Box Office: ‘Evil Dead Rise’ Makes $2.5 Million in Previews

Rebecca Rubin Film and Media Reporter Moms, it’s time to swap the paperback copy of “Normal People” for a movie ticket. “Book Club: The Next Chapter” opens on the big screen this weekend, and the sequel to 2018’s sleeper-hit septuagenarian comedy is expected to earn $7 million to $10 million from 3,507 North American theaters in its debut. Focus Features is hoping the film, which reunites the core group of readers in Diane Keaton, Jane Fonda, Candice Bergen and Mary Steenburgen, will bring out the same crowd of older females that powered the first “Book Club” to $68 million domestically and $104 million globally. The original, which was released by Paramount, debuted to $13.5 million.

Patrick Frater Asia Bureau Chief “Guardians of the Galaxy Vol. 3” made $28 million of gross box office on its opening weekend in mainland China. That was a solid result in present circumstances, rather than an overwhelming one. The film easily displaced two of the weaker Chinese titles that had been released a week earlier to take advantage of the five-day May Day holiday season. “Born to Fly,” a patriotic action adventure about Chinese test pilots, nose-dived by 75% as it fell from a $40 million first place debut to a $11.2 million third-placed second flap. Its cumulative after two weekends is $77.3 million, according to weekend data from consultancy Artisan Gateway.

last month’s momentum going with strong audience reception that should allow James Gunn’s final MCU film to leg out in theaters. With $38.9 million grossed from 4,405 locations on Saturday, “Guardians Vol. 3” beat industry projections and may do so again on Sunday, possibly allowing it to get to a final weekend total closer to $120 million when actual totals are reported on Monday.

Rebecca Rubin Film and Media Reporter “Guardians of the Galaxy Vol. 3,” the conclusion to Marvel’s trilogy about an intergalactic crew of misfits, kicked off with $114 million in its domestic box office debut. Those ticket sales rank as the second-biggest opening weekend of the year, behind “The Super Mario Bros. Movie” with $146 million. Despite the towering figure, the film ever-so-slightly missed expectations of $120 million and arrived considerably behind its predecessor, 2017’s “Guardians of the Galaxy Vol. 2” with $146 million. It’s a jump on the first “Guardians of the Galaxy,” which introduced the world to Chris Pratt’s Star Lord and his friends and opened to $94 million in 2014.

Rebecca Rubin Film and Media Reporter Wahoo! “The Super Mario Bros. Movie” crossed $500 million at the domestic box office, one of only 19 films to ever surpass that benchmark. In its fifth weekend of release, the movie collected a huge $18.5 million from 3,909 North American theaters and landed in second place behind Disney’s “Guardians of the Galaxy Vol. 3” ($116 million). At this point, the animated video game adaptation — from Universal, Illumination and Nintendo — is the highest grossing movie of the year in North America with $518 million and globally with $1.15 billion. And it’s the first movie from Illumination, the company behind “Despicable Me” and “Sing,” to hit the $500 million mark at the domestic box office. Also this weekend, “Mario” surpassed “Toy Story 4” ($1.07 billion) to become the fifth-biggest animated movie of all time.

J. Kim Murphy “Guardians of the Galaxy Vol. 3” formally kicked off the summer blockbuster season Friday. While Disney’s domestic numbers have yet to come in, analysts indicate the film drew about $48 million on its opening day, a figure that includes $17.5 million in Thursday previews. “Vol. 3” is on track to land within its expectations heading into the weekend, which had pegged the Disney release to take root with a $110 million to $120 million debut through Sunday. That would be enough to notch the second-highest opening of the year, behind only the $146 million that “The Super Mario Bros. Movie” coined over a three-day frame. However, it’s still roughly a quarter down from the $146.5 million debut earned by “Guardians of the Galaxy Vol. 2” back in 2017.

“Guardians of the Galaxy Vol. 3” is kicking off the box office summer season with a bang.

Jordan Moreau The Guardians of the Galaxy are blasting off at the box office one final time, earning $17.5 million in previews for director James Gunn’s “Vol. 3” finale. The newest entry in the Marvel Cinematic Universe will take the box office crown after Universal and Illumination’s “The Super Mario Bros. Movie” topped the charts for the last four weeks. “Guardians of the Galaxy Vol. 3” is expected to bring in between $110 million and $120 million in its opening weekend, which is in between the grosses of the previous two films, also directed by Gunn. The first “Guardians of the Galaxy” had $11.2 million in Thursday previews on its way to opening with $94 million back in 2014. Its sequel, 2017’s “Guardians of the Galaxy Vol. 2,” reached $17 million in Thursday previews and landed a $146 million opening weekend.

Rebecca Rubin Film and Media Reporter “Guardians of the Galaxy Vol. 3,” the conclusion to Marvel’s trilogy about an intergalactic crew of misfits, looks to kick off summer moviegoing season with a bang. The superhero adventure is hoping to bring in $120 million in its opening weekend, falling in between the starts of 2014’s “Guardians of the Galaxy” ($94 million) and 2017’s sequel ($146 million). There’s a chance that “Vol. 3” could fall short of those projections and land closer to a less-spectacular $110 million to $118 million, according to independent tracking services. Of course, it’s hard to chide a film that hits $100 million in its domestic debut. But the idea, especially for tentpoles that cost $200 million-plus, is to grow, not shrink, the fanbase with new installments. Reviews for “Guardians 3” are decent (it holds a 78% on Rotten Tomatoes) but sources say tracking has been stagnant in the lead-up to its theatrical premiere. That points to either mounting indifference to the newest phase in the Marvel Cinematic Universe or a sign that Disney waited too long to conclude the “Guardians” story, which began nearly a decade ago and turned Chris Pratt and Dave Bautista into bona fide movie stars and writer-director James Gunn into an A-list filmmaker. At the same time, there’s not really a gauge for a franchise that’s 32 films deep.

according to IMDB’s Box Office Mojo. The movie based on the popular Nintendo game has earned more than $458 million in the US since opening on April 5 — and is projected to hit the $1 billion global milestone on Sunday, according to the Hollywood Reporter.

As The Super Mario Bros Movie barrels toward a box office score that will make it the highest-grossing animated movie ever at the domestic box office, and Guardians of the Galaxy Vol. 3 waits to pounce, Lionsgate is navigating the pre-summer calendar this weekend with two movies aimed at two different demos: the long-awaited feature take of Judy Blume’s 1970 novel, Are You There God? It’s Me, Margaret aimed at women, and their pickup of the Sony Stage 6 Finnish genre title Sisu, aimed at genre dudes.

Naman Ramachandran Internationally sourced programming and stories placed alongside local content could be a solution to bring audiences back to Indian cinemas, a high-powered panel debated. The panel was part of Indiantelevision.com’s annual industry event, The Content Hub, that recently concluded in Mumbai. Mayank Shroff, head of film distribution at Cinepolis, the Indian division of Latin American exhibition giant Cinepolis, said that while footfalls were back to 85% of pre-pandemic days, an innovative approach is required to bring the rest of the audiences back. Shroff pointed to the success of Makoto Shinkai’s anime film “Suzume,” which accounted for 20% of the Cinepolis box office over the past weekend and “Evil Dead Rise,” which also pulled in decent numbers, both in the face of stiff competition from Eid holiday release “Kisi Ka Bhai Kisi Ki Jaan,” starring superstar Salman Khan. Shroff also said that there was demand for Korean films and K-pop concerts, notably by BTS, streamed into cinemas live or as recordings. He added that that the international content was working in their original languages in the metropolises and can be customized into local languages for release in tier 2 and 3 centers.

WARNING: SPOILERS AHEAD! DO NOT READ IF YOU DON’T WANT TO KNOW!

Rebecca Rubin Film and Media Reporter “The Super Mario Bros. Movie” achieved the high score at the domestic box office, earning a massive $58.23 million in its third weekend of release. The animated family film easily fend off this weekend’s new releases, including a promising start for supernatural horror sequel “Evil Dead Rise” and tepid debuts for action-war thriller “Guy Ritchie’s the Covenant” and A24’s anxiety-inducer “Beau Is Afraid.” After three weeks on the big screen, “Mario” has grossed $434.33 million in North America and $871 million globally to stand even higher as the biggest movie of the year. Those ticket sales, down just 37% from the weekend prior, rank as the highest third weekend for any animated film domestically (surpassing 2018’s “Incredibles 2” with $46.4 million in its third weekend of release) and the seventh-biggest third weekend ever (overtaking 2021’s “Spider-Man: No Way Home” with $56 million in its third weekend of release).

according to IMDB’s Box Office Mojo.Since its opening on April 5, it has earned over $400 million nationwide, the second-fastest animated film to reach those numbers after “The Incredibles 2,” according to Deadline. The supernatural horror movie “Evil Dead Rise,” the fifth installment of the “Evil Dead” series, came in second, with a $10.3-million take on its opening day.The Post called the film “gory-as-hell” and said it is “as campy and fun as any chapter in producer Sam Raimi’s four-decade-old horror series.”“The Covenant,” the story of an army sergeant in Afghanistan, played by Jake Gyllenhaal, and an Afghani interpreter, played by Danish actor Dar Salim, landed in third, with $2.25 million in sales.

J. Kim Murphy “Evil Dead Rise” might not be able to vanquish the soon-to-three-peat box office champion “The Super Mario Bros. Movie,” but the horror entry is still chainsawing off its own solid opening on domestic charts. The Warner Bros. release earned $10.3 million from 3,402 locations on Friday, a figure that includes $2.5 million in previews. It’s an auspicious start for the horror entry, which now has a strong chance of outperforming its projections, which had pegged the film with a $15 million to $20 million debut heading into the weekend. That’s not too shabby of a haul for a production originally slated to release directly on HBO Max. “Evil Dead Rise” is the fifth installment in Warner Bros. and New Line’s outlandish horror franchise, as well as the first in 10 years. “Rise” is tracking slightly behind its predecessor, which scored an $11.8 million opening day in April 2013, on its way to a $25.7 million debut.

William Earl This post contains spoilers for “Evil Dead Rise.” “Evil Dead Rise” director Lee Cronin has made his enthusiasm for the horror franchise known over the course of the past weeks, with each interview featuring him taking delight in recounting the amount of gore and severed limbs he had to wrangle on set. It’s no surprise that when asked about the future of the franchise, Cronin is full of ideas. In a conversation with Variety, Cronin breaks down our biggest burning questions after seeing “Rise.” Do you have any ideas for sequels? I certainly do. I didn’t want to bait it for sequels necessarily, even though the ending could be interpreted that way. But the ending for me was closing the loop back to the beginning. The way the story is told, I’ve got four places I’d like to look at in terms of where to go… I’m excited for the potential of what could be next and and really hope that I can be involved in in future chapters.

The new horror film Evil Dead Rise is expected to be this weekend’s hottest new movie and fans are ready to be scared!

Evil Dead Rise” has slashed up $2.5 million in Thursday preview grosses as the ultra-gory revival of Sam Raimi’s horror series is projected to open to at least $15 million this weekend.Independent trackers have “Evil Dead Rise” earning an opening weekend of at least $20 million with a slight chance of stretching its opening weekend out to $25 million. Doing so would match the unadjusted opening weekend of the last “Evil Dead” film released in 2013 by TriStar.

New Line and Warner Bros’ Evil Dead Rise freaked out $2.5M last night from previews that began at 7PM at 3,000 locations.