Berlin Film Festival Calls for Peace in Ukraine

The Berlin International Film Festival has joined fellow events including Cannes and Venice in saying it will not ban Russian movies at the next edition of its fest, but will block official Russian delegates.

Naman Ramachandran The Berlin Film Festival has issued a strongly worded statement that condemns Russia’s invasion of Ukraine, but has taken a stance against boycotting filmmakers based on their origin.“The Berlinale staunchly condemns Russia’s war of aggression, which violates international law, and expresses its solidarity with the people in Ukraine and all those who are campaigning against this war,” the festival said in a statement on Wednesday.“The Russian invasion and attacks on civilian targets such as hospitals, schools and homes have caused a humanitarian and human rights catastrophe in Ukraine. Our thoughts and sympathy are with the victims, the suffering population, and the millions who have fled Ukraine.” “The Berlinale has developed into a setting for intercultural encounters and a platform for critical discussion of current or historical world events.

J. Kim Murphy The Kyiv-based Molodist International Film Festival has penned an open letter to the film community calling on other festivals to join in a boycott of Russian films as a response to the invasion of Ukraine by Russian military forces.The festival’s statement cites an ongoing effort by modern Russia to “separate culture from politics” and to “[use] that same culture to distract the West from Russia’s wars, human rights violations, censorship and persecution of political dissidents.”“There are Russian filmmakers and intellectuals who have been truly vocal in their dissent and criticism of Russia’s aggression toward Ukraine throughout these years, and we know some of them personally,” the statement reads.

The Sarajevo Film Festival is the latest international film organization to show its support for Ukraine as the festival has announced it will include Ukrainian films and filmmakers in its regional programs. The beloved European festival originally started off as regional event for Balkan films and has since evolved to incorporate Southeast Europe and the Causcasus region.

The Berlin International Film Festival confirmed today it has recorded 128 positive Covid cases from 10,938 tests taken at testing stations around fest hub Potsdamer Platz.

Guy Lodge Film CriticThe Berlin Film Festival’s awards ceremony is under way, with M. Night Shyamalan’s jury soon to announce their selections from the festival’s official competition.

Winners are being announced for the 72nd Berlin International Film Festival. Follow the ceremony live via the below video feed from 7PM CET / 10AM PST, with the red carpet now underway.

Sat in front of a computer, musician Nick Cave reads a few questions aloud. These are deeply existential musings sent in by people he has never met.

Berlin Film Festival has staged its first in-person edition since 2020, soldiering on amid a wave of the COVID omicron variant in Germany and a last-minute virtual pivot for the European Film Market. Here are our main takeaways below:Film Industry Pining For In-Person Meetings Despite the EFM being online, a clutch of buyers and sellers made the trek to Berlin where they held a mix of online and physical meetings in the Marriott and a very bare Gropius Bau.

The streets outside her window are dripping with hope, and yet Élisabeth (Charlotte Gainsbourg) is lost. It is Paris, 1981, a new president has been elected, and Élisabeth’s husband has left, claiming the thrillingness of motion by moving in with a new girlfriend while his ex is left with the stagnance of remaining, the apartment where they’ve raised their children, Judith (Megan Northam) and Matthias (Quito Rayon-Richter), at once comfortingly familiar and dreadfully new.

Love letters rarely include knock-off Barbie dolls engaging in incest, but the conventional is often off the table when it comes to French director Bertrand Bonello. “Coma,” Bonello’s latest, begins with a miscellanea of incongruent images, zoomed in and blurred, an amalgamation of amorphous shapes that exacerbates the sharpness of the accompanying words.

Few directors are better equipped to make an interesting and entertaining film in the middle of a pandemic than Quentin Dupieux. Seemingly unperturbed by this “new normal,” the French filmmaker continues on his recent string of cost-effective but impactful films, each revolving around a simple but conceptually bold ‘what if’ scenario, with “Incredible But True,” premiering in the Special Gala section of this year’s Berlin International Film Festival.

EXCLUSIVE: The Berlin Film Festival, which got underway on Thursday evening, has recorded more than 60 positive Covid results from its testing procedures, organizers have confirmed to us.

Ben Croll “I asked myself, why was it so difficult to name a Quebecois film from the past 25 years that treated sexuality as its central theme?” Côté told Variety. “Why could France foster directors who filmed the human body in direct and unselfconscious ways, and Quebec could not? Were Quebecois more prudish than others?”And so the Montreal-based filmmaker started on his 14th feature, which follows three so-called “hypersexual” women, plagued with troubled histories and fragile mental states, as they participate in a month-long therapy retreat. But as he developed the script with a local sexologist, the filmmaker saw potential traps in two very different directions.“The film could never be meant to judge,” Côté explained.

Patrick Frater Asia Bureau ChiefOnly a few months ago, hundreds of Asian film executives were expecting to attend this week’s Berlin festival and the European Film Market. For many, it would have been their first participation in a top-tier overseas festival for nearly two years.But the Omicron variant has upended those dreams. And, except for those folks with a film playing in the festival, most have stayed at home.

Just as the Tiktok-ers and Instagrammites of the world had completed the mainstreaming of ASMR, master of the tactile Peter Strickland has returned to restore the unsettling, alien quality to sensation. In “Flux Gourmet,” his latest and most bizarre film — a hotly contested title he earns with this feverish stew of murdered turtles, torrid orgies, and heartrending fart-tending — texture is everything.

EXCLUSIVE: Organizers of the Berlin Film Festival have told us that the world premiere screening of opening film Peter Von Kant was disrupted last night due to “a server problem”.

EXCLUSIVE: Veteran editor Natalia Lopez Gallardo’s feature directing debut Robe Of Gems screens in competition today at the Berlin Film Festival, check out the first trailer above.

Naman Ramachandran Protagonist Pictures has closed multiple deals for several key territories on Sundance selection and Berlin Film Festival competition title “Call Jane.”Territories sold include DCM for Germany, Austria and Switzerland, Umbrella Entertainment for Australia and New Zealand, Mis.label for Scandinavia, Eagle for Italy, Shaw for Singapore and Empire for South Africa.Directed by Phyllis Nagy, the Oscar nominated writer of “Carol,” the film stars Elizabeth Banks, Sigourney Weaver, Kate Mara and Chris Messina. The film follows Joy (Banks), a traditional 1960s housewife who unexpectedly falls pregnant and finds the Janes, an underground abortion movement led by Virginia (Weaver).