‘Super Mario Bros. Movie’ still at top of box office game after 3 weeks

which The Post unceremoniously described as “lousy” has earned more than $1 billion globally according to the Hollywood Reporter, making it the tenth animated film in history to do so.Mario was born from the imagination of Scorpio designer and dog breeder Shigeru Miyamoto, the “Father of Modern Video Games” and the man behind “Mario,” “Donkey Kong,” “The Legend of Zelda,” “Metroid” and “Pikmin.” The first video game edition of Super Mario Bros. was released in 1983 and in the forty years since the franchise has debuted, the Nintendo game has spawned games (“Mario Kart” anyone?), movies and inspired an absolutely rabid fan base.In honor of the latest wild success of this legacy brand, we’re taking a look at the Super Mario characters as zodiac signs.

Patrick Frater Asia Bureau Chief “The Super Mario Bros Movie” and a local sports movie “Dream” gave the South Korean box office some bounce on their first weekend on release. Opening in Korea on Wednesday, some three weeks after the beginning of its international and North American campaigns, “Super Mario” earned $4.67 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). The film has a cumulative of $5.76 million over its opening five days, plus previews. The film’s weekend numbers are the second highest opening tally recorded by any film this year in Korea. And its weekend score represented a comfortable 40% market share.

As has been the case since the start of April, Universal/Illumination’s “The Super Mario Bros. Movie” has lapped the box office competition, becoming the first animated film of the 2020s to gross $1 billion worldwide while competitors search for vastly smaller opening weekends among niche audiences. \Another strong hold of just a 33% drop has given the film a fourth weekend total of $40 million domestic and $108 million worldwide, pushing the film’s overall totals to $490 million domestic and $1.02 billion global.

according to IMDB’s Box Office Mojo. The movie based on the popular Nintendo game has earned more than $458 million in the US since opening on April 5 — and is projected to hit the $1 billion global milestone on Sunday, according to the Hollywood Reporter.

J. Kim Murphy Are you there box office? It’s-a me, “Mario.” Now in its fourth weekend of release, “The Super Mario Bros. Movie” is still dominating the competition on domestic charts, fending off theatrical newcomers “Are You There God? It’s Me, Margaret,” “Sisu” and “Big George Foreman.” The adaptation of Judy Blume’s best-selling 1970 novel is faring the best among new releases. Opening in 3,343 locations, the coming-of-age film earned $2.25 million on Friday, a figure that includes roughly $600,000 in Thursday previews. That may be enough for the Lionsgate release to project a third place finish for the weekend, but it’s ultimately an underwhelming result for a crowdpleaser based on a literary mainstay that carries a $30 million production budget.

Universal/Illumination’s “The Super Mario Bros. Movie” has officially done what no other animated movie since the pandemic began has been able to do: reach the $1 billion mark at the global box office. The Nintendo adaptation has hit the mark at the start of its fourth weekend in theaters as it adds an estimated $37.5 million from North American theaters along with an estimated $69 million from overseas.

J. Kim Murphy “The Super Mario Bros. Movie” has pounded out some serious coinage. The animated adventure from Universal Pictures, Illumination Entertainment and Nintendo is becoming the first release of 2023 to cross the $1 billion mark at the global box office. While “Mario Bros.” isn’t projected to cross the coveted threshold until Sunday, Universal is confident enough in the projections to declare the weekend a victory. If estimates hold, the video game adaptation will reach the $1 billion mark in 24 days. First debuting on April 5, “The Super Mario Bros. Movie” has been a dominant force in theaters for the entire month. It still ranks as the top release on domestic charts, now in its fourth weekend of release.

Super Mario Bros. franchise – has said he is grateful for the bad press that the recent Super Mario Bros.

on their Twitter account.Per a translation of the Tweet, the foreman character “Blackie,” who appeared in the 1980s computer game “Wrecking Crew,” will have his name changed to “Spike” in Japanese. This moniker makeover will take place in both the games and the “The Super Mario Bros.

Refresh for latest…: Illumination/Nintendo/Universal’s The Super Mario Bros Movie continues its global domination, now with an estimated $871.8M through Sunday. Of that, $437.5M is from the international box office. The next worldwide benchmark of $900M will hit in the next days. It is only a matter of time for the Bros to get to $1B, particularly as Korea and Japan are due to release this week.

Rebecca Rubin Film and Media Reporter “The Super Mario Bros. Movie” achieved the high score at the domestic box office, earning a massive $58.23 million in its third weekend of release. The animated family film easily fend off this weekend’s new releases, including a promising start for supernatural horror sequel “Evil Dead Rise” and tepid debuts for action-war thriller “Guy Ritchie’s the Covenant” and A24’s anxiety-inducer “Beau Is Afraid.” After three weeks on the big screen, “Mario” has grossed $434.33 million in North America and $871 million globally to stand even higher as the biggest movie of the year. Those ticket sales, down just 37% from the weekend prior, rank as the highest third weekend for any animated film domestically (surpassing 2018’s “Incredibles 2” with $46.4 million in its third weekend of release) and the seventh-biggest third weekend ever (overtaking 2021’s “Spider-Man: No Way Home” with $56 million in its third weekend of release).

Universal/Illumination’s “The Super Mario Bros. Movie” has broken yet another box office record for animation with an estimated $58 million in its third weekend. Just like last weekend, “Mario” has posted the highest total ever seen for an animated film in its third weekend and, at the moment, the seventh highest third weekend for any film.

Guy Ritchie is opening up about his new movie, The Covenant, and revealed that they didn’t use real firearms for any scenes.

Jordan Moreau Nothing can keep the dead down. “Evil Dead Rise,” the latest movie in the horror franchise created by Sam Raimi, has made $2.5 million in Thursday previews at the domestic box office. It’s a strong start for a horror movie in April, but it won’t be enough to stop the mushroom-powered, meteoric rise of “The Super Mario Bros. Movie,” which is projected to earn another massive haul with $45 million to $50 million in its third weekend. Universal and Illumination’s hit Nintendo adaptation already has $724 million globally and will soon pass “Minions: The Rise of Gru” as the highest-grossing animated movie in the post-pandemic era. “Evil Dead Rise” is expected to scare up between $15 million and $20 million in its opening weekend, with some predictions as high as $25 million. It’s the fifth movie in Warner Bros. and New Line’s “Evil Dead” franchise, which began way back in 1981 with Raimi’s original, low-budget horror hit starring Bruce Campbell as zombie killer Ash Williams. The previous entry, simply titled “Evil Dead,” made $97.5 million from a $17 million budget in 2013.

Zack Sharf Digital News Director Guy Ritchie announced in a new interview with Newsweek that he is no longer using real guns on his film sets following the October 2021 “Rust” shooting, in which cinematographer Halyna Hutchins was killed by a prop gun filled with real bullets. Ritchie is a veteran of the action movie genre, with the majority of his films prominently featuring firearms and bombastic shootouts. His latest directorial effort, “The Covenant,” was filmed with Airsoft pellet weapons in place of real guns. “The Covenant” stars Jake Gyllenhaal as U.S. Army sergeant John Kinley, who returns to Afghanistan in an effort to rescue an interpreter named Ahmed (Dar Salim) from the Taliban. The two men became close years earlier when Ahmed served as John’s interpreter during the height of the War in Agahnistan. Ahmed saved John’s live during the war, so John sets out on a mission to do the same. Suffice to say, guns and shootouts are a plenty in the film.

Exhibition cries for a supply of films at the box office, but a flood of titles means nothing if there isn’t any marketing money put behind it. Last weekend there were five wide releases going up against Illumination/Universal’s beast Super Mario Bros Movie. Did it even make a difference? Was a proper amount spent to get audiences in seats? Or did the studios cut their losses and only pony up so much to promote them?

Rebecca Rubin Film and Media Reporter “The Super Mario Bros. Movie” will rule again in its third weekend at the box office. In maintaining the No. 1 spot in North America, the family film is expected to take down two newcomers, the supernatural horror sequel “Evil Dead Rise” and action-war thriller “Guy Ritchie’s the Covenant,” as well as A24’s mind-bender “Beau Is Afraid,” which is expanding nationwide. Universal and Illumination’s animated “Mario” adventure has grossed $366.3 million domestically to date. In the next few days, it will surpass “Minions: The Rise of Gru” ($369 million) as the highest-grossing animated film of the pandemic era. With $724 million globally, it already stands as the biggest movie of the year so far. Now in its third outing at the domestic box office, “Mario” is looking to bring in roughly $45 to $50 million, a massive result at this point in its theatrical run.

Owen Gleiberman Chief Film Critic Last month, to my great surprise, I raved about a Guy Ritchie movie, “Operation Fortune: Ruse de guerre,” as an exhilarating exception to the rule of Ritchie’s style-over-substance, more-frosting-than-cake school of crime-thriller grandiloquence. The film bombed, and more critics than not disagreed with me. But I stand by my assessment of “Operation Fortune” as a diabolically entertaining screwball action-espionage caper. If you want to talk about exceptions to the rule, though, that movie has nothing on the new Guy Ritchie film, which is called (wait for it) “Guy Ritchie’s The Covenant.” Ritchie’s name was reportedly added to the title because there is already a film in existence called “The Covenant.” But that sounds like an awfully thin reason to suddenly convert Ritchie into a marquee legend, and, in fact, there’s a better reason. Against all odds, he has become one of the best directors working. “The Covenant” isn’t another Ritchie underworld caper. It’s an Afghanistan war drama, and if you’re wondering whether he has made a combat film in some version of the Ritchie style (jazzy violence, fast-break comic-strip dialogue, needle drops), the answer is no. He has put his confectionary flamboyance on hold. “The Covenant” unveils something new: Ritchie the contempo classicist. We’re seeing a born-again filmmaker.

After passing $500M globally through Thursday, Illumination/Nintendo/Universal’s The Super Mario Bros Movie is now on its way to an estimated $659M through Sunday worldwide. Of that, the international box office is estimated to rep $318.6M. 

J. Kim Murphy Mamma mia! “The Super Mario Bros. Movie” is staying on top at the domestic box office. The Universal release added a commanding $22.6 million on Friday from 4,371 theaters. After achieving the biggest opening weekend of the year, “Mario Bros.” actually added 28 more locations in its sophomore outing. The Universal, Illumination and Nintendo co-production is now projecting an $80 million gross for the three-day frame, which would mark an impressive 45% drop from its $146 million opening weekend. e. On Friday, “Super Mario Bros.” crossed the $500 million mark globally. The film is now the highest-grossing release of 2023 so far and the biggest video game adaptation in history.