‘The Killer’ Review: David Fincher’s Lean, Mean Hitman Drama Hits The Target – Venice Film Festival

Holly rings her school to tell them she is staying at home. She isn’t sick. She just can’t bring herself to go. “Bad things are going to happen today,” she says just above a whisper, her voice cracking.

It’s interesting how the Venice Film Festival has gone from one of the festivals of the fall festival season to arguably the best film festival in the world now, even overshadowing Cannes in recent years thanks to the fact that Netflix now avoids the Croisette for the most part because of France’s theatrical laws and save their Oscar contenders for the Lido. Venice has had an amazing run, arguably since 2017 when Guillermo del Toro’s “The Shape Of Water” won the top prize and then went on to win the Oscar for Best Picture, which has happened one more time since with “Nomadland” and several key Oscar contenders since).

Refresh for latest…: The 80th Venice Film Festival officially draws to a close this evening with the main awards, including the top prize Golden Lion, soon to be handed out inside the Sala Grande.

Ben Croll Seated before a photo of filmmaker Sarah Moldoror, panelists at this year’s Women in Film roundtable shared strategies for greater industry parity, while reflecting on recent successes and standstills in that ongoing pursuit. Variety has been give access to the video of the panel discussion.

Not so much beginners as people who never get a fair go, the mixed bag of gay men and women in Australian-Macedonian filmmaker Goran Stolevski’s Housekeeping For Beginners, showing in Venice’s Horizons section, lives on a knife’s edge. Dita (Anamaria Marinca) owns the house where they jostle along together. Her Roma partner Suada (Alina Serban) has a teenage daughter Vanesa and another daughter, Mia, who is only five. Suada is volatile, belligerent and dying of cancer. Death is focusing her mind in alarming ways. Swear to look after the children, she shouts at Dita, holding a knife over her own arm.

Richard Linklater brought his Hit Man to the Venice Film Festival on Tuesday, world premiering the comedy thriller out of competition to a six-minute ovation inside the Sala Grande.

It was 22 years ago that Skip Hollandsworth wrote a Texas Monthly article about Gary Johnson, a school teacher who moonlights as a hit man who doesn’t kill people. Now if that doesn’t sound like the formula for a hit movie, you may understand why it has taken so long for Gary’s story to make it to the silver screen, so long in fact that its subject passed away before he could hit the red carpet of the Venice Film Festival where the film is having its World Premiere tonight. Nevertheless Glen Powell never forgot the story and has teamed with Richard Linklater to finally tell it, but it is only “loosely” based on the article. Certain details in the screenplay co-written by Linklater and Powell are made up, and those are the details that actually help make this a hilarious winner, as well as perhaps Linklater’s most commercial movie since School Of Rock. Its quirky true crime element also has a bit in common with Linklater’s Bernie which starred Jack Black. The director seems drawn to this kind of offbeat tale, with some level of truth to it.

The tears flowed for Priscilla Presley following the world premiere of Sofia Coppola’s biopic, “Priscilla”, in Venice on Monday.

“I feel like there’s a sort of mouth over the city, ready to eat us up,” says Enea, sophisticated young nightclubber, tennis champion and coke dealer; if anyone is trying to swallow the Eternal City whole, it’s Enea himself. The son of intellectuals – his mother hosts a television chat show about literature; his father is a psychoanalyst – the inexhaustible Enea scoots and toots between the city’s most exclusive sports club, the city’s most exclusive parties and, even more thrillingly, rendezvous with the criminal classes, homespun proletarians to a man. “You need to marry Eva, have a child with her, make her happy. If you have no one to kiss, you go crazy,” advises Giordano (Adamo Dionisi), pusher and family man, when he learns that playboy Enea has acquired a girlfriend. Whatever. In his line of work and with the company he keeps, Giordano isn’t going to last that long.

Bella Thorne and her fiancé, Mark Emms, for the premiere of “Priscilla.” The couple, who soon will be husband and wife, put on a loved-up display that had everyone talking about their undeniable chemistry.The 25-year-old actress and star of “Game Of Love” ensured all eyes were on her as she graced the red carpet in a mesmerizing ivory gown. The gown featured an off-the-shoulder detail, adding a touch of elegance to her ensemble.

Total admissions to theatres at this year’s Venice Film Festival have hit 114,851, up 18% on last year, according to figures published by the Biennale this week, as the film event passes the midway point. 

Patrick Frater Asia Bureau Chief The Busan International Film Festival put aside many of its recent internal and local political problems to Tuesday unveil a large selection ranging from bleeding edge art titles to international festival favorites. “The difficult times are not behind us, but hard work has made this year’s festival better than ever,” said programmer and interim festival chief Nam Dong-chul, speaking at an online press conference. International guests expected to attend the festival include Luc Besson, Chinese superstar Fan Bingbing, Japanese directors Hamaguchi Ryusuke and Kore-Eda Hirokazu, Iranian filmmaker Mohsen Makhmalbaf, and Korean Americans Justin Chon (“Gook”) and Lee Isaac Chung (“Minari”). Hong Kong-based superstar Chow Yun-fat has been named as Busan’s Asian Filmmaker of the Year and will be in person to receive the award.

The devil is in the details. Pink-nailed toes scrunching on a pink carpet; a packet of false eyelashes; piles of chips in a Vegas casino; the pills. Always the pills: squeezed in a palm that opens to reveal its little white prize; lined up in bottles on the bedside table; slipped into a pocket on the way to school. “Maybe the pills are too much,” ventures Priscilla Beaulieu to her boyfriend Elvis Presley, after one of his flares of temper where she just manages to dodge his fist. “I have doctors looking after me,” he growls. “I don’t need a second opinion.”

Marta Balaga Move over, Richard Donner. In “Behind the Mountains,” premiering in Venice’s Horizons section, Mohamed Ben Attia makes sure “you’ll believe a man can fly” once again. Although it might not be as graceful.

The plan was for renowned director William Friedkin to be appearing at the Venice Film Festival presenting the out of competition World Premiere of his latest production, an adaptation of Herman Wouk’s 1954 play The Caine Mutiny Court-Martial. Unfortunately Friedkin died August 7th, but the show goes on anyway.

David Fincher spooked Venice with the world premiere of his latest movie “The Killer,” which stars Michael Fassbender as an assassin. The Netflix drama earned a respectable 5-minute standing ovation at its screening on the Lido on Sunday night. Fassbender and co-star Tilda Swinton couldn’t attend the premiere because of the SAG-AFTRA strike.

Five years after his triumphant A Star is Born world premiered at the Venice Film Festival, Bradley Cooper is back on the Lido with Maestro. Except, the director and star is only here in spirit owing to the SAG-AFTRA strike.

The cast, producers and collaborators of Roman Polanski’s The Palace showed their support for the filmmaker here in Venice today during a press conference for the movie that world premieres out of competition this evening. 

When Andy Kaufman passed away in May 1984, it was the final full stop in a life that seemed to be endlessly self-regenerating. Or was it? Rumors that this was another of his bizarre stunts were rife at the time, so much so that one of the mourners at the comedian’s funeral poked the body that lay in the casket to see if it would move.

The Venice Film Festival began August 30 with opening-night movie , an Italian World War II drama, kicking off a lineup for the venerable fest’s 80th edition that includes world premieres of Michael Mann’s Ferrari, Bradley Cooper’s Maestro, Sofia Coppola’s Priscilla, Yorgos Lanthimos’ Poor Things, David Fincher’s The Killer, Ava DuVernay’s Origins, and new films from lightning-rod directors Roman Polanski, Woody Allen and Luc Besson.