Ursula Meier’s Berlin Contender ‘The Line,’ Tarik Saleh’s ‘Boy from Heaven’ Sell Widely for Memento International (EXCLUSIVE)

The stars are stepping out for Olivier Rousteing‘s latest Balmain Fashion Show!

“Aziz Ansari is an incredible talent and, with this script, he brings a singular combination of insightful humor and pathos,” Searchlight presidents David Greenbaum and Matthew Greenfield said in a statement. “We’re thrilled to be partnering with him on his feature directorial debut which is long overdue, and of course working with the genius Bill Murray once again.”Taylor Friedman and Cameron Chidsey are overseeing the project for Searchlight Pictures.

Aziz Ansari (Master of None, Parks and Recreation) is making his feature directorial debut with an untitled dramedy for Searchlight, based on the 2014 non-fiction book Being Mortal: Medicine and What Matters in the End by surgeon Atul Gawande, in which he’ll star alongside Oscar nominee Bill Murray (The French Dispatch, Lost in Translation), Deadline has confirmed.

Patrick Frater Asia Bureau Chief“The Novelist’s Film,” which Wednesday earned Korean director Hong Sang-soo the Grand Jury Prize in Berlin, has scored multiple rights deals. With Seoul-based Finecut handling the rights sales, the film was licensed to Ama Films for Greece and Cyprus, Mimosa Films for Japan, L’Atalante Cinema for Spain, Arizona Films Distribution for France and to The Cinema Guild for the U.S.Finecut also did European Film Market business with “Contorted,” an unorthodox horror about a family tragedy.

BERLIN -- The Catalan family drama “Alcarràs” won the Golden Bear award for best movie at the Berlin International Film Festival on Wednesday.Director Carla Simón's film was picked from a field of 18 by a seven-member jury under American filmmaker M. Night Shyamalan.He said the movie was honored “for its extraordinary performances, from the child actors to the actors in their 80s, for the ability to show the tenderness and comedy of family and struggle, and for the betrayal of our connection and dependence on the land around us.”The film depicts a family that spends its summers picking peaches in an orchard in a village in Spain's Catalonia region, but faces new owners who plan to replace the peach trees with solar panels.Meltem Kaptan took the best leading performance honor for the title role in German director Andreas Dresen's “Rabiye Kurnaz vs.

Emiliano Granada Colombian-Canadian director Lina Rodríguez’s third feature, “My Two Voices”,  a 68 min documentary that through its short runtime  artfully orchestrates a polyphony of emotions, colors, textures and voices in its portrayal of three immigrant women.Produced by Canada’s Rayon Verde, the same production company behind her previous film “This Time Tomorrow,” Rodríguez’s meticulous approach interweaves the voices of Claudia Montoya, Marinela Piedrahita and Ana Garay Kostic as they share their experiences of immigrating to Canada. Energized by a rich soundscape, the film achieves a deep intimacy, while refusing to draw borders, between spaces, between voices, between there and here, who I was and who I am, between I and Us.

Alissa Simon Film CriticUzbekistan-born Michael Borodin makes a searing feature debut with the Russia-Turkey-Slovenia co-production “Convenience Store,” a story of modern slavery in Moscow, taking places under the noses of thousands of indifferent witnesses. Demonstrating his interest in pressing social issues, Borodin’s Berlinale Panorama selection was inspired by his personal experience as an illegal immigrant to Russia and the 2012 case of the “Golyanovo slaves,” which is now making its way to the European Court of Human Rights.Developed through the Next Step program of Cannes’ Critics’ Week and other co-production markets, the film, like the case of the Golyanovo slaves, centers on citizens of the former Soviet Republics, who are illegal migrants to Moscow and forced to work long hours, unpaid, in 24/7 convenience shops, without being able to leave the premises.

It sounds like the set-up to a French New Wave film: a French au pair falls in love with an Irish pickpocket leading to a whirlwind romance that changes both their lives. It might be twee, but Joan Verra (Isabelle Huppert) lived it, and on a long, rainy, nighttime drive reflects on the intense, yet fleeting relationship of her youth.

Sasha Urban editorSTX Films has released the trailer for its upcoming action thriller “The Contractor,” starring Chris Pine. The film will be released in theaters and digitally on April 1.After special forces sergeant James Harper (Pine) is involuntarily discharged from the army, he contracts with an underground military operation and finds himself entangled in a dangerous conspiracy that leaves him fighting for his life.

Here’s another walking-and-talking film from festival favorite Hong Sang-soo, encapsulating a sliver of Korean life with his customary elusive delicacy. Shot largely in creamy black and white, Berlin competition entry The Novelist’s Film centers on the meeting between two artists who, for different reasons, have simply stopped working.

Ben Croll To follow-up his 2016 debut “Marija,” Swiss filmmaker Michael Koch set his sight skyward, fixing his vision on a remote Alpine farming community both untouched and victim to time. The filmmaker immersed himself in that world, working with village locals, collecting stories and living off the land, and would then channel those experiences into his sophomore feature.Now premiering in competition in Berlin, “A Piece of Sky” follows a taciturn farmhand, Marco (Simon Wisler), and a single mother, Anna (Michèle Brand), who find strength in each other as they build a life in the punishing Alpine range.

Marta Balaga Danish helmer Lone Scherfig is already developing the second season of “The Shift”, she revealed on Monday during an online Berlinale Series Market talk “From Film to Series.”Set in a maternity ward and starring Sofie Gråbøl and Pål Sverre Hagen, it’s the first series as a showrunner for Scherfig, who in 2019 opened Berlinale with “The Kindness of Strangers” and won a Silver Bear for “Italian for Beginners.”“It’s a tribute to the people who work in the healthcare system under extreme pressure, to the care and the love they show, even despite tough working conditions,” she said. “The Shift” is produced by Creative Alliance, with Beta Film handling the sales.

Since her Sundance hit An Education in 2009, Denmark’s Lone Scherfig has become something of an honorary Brit, specializing in prestige adaptations of best-selling English novels (or, in the case of 2014’s The Riot Club, critically acclaimed stage plays). Surprisingly, none of these ever quite tipped in the way An Education did, and after a mixed reaction to One Day (2011), which mostly rounded on Anne Hathaway’s Yorkshire accent rather than her performance, Scherfig’s first real attempt to tap into the American market — 2019’s The Kindness Of Strangers — was an uncharacteristic misfire and pretty much vanished into the ether after opening the Berlinale that year.

Ben Croll When developing films like 2008’s “Home” and 2012’s “Sister,” French-Swiss director Ursula Meier began by focusing on geography, imaging what stories may spring from a forgotten stretch of highway or how a remote mountaintop might shape the lives of those living upon it. But when she began work on “The Line,” which premiered on Friday at the Berlin Film Festival, the filmmaker had a different terrain in mind.“The setting for this film would be the character’s body,” Meier tells Variety.

Rapper Machine Gun Kelly plays a self-destructive musician in Tim Sutton’s Taurus, premiering in the Panorama section of the Berlin Film Festival. Going by his real name, Colson Baker, he puts in an authentic turn as his character Cole flits between the studio, his expensive apartment and an array of seedy bars and strip clubs. Adding to a sense of impending doom is a disturbing opening scene involving a child with a loaded gun. The significance of this is later revealed, but it could also be considered a symbol of Cole himself: an immature person who has great power, and an attraction to danger.

A determined Turkish mother takes on the authorities in Rabiye Kurnaz Vs. George W. Bush, Andreas Dresen’s drama that takes a light approach to a moving true story. 

“There’s nothing wishy-washing about working with Phyllis Nagy,” Elizabeth Banks tells Deadline of working with the Call Jane director. “She’s very gentle with her direction but she’s also firm with what she expects or wants out of something, which I really appreciate.”

Violence and motherhood make for an unusual combination in Ursula Meier’s Berlin Film Festival competition title The Line (La Ligne). Set in remote present-day Switzerland, it stars actor-singer-playwright Stéphanie Blanchoud as Margaret, whose anger towards her mother Christina (Valeria Bruni Tedeschi) frequently turns physical. While she’s a grown woman, there’s something primal and childlike about Margaret’s visceral fury that suggests a disorder that’s never named.

Christopher Vourlias Social media, sexual politics and the struggle of a rebellious young woman to find herself are at the heart of Kurdwin Ayub’s fiction feature debut, “Sonne,” which has its world premiere Feb. 12 in the Berlin Film Festival’s Encounters strand.Set in Vienna, the story begins as three teenage girls in hijabs lip-synch and perform a provocative dance routine to a pop song. A video quickly goes viral, turning the trio into overnight sensations, especially among Kurdish Muslims.But for Yesmin (Melina Benli), the only one of the three with Kurdish roots, the sudden popularity pushes her away from both her friends and her culture.