Before Tom Sandoval’s affair scandal with Raquel Leviss came to light, the Vanderpump Rules star had been candid about his hope to improve his relationship with now-ex Ariana Madix.
22.04.2023 - 00:03 / variety.com
William Earl This post contains spoilers for “Evil Dead Rise.” “Evil Dead Rise” director Lee Cronin has made his enthusiasm for the horror franchise known over the course of the past weeks, with each interview featuring him taking delight in recounting the amount of gore and severed limbs he had to wrangle on set. It’s no surprise that when asked about the future of the franchise, Cronin is full of ideas. In a conversation with Variety, Cronin breaks down our biggest burning questions after seeing “Rise.” Do you have any ideas for sequels? I certainly do. I didn’t want to bait it for sequels necessarily, even though the ending could be interpreted that way. But the ending for me was closing the loop back to the beginning. The way the story is told, I’ve got four places I’d like to look at in terms of where to go… I’m excited for the potential of what could be next and and really hope that I can be involved in in future chapters.
With all the gore in the film, how did “Rise” possibly get an R-rating? Did you have to cut any content to escape an NC-17 rating? I was surprised too. What’s interesting about about that, just to kind of contextualize it from another angle, is in a lot of places in the rest of the world, like here in Ireland or in the U.K., “18” is what our age restriction is here, which means no one under 18 can watch it. So I love the existence of the “R” rating, because it puts the responsibility on a grown-up to determine if they want to bring a seven-year-old to watch this movie, which I find pretty wild and will probably happen. We did have to make a couple of tiny tweaks, but very small ones. Also in approaching this movie, because it’s ‘Evil Dead,’ I knew I had to be brave, so I tried to not second
Before Tom Sandoval’s affair scandal with Raquel Leviss came to light, the Vanderpump Rules star had been candid about his hope to improve his relationship with now-ex Ariana Madix.
The Italian premieres of Cannes Film Festival opener Jeanne du Barry starring Johnny Depp and Indiana Jones And The Dial Of Destiny will be among the international highlights of the 69th Taormina Film Festival which gave a taster of its line-up at press conference in Rome on Tuesday.
Jim Jarmusch and Carter Logan are this week’s guests on The FADER Interview podcast. Last month, they joined Raphael Helfand for a wide-ranging discussion of Silver Haze, their debut studio LP as SQÜRL, nine years in the making.
“Chita” (HarperOne). “Then [I] politely say, ‘I was the original Anita.’”Still, she admits she felt a “pang of resentment” when she saw Moreno on screen in a replica of the ruffled purple frock that Rivera made famous. “How dare she?” Rivera seethed.
Scandoval escalates on the upcoming Wednesday, May 3, episode of Vanderpump Rules — and Lisa Vanderpump and Ken Todd are at the center of the investigation into Tom Sandoval and Raquel Leviss’ relationship.
Miranda Lambert has a recipe for marital success with her husband. "I think the first big meal I made for him was mom's famous meatloaf," the country singer said in an interview with Fox News Digital. "That's the one everyone brings a man home to mom for or calls and asks how to make when things are getting serious.
Naman Ramachandran Internationally sourced programming and stories placed alongside local content could be a solution to bring audiences back to Indian cinemas, a high-powered panel debated. The panel was part of Indiantelevision.com’s annual industry event, The Content Hub, that recently concluded in Mumbai. Mayank Shroff, head of film distribution at Cinepolis, the Indian division of Latin American exhibition giant Cinepolis, said that while footfalls were back to 85% of pre-pandemic days, an innovative approach is required to bring the rest of the audiences back. Shroff pointed to the success of Makoto Shinkai’s anime film “Suzume,” which accounted for 20% of the Cinepolis box office over the past weekend and “Evil Dead Rise,” which also pulled in decent numbers, both in the face of stiff competition from Eid holiday release “Kisi Ka Bhai Kisi Ki Jaan,” starring superstar Salman Khan. Shroff also said that there was demand for Korean films and K-pop concerts, notably by BTS, streamed into cinemas live or as recordings. He added that that the international content was working in their original languages in the metropolises and can be customized into local languages for release in tier 2 and 3 centers.
WARNING: SPOILERS AHEAD! DO NOT READ IF YOU DON’T WANT TO KNOW!
Rebecca Rubin Film and Media Reporter “The Super Mario Bros. Movie” achieved the high score at the domestic box office, earning a massive $58.23 million in its third weekend of release. The animated family film easily fend off this weekend’s new releases, including a promising start for supernatural horror sequel “Evil Dead Rise” and tepid debuts for action-war thriller “Guy Ritchie’s the Covenant” and A24’s anxiety-inducer “Beau Is Afraid.” After three weeks on the big screen, “Mario” has grossed $434.33 million in North America and $871 million globally to stand even higher as the biggest movie of the year. Those ticket sales, down just 37% from the weekend prior, rank as the highest third weekend for any animated film domestically (surpassing 2018’s “Incredibles 2” with $46.4 million in its third weekend of release) and the seventh-biggest third weekend ever (overtaking 2021’s “Spider-Man: No Way Home” with $56 million in its third weekend of release).
J. Kim Murphy “Evil Dead Rise” might not be able to vanquish the soon-to-three-peat box office champion “The Super Mario Bros. Movie,” but the horror entry is still chainsawing off its own solid opening on domestic charts. The Warner Bros. release earned $10.3 million from 3,402 locations on Friday, a figure that includes $2.5 million in previews. It’s an auspicious start for the horror entry, which now has a strong chance of outperforming its projections, which had pegged the film with a $15 million to $20 million debut heading into the weekend. That’s not too shabby of a haul for a production originally slated to release directly on HBO Max. “Evil Dead Rise” is the fifth installment in Warner Bros. and New Line’s outlandish horror franchise, as well as the first in 10 years. “Rise” is tracking slightly behind its predecessor, which scored an $11.8 million opening day in April 2013, on its way to a $25.7 million debut.
The new horror film Evil Dead Rise is expected to be this weekend’s hottest new movie and fans are ready to be scared!
Evil Dead Rise” has slashed up $2.5 million in Thursday preview grosses as the ultra-gory revival of Sam Raimi’s horror series is projected to open to at least $15 million this weekend.Independent trackers have “Evil Dead Rise” earning an opening weekend of at least $20 million with a slight chance of stretching its opening weekend out to $25 million. Doing so would match the unadjusted opening weekend of the last “Evil Dead” film released in 2013 by TriStar.
Jordan Moreau Nothing can keep the dead down. “Evil Dead Rise,” the latest movie in the horror franchise created by Sam Raimi, has made $2.5 million in Thursday previews at the domestic box office. It’s a strong start for a horror movie in April, but it won’t be enough to stop the mushroom-powered, meteoric rise of “The Super Mario Bros. Movie,” which is projected to earn another massive haul with $45 million to $50 million in its third weekend. Universal and Illumination’s hit Nintendo adaptation already has $724 million globally and will soon pass “Minions: The Rise of Gru” as the highest-grossing animated movie in the post-pandemic era. “Evil Dead Rise” is expected to scare up between $15 million and $20 million in its opening weekend, with some predictions as high as $25 million. It’s the fifth movie in Warner Bros. and New Line’s “Evil Dead” franchise, which began way back in 1981 with Raimi’s original, low-budget horror hit starring Bruce Campbell as zombie killer Ash Williams. The previous entry, simply titled “Evil Dead,” made $97.5 million from a $17 million budget in 2013.
New Line and Warner Bros’ Evil Dead Rise freaked out $2.5M last night from previews that began at 7PM at 3,000 locations.
It’s “Mommie Dearest” gone wild.In the first scene, though, we’re back in one of those creepy, secluded cottages that made the 1981 film a classic. Out in the woods, a girl-turned-“Deadite” kills her two friends before an on-screen message reads: “One day earlier.” The location shifts to the soon-to-be-demolished city apartment building of Ellie (Alyssa Sutherland), a mother of three kids who recently separated from her husband. The night her sister Beth (Lily Sullivan), a rebellious concert roadie, comes to visit, an earthquake opens a hole in their parking garage concealing our old friend the Book of the Dead and some vinyl recordings of spooky incantations.Teenage Danny (Morgan Davies) decides to pop them on his turntable and, you know, accidentally destroys his family, including sisters Bridget (Gabrielle Echols) and Kassie (Nell Fisher).Demons are unleashed, one enters Ellie’s body and then Mother Monster brutally goes after Beth and the kids. I vastly prefer the “Evil Dead” series to, say, never-ending “Scream” because unlike with Ghostface, no elaborate narrative excuse needs to be drummed up for why ancient evil spirits are still slumming it on earth.
the “Evil Dead” franchise know the drill — get some folks out to a cabin in the woods, have them stumble onto an ominous book of spells, gory demonic mayhem ensues. With “Evil Dead Rise,” however, the fifth installment in the series created by Sam Raimi, director Lee Cronin set out to carve a different path. “I knew I wanted it to be family.
Exhibition cries for a supply of films at the box office, but a flood of titles means nothing if there isn’t any marketing money put behind it. Last weekend there were five wide releases going up against Illumination/Universal’s beast Super Mario Bros Movie. Did it even make a difference? Was a proper amount spent to get audiences in seats? Or did the studios cut their losses and only pony up so much to promote them?
Rebecca Rubin Film and Media Reporter “The Super Mario Bros. Movie” will rule again in its third weekend at the box office. In maintaining the No. 1 spot in North America, the family film is expected to take down two newcomers, the supernatural horror sequel “Evil Dead Rise” and action-war thriller “Guy Ritchie’s the Covenant,” as well as A24’s mind-bender “Beau Is Afraid,” which is expanding nationwide. Universal and Illumination’s animated “Mario” adventure has grossed $366.3 million domestically to date. In the next few days, it will surpass “Minions: The Rise of Gru” ($369 million) as the highest-grossing animated film of the pandemic era. With $724 million globally, it already stands as the biggest movie of the year so far. Now in its third outing at the domestic box office, “Mario” is looking to bring in roughly $45 to $50 million, a massive result at this point in its theatrical run.
William Earl Lee Cronin is very particular about blood. Cronin, the Irish writer and director of “Evil Dead Rise,” the fifth feature installment in the cult horror series, lights up when discussing gore on set. “We used 6,500 liters [1,717 gallons] of blood on the movie,” he said. “That is real, sticky, cooked movie blood. We had to hire out this industrial kitchen to cook the blood and keep it fresh, be able to heat it up, because characters are covered in it. There was a lot of management of liquid in this movie. I wanted blood to be a character, so it was important we got the viscosity and look just right.”