Loco Films Unveils Trailer for Berlin Pic ‘Land of Sasha,’ Major Deals on WWII drama ‘The Champion of Auschwitz’ (EXCLUSIVE)

The Iprcress File is ITV's latest offering, continuing its stream of dramas so far in 2022.

EXCLUSIVE: IFC Films has set a July 8 stateside release date for Claire Denis’ Berlin Film Festival winner Fire, starring Juliette Binoche and Vincent Lindon.

K.J. Yossman Sky have released first look images for a new Sky Original drama, “Unwanted.”Inspired by the book “Bilal,” an investigative book from journalist Fabrizio Gatti, the eight-part series tells the story of an undercover human rights defender who is helping migrants journey from Africa to Europe as they battle human traffickers and government officials.Stefano Bises (“Gomorrah”) created and wrote the series in collaboration with with the collaboration of Alessandro Valenti, Bernardo Pellegrini and Michela Straniero.

Resembling more of a personal tribute than exhaustive biography, Pietro Marcello‘s Lucio Dalla documentary, “For Lucio,” takes its title as an invitation. A rambling eulogy that is just as often confusing as it is profound, Marcello’s wisp of a film (running less than 80 minutes) may be missing key context for those not already versed in the life and music of the politically-oriented Italian singer-songwriter.

Holly Jones Karlsson: It’s also the expectations they put on themselves. Harry’s constantly torn between what he feels is good music and what is just making money, a concern he shares with his father.

Alissa Simon Film CriticUzbekistan-born Michael Borodin makes a searing feature debut with the Russia-Turkey-Slovenia co-production “Convenience Store,” a story of modern slavery in Moscow, taking places under the noses of thousands of indifferent witnesses. Demonstrating his interest in pressing social issues, Borodin’s Berlinale Panorama selection was inspired by his personal experience as an illegal immigrant to Russia and the 2012 case of the “Golyanovo slaves,” which is now making its way to the European Court of Human Rights.Developed through the Next Step program of Cannes’ Critics’ Week and other co-production markets, the film, like the case of the Golyanovo slaves, centers on citizens of the former Soviet Republics, who are illegal migrants to Moscow and forced to work long hours, unpaid, in 24/7 convenience shops, without being able to leave the premises.

Elsa Keslassy International CorrespondentRolling off its Oscar nomination in the international feature category, Pawo Choyning Dorji’s Bhutanese feature debut “Lunana: A Yak in The Classroom” has been sold by Films Boutique in further territories. Bhutan’s first Oscar entry in 23 years, “Lunana: A Yak in The Classroom” follows a young teacher who dreams of emigrating to Australia to become a singer and instead finds himself assigned to a school in the most remote village in Northern Bhutan, where he unexpectedly bonds with local children and finds happiness.Berlin-based company Films Boutique has already sold the movie in most major markets including North America with Samuel Goldwyn Films and recently closed deals with leading distributors in Spain (A Contracorriente), Benelux (September Films) and Portugal (Alambique).

EXCLUSIVE: Shooting upcoming Netflix pic Against The Ice was no straightforward task, as its stars and director reveal to Deadline in a first interview as a trio.

EXCLUSIVE: Isaki Lacuesta’s drama One Year, One Night (Un Año, Una Noche), about survivors grappling with trauma following the devastating terrorist attack at Paris’ Bataclan theater on November 13, 2015, world premieres in competition at the Berlin Film Festival today. Check out a clip above as a group of friends discusses messages of support they received in the wake of the tragedy.

Nick Vivarelli International CorrespondentItaly’s robust 2022 Berlinale representation of a half-dozen titles runs the gamut from the latest works by venerable veterans Paolo Taviani and Dario Argento to pics by fresh new Cinema Italiano voices including Chiara Bellosi, whose first film, “Ordinary Justice,” launched from Berlin in 2020.Taviani, who is 91, is returning to Berlin but alone this time — his filmmaker brother, Vittorio, with whom he won a Golden Bear in 2012 for “Caesar Must Die,” passed away in 2018 — in competition with surreal drama “Leonora Addio,” inspired by a short story by Italian playwright and author Luigi Pirandello. Argento, who set his 1977 chiller “Suspiria” in Germany, will be at the Berlinale for the first time as a director with Rome-set suspenser “Dark Glasses,” though he was on the fest’s main jury panel in 2001.

Elsa Keslassy International CorrespondentTrustNordisk has closed a flurry of sales on a pair of 3D-animated family features, “Little Allan — The Human Antenna” and “The Super,” underscoring the market appeal of independent youth-skewing movies.“Little Allan – The Human Antenna” marks Danish film Amalie Naesby Fick’s follow up to her commercially successful debut “The Incredible Story of The Giant Pear,” which premiered in the the Generation Kplus section at Berlin in 2018. This year, the helmer has her daring drama series “Sex” selected for the Berlinale Series.The film takes place during summer vacation, when introverted, 11-year old Allan starts acting as a human antenna for his old neighbor, who thinks a huge invasion fleet from the outer space is on its way.

The latest movie from French filmmaker Claire Denis, Fire (or Both Sides Of The Blade), premieres tonight at the Berlin International Film Festival.

Anna Marie de la Fuente Top Argentine sales and production company, FilmSharks Int’l, has picked up worldwide sales rights to Matias Lucchesi’s latest film “The Broken Land” (“Las Rojas”) ahead of its debut at the European Film Market (EFM).This will be the second time for a Lucchesi film to be present in Berlin. Lucchesi snagged the best feature prize at the Berlinale Generation Kplus sidebar with his feature debut, “Natural Sciences,” in 2014.Shot mainly in the majestic Cordillera de las Andes of Mendoza, Argentina, “The Broken Land” can be described as a thriller with Western undertones, highlighted by the soulful music of composer Hernan Segret.Drama centers on two female paleontologists, played by Argentina’s Mercedes Moran (“La Cienaga”) and Uruguay’s Natalia Oreiro (“The Unseen”), who are at loggerheads from the moment they meet. Oreiro’s character, Constanza, has come to the protected national reserve where Moran’s equally strong-willed character, Carlota, has been toiling for years.

EXCLUSIVE: Veteran editor Natalia Lopez Gallardo’s feature directing debut Robe Of Gems screens in competition today at the Berlin Film Festival, check out the first trailer above.

Elizabeth Banks Pic Sells For Protagonist

Leo Barraclough International Features EditorThe trailer for Gu∂mundur Arnar Gu∂mundsson’s teen drama “Beautiful Beings” has debuted ahead of the film’s world premiere at the Berlin Film Festival on Friday. The film, which plays in Panorama, is being sold by Jan Naszewski’s New Europe Film Sales.

Carole Horst While the Korean film business faces challenges, 2022 does offer a bumper crop of Korean movies from big-name filmmakers. Here are some of the best:The Apartment With Two Women(Finecut)Kim-se In’s debut drama unspools in the Berlin Film Festival’s Panorama section.Broker (CJ Entertainment)“Shoplifters” director Kore-eda Hirokazu examines the trade in children in his Korean-language film debut.

Nick Vivarelli International CorrespondentUndeterred by the pandemic, the wheels of Switzerland’s film production machine kept on spinning in 2021, churning out the meticulously made multicultural co-productions the country is known for that scored slots at top festivals.Works by young directors such as Elie Grappe, whose coming-of-age drama “Olga” launched at Cannes; Niccolò Castelli’s terrorism-themed “Atlas,” which bowed at Locarno; and also the VR project “Caves” by Carlos Isabel Garcìa, which premiered at Venice; provided a preamble to the exceptionally strong Swiss presence at this year’s Berlinale.Berlin sees a record-breaking two competition slots filled by new works from established Swiss directors, Ursula Meier’s “The Line” and Michael Koch’s “A Piece of Sky,” plus several more Swiss titles in other sections. “In the worst year ever we shot three productions back-to-back during the pandemic; somehow we got used to it,” says Oscar-nominated Max Karli (“My Life as a Zucchini”), who is among the producers of “The Line” via his Geneva-based Bandita Productions, in tandem with Pauline Gygax.In Switzerland, the film and TV industry held firm last year as one of the few sectors where camera crews and actors continued to work, unlike advertising, which shuttered completely for many months.“It was quite hard because we were shooting without insurance pertaining to anything linked to the pandemic,” Karli says, though some government subsidies were made available for physical productions struck by COVID infections.But, as Karli and other Swiss producers point out, Switzerland is a confederation.

Manori Ravindran International EditorChrissy Metz, the Emmy and Golden Globe-nominated star of “This Is Us,” stars alongside “It” actor Wyatt Oleff and Fin Argus in Jamie Sisley’s drama “Stay Awake,” which premieres at the Berlin Film Festival this week.The feature — which is based on Sisley’s 2015 short film of the same name — centers on brothers Ethan (Oleff) and Derek (Argus), who are trying their best to navigate the pressures of teenage life while tending to their mother’s (Metz) debilitating prescription drug addiction.Based on Sisley’s experience growing up in small-town America, “Stay Awake” is billed as “a personal exploration of the roller coaster ride that families go on while trying to help their loved ones battle a disease that affects millions every day.” In an exclusive clip shared with Variety, the two brothers are shown arguing about the money needed to pay for their mother’s rehabilitation treatment. The subject matter is especially resonant given the recent representation of America’s drug crisis on screen in shows such as Hulu’s “Dopesick.”“The themes and characters in ‘Stay Awake’ mean the world to me since they’re based on my childhood.