Hirokazu Kore Latest Celebrity News & Gossip

Heralded Japanese filmmaker Hirokazu Kore-eda did not win the top Palme d’Or prize at the Cannes Film Festival this year—that was in 2018 for “Shoplifters.” But for one, Kore-edais a Palme d’Or winner, not something most filmmakers in the world can say; for two, any time he delivers a film at Cannes, it’s in competition, and this year, with his follow-up “Monster,” the film was honored with the Queer Palm as well as the Best Screenplay award; nothing to sneeze at.

Ryusuke Hamaguchi’s Evil Does Not Exist was awarded the Best Film award at the Asian Film Awards this evening in Hong Kong. Scroll down for the full list of winners. 

A two-time winner at Cannes, the Jury Prize at the 2013 Cannes Film Festival for “Like Father, Like Son,” and winning the coveted Palme d’Or prize at the 2018 festival for “Shoplifters,” Japanese filmmaker Hirokazu Kore-eda is one of the most beloved and acclaimed international filmmakers we have. He’s been working extremely fast of late, a film a year since 2016, only interrupted in 2020 by the global pandemic.

Busan International Film Festival (BIFF, October 4-13) has unveiled its full line-up, including opening and closing films, and announced that Hong Kong star Chow Yun-fat has been named as Asian Filmmaker of the Year. 

Japanese filmmaker Hirokazu Kore-eda’s latest gem, “Monster,” begins on an enormous inferno. The facade of a hostess club is engulfed in flames of mysterious origin, attracting everyone from curious neighbors to squealing children chasing down roaring fire engines to witness the chaos.

Japanese director Hirokazu Kore-eda is a Cannes Film Festival regular at this point, with five of his last nine features premiering on the Croisette. Moreover, Kore-eda’s film do well at the fest, too: 2013’s “Like Father, Like Son” won the Jury Prize that year, while “Shoplifters” won the coveted Palme d’Or in 2018.

Ryusuke Hamaguchi’s Drive My Car was awarded with best feature at the Asian Film Awards (March 12), along with prizes for best editing and best original music. The multiple award winning Japanese drama premiered at Cannes film festival in 2021 and also won the Oscar for Best International Feature last year.  

Wild Bunch International (WBI) and Japan’s Gaga Corporation have announced that the two companies will again collaborate on international sales on Monster, directed by award-winning filmmaker Hirokazu Kore-eda.

“You must show what’s unseen, but you cannot show too much either,” Mother Chiyo (Keiko Matsuzaka) explains to apprentice maiko Sumire (Natsuki Deguchi) about the delicate balance of expressing the story of a traditional mai dance. This same ethos permeates throughout the soft tone of the new Netflix series “The Makanai: Cooking for the Maiko House,” from acclaimed filmmaker Hirokazu Kore-eda.

“You must show what’s unseen, but you cannot show too much either,” Mother Chiyo (Keiko Matsuzaka) explains to apprentice maiko Sumire (Natsuki Deguchi) about the delicate balance of expressing the story of a traditional mai dance. This same ethos permeates throughout the soft tone of the new Netflix series “The Makanai: Cooking for the Maiko House,” from acclaimed filmmaker Hirokazu Kore-eda.

Cannes Palme d’Or-winning director Hirokazu Kore-eda’s first series for Netflix, The Makanai: Cooking For The Maiko House, is based on a best-selling manga about two young girls who move to Kyoto to start their training as ‘maiko’ or apprentice geisha. 

“Broker,” Hirokazu Kore-eda‘s latest film, finally hits US theaters on December 26 after vying for the Palme d’Or at the 2022 Cannes Film Festival. Now, Deadline reports that the Japanese director has his next project lined up: “Monster,” based on a screenplay by TV writer Yuji Sakamoto.

Emerging stars from Netflix Japan’s biggest original shows have revealed their experiences working with the streamer today at the final Tudum event of the past 24 hours.

Parasite star and this year’s Cannes Best Actor winner Song Kang-ho has been confirmed for his first-ever Korean drama role of his 32-year career.On August 30, production company Slingshot Studio announced that Song has accepted a role in its upcoming K-drama series titled Uncle Sam Shik.The upcoming role will mark the critically acclaimed actor’s first-ever K-drama role of his acting career, which first began in 1990. Song spent the first six years of his career starring in theatre productions before making his film debut in 1996 with The Day a Pig Fell into the Well.According to Asia Gyeongje, the upcoming 10-episode series will follow the “bromance” between a pair of longtime friends, Sam Shik and Kim San, who survived South Korea’s turbulent 1960s period together.Uncle Sam Shik will be directed by Shin Yeon-shik, whom Song recently worked with on upcoming films One Win and Cobweb, which are currently in post-production.Best known for his roles in the films Thirst, Memories of Murder, Snowpiercer and Parasite, the 55-year-old became the first South Korean male actor to win the Best Actor award at the Cannes Film Festival for his recent drama film, Broker.The film, directed by Japanese director Hirokazu Kore-eda and also starring K-pop idol IU, received a 12-minute standing ovation after its premiere screening at the festival earlier this year.“Winning an award from such a prestigious festival as Cannes is a great and happy moment, an unforgettable turning point of my life,” said Song during a recent interview.However, the actor added: “I have won the award, but that itself cannot become the purpose.

The Zurich Film Festival (ZFF) has unveiled the seven titles in its Gala Premieres section showcasing auteur features with broad audience appeal and awards season potential.

IU has shared a mysterious new teaser for something called ‘The Golden Hour’.On July 26, the K-pop musician took to social media to share a teaser image for an upcoming project titled ‘The Golden Hour’. The new photo features IU leaping in the air in a long tulle skirt, and is accompanied by a caption reading “Coming Soon” and a hashtag with the phrase “under the orange sun” in Korean.<The Golden Hour>Coming Soon ⌛ #아이유 #IU#The_Golden_Hour #오렌지_태양_아래 pic.twitter.com/2JsmVtcUrM— 아이유(IU) 공식 트위터 (@_IUofficial) July 26, 2022The singer has yet to share details on what exactly the project entails, though fans have made a connection between its title and lyrics from the chorus of her 2020 digital single ‘Eight’ featuring BTS’ Suga: “Under the orange sun / We’re dancing without a shadow / There’s no decided goodbye / Let’s meet in the beautiful memories / Forever young”.IU’s last music release was her December 2021 special album ‘Pieces’, which comprised several unreleased songs from her previous albums.

the 12-minute standing ovation the Broker cast received at the 2022 Cannes Film Festival.The actress recently appeared on an episode of SBS Power FM’s Cine Town segment, where she spoke about what it was like to be part of the Broker cast at the annual film festival. “It felt so unreal,” Lee, who plays Detective Lee in the film, said of the experience, per SBS News.“I had a feeling that Song Kang-ho [who plays the character Sang-hyeon in Broker] would be named ‘Best Actor’ for his performance, so I kind of looked forward to that,” she added.

Broker director Hirokazu Kore-eda has spoken about his desire address the “prejudice” faced by mothers who give up their childen through his new film.Broker follows Sang-hyun (Parasite’s Song Kang-ho) who sets up a baby box where parents are able to anonymously leave their babies for him find new parents for. Self-described as a “broker” of goodwill, Sang-hyun works with Dong-soo (Gang Dong-won) in this line of work, during which they cross paths with So-young, played by IU (real name Lee Ji-eun), who leaves her own baby in the baby box.Meanwhile, The Silent Sea’s Bae Doo-na and Lee Joo-young (Itaewon Class) portray the lead detectives in the cast against the broker, who are determined to uncover the operation.According to Korea Herald, Kore-eda recently spoke about his hopes to reduce the prejudice surrounding women who give up their children.

Broker and Decision to Leave have made history at the 2022 Cannes Film Festival, marking the first time two Korean works have won at the same ceremony.The upcoming Korean films Broker and Decision To Leave have both taken home one award each at this year’s Cannes Film Festival, marking the first time two Korean films have won an award at the festival in the same year.South Korean actor Song Kang-ho, who rose to international prominence in Bong Joon-ho’s Parasite in 2019, took home the Best Actor award for his role in Broker, which was directed by Japanese filmmaker Hirokazu Kore-eda. This makes Song the second Korean, after Jeon Do-yeon for 2007’s Secret Sunshine to win the award, and the first Korean male actor to do so.During his acceptance speech, the 55-year-old actor thanked director Hirokazu Kore-eda, along with his Broker co-stars Gang Dong-won, IU, Lee Joo-young and Bae Doo-na.

Broker, starring singer-actress IU, was given a 12-minute standing ovation at the 2022 Cannes Film Festival.Broker, the first-ever Korean-language film by Japanese filmmaker Hirokazu Kore-eda, recently premiered at the 2022 Cannes Film Festival on May 27. Once the screening had concluded, the fil received a 12-minute-long standing ovation from those in-attendance, according to a report from Korean news outlet Edaily.The publication also claimed that the standing ovation began with Cannes Film Festival’s executive director, Thierry Frémaux.

The Palme d’Or can be a blessing and curse, a gold-plated sword of Damocles hanging over the heads of filmmakers lucky enough to claim it. After the first waves of shock and joy recede, and their subsequent year-long victory lap reaches the finish line, those same filmmakers are left alone with one troubling thought: What’s next? Director Hirokazu Kore-eda offers a fine case study in how that question might trip someone up.

Esteemed Japanese director Hirokazu Kore-eda walks a fine line between keen social observation and overt sentimental emotionalism in Cannes competition title Broker.

Zack Sharf Welcome back, Park Chan-wook. The South Korean auteur returned to Cannes six years after “The Handmaiden” with his new detective thriller “Decision to Leave” and earned a five-minute standing ovation.Although the ovation matched the amount of time celebrating “The Handmaiden,” the reception was notably more muted. While the camera the festival uses that normally shows on the creative team’s gracious reaction after the movie, and helps to keep the applause rolling, wasn’t working, the response was quiet even before the technical snafu.“Decision to Leave” centers around a detective who falls in love with a mysterious widow who just happens to be the prime suspect in his latest murder investigation.

South Korea may have made big inroads on American TV recently with “Squid Game” and “Pachinko,” and the country’s intriguing film and television industry also has a stronger-than-usual presence at this year’s Cannes Film Festival. “Squid Game” star Lee Jung-jae’s political thriller “Hunt” premiered as a midnight screening early in the festival; Davy Chou’s “Return to Seoul” landed a pre-Cannes deal with Sony Pictures Classics and is one of the hits of the Un Certain Regard sidebar; and Japanese director Hirokazu Kore-eda is in the main competition with “Broker,” his first film shot in South Korea in the Korean language.

Broker, starring South Korean singer IU and Parasite star Song Kang-ho, has finally arrived.The clip opens with a woman (played by IU) humming to herself as she tends to a crying baby, before cutting to a man in the driver’s seat of a car, glancing at a baby in a casket in the seat next to him.We see him transporting the baby to an undisclosed location with the help of a team, saying: “In a way, I guess you could say it’s an act of good faith?” It’s then revealed that the man has plans to sell the baby, and is part of an illegal operation that does so, with two detectives hot on their heels.Broker marks acclaimed Japanese filmmaker Hirokazu Kore-eda’s first-ever Korean-language film, which will premiere in competition at the 2022 Cannes Film Festival next month. Kore-eda previously bagged the Palme d’Or prize at the festival for Shoplifters in 2018.Featuring a star-studded cast, including Parasite’s Song Kang-ho, singer-actress IU, Bae Doo-na (The Silent Sea, Sense8), Gang Dong-won (Peninsula) and Lee Joo-young (Itaewon Class, Times), Broker follows Sang-hyun (played by Song) who sets up a baby box where parents are able to anonymously leave their babies for him find new parents for.Self-described as a “broker” of goodwill, Sang-hyun works with Dong-soo (Gang) in this line of work, during which they cross paths with So-young (IU), who leaves her own baby in the baby box.

Although it turned out to be David Lynch-less, this year’s Cannes line-up is in no shortage of big names (complete list here). Claire Denis returns to the competition section for the first time in 34 years with her Nicaraguan ‘80s romance “Stars At Noon”; James Gray premieres his childhood-inspired “Armageddon Time”; and, as the headliner, “Crash” and “Videodrome” director David Cronenberg looks set to return to his body-horror roots with the Viggo-in-chrysalis “Crimes of the Future.” And if that competition doesn’t sound fierce enough already, there’s also a new movie from Japanese director Hirokazu Kore-eda, titled “Broker,” which now has its first trailer.

When we sit down with Thierry Frémaux he is in pensive mood. As is his wont.

Main Competition“Holy Spider,” Ali Abbasi“The Almond Tree,” Valeria Bruni Tedeschi“Crimes of the Future,” David Cronenberg“Tori and Lokita,” Jean-Pierre Dardenne and Luc Dardenne“Stars at Noon,” Claire Denis“Brother and Sister,” Arnaud Desplechin“Close,” Lukas Dhont“Armageddon Time,” James Gray“Broker,” Hirokazu Kore-eda“Nostalgia,” Mario Martone“RMN,” Cristian Mungiu“Triangle of Sadness,” Ruben Ostlund“Decision to Leave,” Park Chan-wook“Showing Up,” Kelly Reichardt“Leila’s Brothers,” Saeed Roustaee“Boy From Heaven,” Tarik Saleh“Tchaikovsky’s Wife,” Kirill Serebrennikov“Hi-Han,” Jerzy SkolimowskiUn Certain Regard“Les Pires,” Lise Akoka and Romane Gueret“Burning Days,” Emin Alper“Metronom,” Alexandru Belc“All the People I’ll Never Be,” Davy Chou“Sick of Myself,” Kristoffer Borgli“Domingo and the Midst,” Ariel Escalante Meza“Plan 75,” Hayakawa Chie“Beast,” Riley Keough and Gina Gammell“Corsage,” Marie Kreutzer“Butterfly Vision,” Maksim Nakonechnyi“Godland,” Hlynur Palmason“Rodeo,” Lola Quivoron“Joyland,” Saim Sadiq“The Stranger,” Thomas M. Wright“The Silent Twins,” Agnieszka SmocynskaOut of Competition “Elvis,” Baz Luhrmann“Top Gun: Maverick,” Joseph Kosinski“Three Thousand Years of Longing,” George Miller“Masquerade,” Nicholas Bedos“November,” Cedric Jiminez“Z,” Michel Hazanavicius (opening film) Special Screenings“All That Breathes,” Shaunak Sen“The Natural History of Destruction,” Sergei Loznitsa“Jerry Lee Lewis: Trouble in Mind,” Ethan CoenMidnight Screenings“Hunt,” Lee Jung-jae“Moonage Daydream,” Brett Morgen“Fumer Fait Tousser,” Quentin DupieuxCannes Premiere“Non Frangins,” Rachid Bouchareb“Dodo,” Panos H.

Elsa Keslassy International CorrespondentAs the Cannes Film Festival will announce its Official Selection on Thursday, Variety is starting to get a slightly clearer picture of what 75th edition will look like, though fewer titles than usual have leaked. Led by Cannes’ artistic director and general delegate Thierry Fremaux, the selection committee has been flooded with late submissions and is now in the thick of deliberations.Most surprisingly, according to two well-informed sources, there will even be a David Lynch feature film which has been completely off the radar and stars Laura Dern — either as a cameo or a supporting role — along with some other Lynch regulars.We already know the sun-dappled celebration will land several high-profile films from U.S.

Shoplifters director Hirokazu Kore-eda is to adapt popular comic Maiko in Kyoto: From the Maiko House into an eight-part Netflix TV series, his first for the streamer. The prolific Kore-eda teased a TV and film project for Netflix late last year and these are the first details to emerge.

Kore-eda’s ‘Air Doll’ Gets First U.S. Release

Tom Grater International Film ReporterSong Kang-ho, the star of Oscar sensation Parasite and the 2013 feature Snowpiercer, will lead the cast of Korean feature Broker. The film marks the Korean directing debut of Japanese filmmaker Hirokazu Kore-eda, whose previous credits include the Palme d’Or-winning and Oscar-nomianted 2018 drama Shoplifters.Also starring in Broker will be Gang Dong-won and Bae Doona.

Patrick Frater Asia Bureau ChiefSong Kang-ho, star of Oscar-winner “Parasite,” will head the cast of “Baby, Box, Broker,” the Korean-language debut of “Shoplifters” director Hirokazu Kore-eda. Rounding out a stellar acting lineup are Bae Doona (“Cloud Atlas,” “The Host”) and Gang Dong-won (“Peninsula,” “The Priests”).The film takes as its starting point boxes that are left out for people to anonymously drop off their unwanted babies.

Family may be the great subject of Japanese filmmaker Hirokazu Kore-eda, but he doesn't draw straightforward portraits. In Kore-eda's hands, family is more malleable.