Philippines QCinema Film Festival Adds Southeast Asian Project Market (EXCLUSIVE)

Patrick Frater Asia Bureau Chief The 2023 Golden Horse Film Project Promotion, the project market that accompanies the Golden Horse film festival and awards in Taiwan in November, has laid out a huge 64-title selection for its 2023 edition. These include 39 film projects at various stages of development and financing; a further seven works in progress; and the 18-previously announced series at project stage.

Leo Barraclough International Features Editor Neo Sora’s concert documentary “Ryuichi Sakamoto | Opus,” a standout at the Venice Film Festival, has sold for theatrical distribution in North America to Janus Films ahead of its North American premiere at the New York Film Festival. The theatrical release will be followed by a Blu-ray Disc release on the “Janus Contemporaries” label. This is the latest deal inked by London and Paris-based production, finance and sales outfit Film Constellation, following a slew of sales to Spain (Filmin), Portugal (Midas Filmes), Germany and Austria (Rapid Eye), Scandinavia (NjutaFilms), Baltics (Kino Pavasaris), South Korea (Media Castle), China (JL Vision Films), Hong Kong and Macau (Edko Films), Taiwan (Cai Chang) and Singapore (Anticipate Pictures).

Addie Morfoot Contributor Woodstock Film Festival has added Tony Goldwyn’s comedy drama “Ezra,” starring Bobby Cannavale and Robert De Niro to its 2023 lineup.In the film, which made its world premiere earlier this month at the Toronto Intl. Film Festival, Cannavale stars as Max, a stand up comic who after recently blowing up his career and marriage is living with his father Stan (De Niro).

Maja Hoffmann has been officially confirmed as President of the Locarno Film Festival following a vote at an Extraordinary General Assembly on Wednesday.

Patrick Frater Asia Bureau Chief Ozu Yasujiro, the leading Japanese film director behind classics including “Tokyo Story” and “Late Spring,” has had his double birth and death anniversaries – Ozu died in 1963 on the day of his 60th birthday, a little more than a year after the release of his last film “An Autumn Afternoon” – celebrated throughout 2023 at places as varied as the Cannes Film Festival, Los Angeles’ Margaret Herrick Library and the Taiwan Film & Audiovisual Institute. But it falls to October’s Tokyo International Film Festival to put on this year’s biggest and most comprehensive reconstruction of Ozu’s surprisingly varied career. Working in conjunction with the National Film Archive of Japan, the festival will present an extensive retrospective that covers almost all the films that Ozu directed (TIFF/NFAJ Classics: Ozu Yasujiro Week) from Oct. 24-29. Ozu spent his entire career, from camera assistant in 1923 to renown director in 1962, as an employee of major Japanese studio Shochiku, with all the advantages and disadvantages such an arrangement brought. While Ozu is best known for his stripped-down dramas, often centered on family relationships, sometimes troubled or contentious, involving parents and young or grown-up children, many hinging on questions of marriage, generational misunderstandings or the loneliness of the elderly, the director’s register may not entirely have been of his own choosing. “The apparent consistency of the post-war films surely owes as much to this production situation as to Ozu’s aesthetic choices,” wrote critic Tony Rayns in a recent Sight & Sound portrait.

Patrick Frater Asia Bureau Chief Japan’s Dean Fujioka (“Fullmetal Alchemist,” “The Man From The Sea”) and the U.K.’s Callum Woodhouse (“All Creatures Great and Small,” “The Durrells”) are set to star in “Orang Ikan,” a WWII-set creature horror film. The picture is scripted by Singapore and Indonesia-based Mike Wiluan (“Buffalo Boys,” HBO series “Grisse”) who will also direct the picture from next month. International rights to “Orang Ikan” have been picked up by London-based SC Films International, which will give the project its sales launch at the Busan festival and accompanying market next month. Set in the Pacific, 1942, a Japanese ship transports prisoners of war to occupied territories as slave labor.

A first-time filmmaker has claimed the top prize at the 19th Annual Camden Film Festival in Maine, one of the country’s foremost all-documentary festivals.

Organizers of the Camden International Film Festival in coastal Maine are moving ahead with regular programming today, as Hurricane Lee – downgraded to a post-tropical cyclone – aims further north towards Nova Scotia.

Naman Ramachandran “Baahubali” star Rana Daggubati who also serves as a board member of the Jio MAMI Mumbai Film Festival, has revealed plans to engage with South Asian independent filmmakers at this year’s edition. The festival, which was hitherto focused on discovering Indian films and filmmakers, has pivoted to becoming one that spotlights South Asian talent, meaning films from India’s neighbors will also be showcased. Daggubati is uniquely placed to foster the burgeoning independent cinema scene via several companies that he is involved in.

Disney’s Korean superhero thriller Moving heads the nominations for this year’s Asia Content Awards at Busan International Film Festival with nods in six categories, followed by Tencent Video’s The Long Season with five nods. 

Anna Marie de la Fuente Mexico’s Monterrey Film Festival (ficmonterrey) is chasing new ambitions in a bid to raise its international profile. Buttressed by generous state, local and private backing as well as some federal funding, the festival, running Sept. 28 – Oct.

Patrick Frater Asia Bureau Chief Yakusho Koji, the Japanese star who was named best actor at Cannes this year in Wim Wenders’ “Perfect Days,” is set as the subject of a seven-title showcase at the upcoming Golden Horse Film Festival in Taiwan. Among the septet are classic erotic film “Lost Paradise” from 1997, this year’s “Perfect Days” and 1996 film “Shall We Dance,” which was later remade in Hollywood. A former civil servant who first ventured into Taiga drama (long-running TV series broadcast by NHK), then played in several films by Kurosawa Akira, Yakusho became a major 1990s star in Asia as a result of “Shall We Dance?,” in which he portrayed a ball room dancer, and “Lost Paradise.” He also starred in Itami Juzo’s “Tampopo.” Directed by Morita Yoshimitsu, “Lost Paradise” is a tale of a man and a woman whose marriages no longer make them happy, but who rediscover desire in each other’s arms. Fatefully, however, their newfound joy means ever greater transgression of Japan’s strict morality laws. At the time of the release of “Lost Paradise,” the producers deliberately darkened the erotic scenes to make them less explicit and to achieve less restrictive release classifications.

Fall film festivals are usually where we look for the more serious awards bait pictures, but occasionally as with tonight’s rousing World Premiere of Taikia Waititi’s long-gestating American Somoan soccer comedy, Next Goal Wins, you get a real commercial crowd pleaser.

Patrick Frater Asia Bureau Chief Identity, incomplete understanding and urban poverty are among the many themes touched upon in “Oasis of Now,” which is set to make its debut next month in the prestigious New Currents competition section of the Busan International Film Festival. The story revolves around a mother and a daughter who inhabit the invisible corners of an old apartment block in Kuala Lumpur. They meet in the stairwells, play furtive games and snatch moments of shared happiness, before slinking off to their separate homes.

Emma D’Arcy’s first-ever short film “The Talent”, which is still in post-production, has already been nominated for an award in the Best British category at next month’s Iris Prize LGBTQ+ Film Festival in Cardiff, Wales, where the winners will be announced.

Patrick Frater Asia Bureau Chief Indonesian production firm is setting its sights on becoming a diverse studio operation with the injection of high-profile management and the acquisition of a significant new animated series “Nussa.” It will also display its credentials at next month’s Busan International Film Festival where two of its feature films are selected. Its “24 Hours with Gaspar,” directed by Yosep Anggi Noen, will compete for the Kim Jiseok Award.

Patrick Frater Asia Bureau Chief Kim Jee-woon’s black comedy “Cobweb,” which debuted this year at Cannes, is set for a U.S. theatrical release in early 2024.

Natalie Portman and Julianne Moore‘s new movie May December is set to introduce the 2023 New York Film Festival later this month!

Busan International Film Festival (BIFF, October 4-13) has unveiled its full line-up, including opening and closing films, and announced that Hong Kong star Chow Yun-fat has been named as Asian Filmmaker of the Year. 

In principle, using the rainy-day, kitchen-sink post-rock of Manchester band The Smiths so prominently in a film like The Killer seems incredibly perverse, given that it’s an exotic, globe-trotting thriller about an American assassin. But in reality, it’s actually very sound choice indeed: legend has it that the band’s singer, Morrissey, had two reasons for naming his band so, the first being that “Smith” is one of the most common and thus unremarkable surnames in the world. The second, and much more subversive theory, suggests that it’s also a reference to David and Maureen Smith, brother-in-law and sister of ’60s serial killer Myra Hindley, the snappily dressed couple whose testimony blew open the Moors Murderers case and whose beatnik likenesses adorn the cover of Sonic Youth’s 1990 album “Goo”.