolved mysteries in Claire Denis‘ new Berlin Competition film, the biggest may just be its U.S. retitling to a generic and not particularly representative “Fire.” The film’s English title in the rest of the world, “Both Sides of the Blade” — a line from the terrific Tindersticks track that ends the film —is not just cooler and more compelling.

EXCLUSIVE: Shooting upcoming Netflix pic Against The Ice was no straightforward task, as its stars and director reveal to Deadline in a first interview as a trio.

EXCLUSIVE: Isaki Lacuesta’s drama One Year, One Night (Un Año, Una Noche), about survivors grappling with trauma following the devastating terrorist attack at Paris’ Bataclan theater on November 13, 2015, world premieres in competition at the Berlin Film Festival today. Check out a clip above as a group of friends discusses messages of support they received in the wake of the tragedy.