‘Barbie’ Delivers Warner Bros.’ Biggest Monday Box Office Ever, Beats ‘The Dark Knight’

according to IMDB’s Box Office Mojo.This week, it surpassed the $500 million mark, making its director Greta Gerwig the highest earning female director ever at the domestic box office, beating the record held by “Frozen II‘s” Jennifer Lee.The movie is so popular that searches for the baby name “Barbie” have increased by a staggering 603% since April, when its trailer was released.“Oppenheimer,” which was in fourth place last week, moved back up to the No. 2 spot with $5.1 million in sales.This week, the Christopher Nolan filmbecame the highest grossing ever at Hollywood’s TCL Chinese Theatre in the location’s 97-year history, according to Deadline.

Michaela Zee “The Last Voyage of the Demeter,” a new period horror film set aboard a merchant ship, is capsizing in its debut at the domestic box office amid the ongoing success of “Barbie” and “Oppenheimer.” The Universal release — the studio’s second stab this year at a Dracula film after the action-comedy “Renfield” bombed in the spring — is facing some choppy waters after earning $2.62 million on its opening day from 2,715 locations, a figure that includes $750,000 in Thursday previews. “The Last Voyage of the Demeter” is projecting a fifth-place debut and a mere $6.5 million gross for its three-day opening weekend. Nothing really says the summer blockbuster season is winding down like an anachronistic genre picture meeting a swift end in its debut.

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Naman Ramachandran Warner Bros.’ “Barbie” and Universal’s “Oppenheimer” continued their domination of the U.K. and Ireland box office with a combined £21.4 million ($27.3 million) after their second weekend, per numbers from Comscore. Greta Gerwig’s “Barbie” topped the charts for the second week in a row with £13.2 million, and now has a total of £47.9 million.

After a blowout debut weekend, Barbenheimer showed strong continued momentum at the international box office on Monday. Warner Bros’ Barbie for its part had the best Monday ever for the studio overseas at $32M from 69 markets (it also scored the studio’s best Monday domestically). The running offshore total through yesterday is $226.3M, bringing the global Kenergy to $414.4M.

Mattel is renewed its licensing agreement with Warner Bros. Discovery Global Consumer Products, continuing as the studio’s toy licensee in preschool, plush, dolls, vehicles, games, and novelty toy categories.

Rebecca Rubin Film and Media Reporter Come on, Barbie, let’s go make (more) box office history. Greta Gerwig’s plastic, fantastic “Barbie” added $26 million on Monday, resulting in the best Monday gross in Warner Bros. history.

Clayton Davis Senior Awards Editor “Barbie” is a box office smash, along with its acclaim from critics and audiences alike. If you follow the social media chatter and the general feeling from most pundits, it could be a viable awards contender for Warner Bros. One category being debated is where the screenplay by Greta Gerwig and Noah Baumbach would be able to compete — whether in original or adapted screenplay. The answer lies in how the WGA classifies it and whether the Academy could or would overrule that choice. Variety confirms there are ongoing conversations with strategists and Warner Bros regarding where “Barbie” would compete at next year’s ceremony. On the title cards, it reads “Based on ‘Barbie’ by Mattel,” which is, of course, a toy company. At the same time, there have been multiple CGI films and TV series featuring the fashion doll since its debut in the late 1980s (42 to be precise). This would point to an “adapted” run. However, take the case of Pixar’s inaugural feature “Toy Story” (1995), which picked up an original screenplay nom (Joss Whedon, Andrew Stanton, Joel Cohen, Alec Sokolow, John Lasseter, Pete Docter, Joe Ranft). In that case, it offers a pathway for original. The CGI classic features characters such as Mr. Potato Head, a Hasbro product, and other toys such as Etch A Sketch, Magic 8 Ball and even parts of Barbie herself. Part of the Mutant Toys, which are creations of Andy’s sadistic kid neighbor Sid, he has one called “Legs” — which are a pair of Barbie doll legs attached to a green toy fishing rod.

Barbie was more than it actually cost to make the film itself, it has been reported.Greta Gerwig‘s film, starring Margot Robbie and Ryan Gosling, came to cinemas on Friday (July 21).Ahead of its box office opening, the film hosted a host of marketing activities from making a real-life Barbie dreamhouse to pink burgers and beyond, as well as a social media-led meme trend pitting the film against Christopher Nolan‘s Oppenheimer.Now, it has been reported by Variety that the marketing budget for the film was a staggering $150million (£117m), eclipsing the $145m (£113m) it cost to actually make the film itself.Barbie is currently set to outpace Oppenheimer at the box office over the two films’ shared opening weekend.As things stand, Gerwig’s comedy is set to bring in $110million (£86.6million) at the US box office this weekend, over twice the expected takings of Nolan’s biopic about the creator of the atomic bomb. Oppenheimer is expected to gross $50million (£38.8million).Barbie’s current takings mean it will break the record for the highest-opening film in the US by a female director. Wonder Woman previously held the title, bringing in £103million (£89.1million) in 2017.Warner Bros confirmed that Barbie had earned $22.3million (£17.3million) in box office previews – the highest figure of any film this year.

The Barbie movie is finally out and is making a major impact not just at the box office, but with fans too!

Rebecca Rubin Film and Media Reporter Unless you’ve been trapped in a plastic toy box, there’s no escaping the Barbie-core movement that’s sweeping the globe — and potentially contributing a nationwide shortage of the color pink. The marketing department at Warner Bros. has been working in overdrive to entice the masses for Greta Gerwig’s cotton candy-colored fantasy “Barbie,” which has been all but inescapable this summer. A key factor has been a dizzying array of partnerships with products that range from a bright fuchsia Xbox (for STEM Barbie) to this $1,350 Balmain cropped hoodie (for Disposable Income Barbie). And that’s only scratching the surface of the brands that helped propel the movie to cultural touchstone status before arriving in theaters on July 21. In Malibu, there’s a real-life Barbie Dreamhouse that’s bookable through Airbnb. There’s also a themed boat cruise that’s setting sail in the Boston area.

, Greta Gerwig's movie exceeded box-office expectations and outsold Christopher Nolan's . The trade publication projects that Barbie opened with $155 million — and is one of the biggest opening weekends of the year. With the global numbers, — starring Margot Robbie and Ryan Gosling — capped out at $337 million. It wasn't a bad weekend for Nolan's historic drama, starring Emily Blunt, Matt Damon and Cillian Murphy.

Barbie‘s historic opening weekend at the box office proves we’re all living in Barbieland.

Christian Bale‘s performance as Batman in Christopher Nolan‘s Dark Knight trilogy is critically acclaimed.

J. Kim Murphy Greta Gerwig’s hot pink fantasia “Barbie” and Christopher Nolan’s intricately bleak historical drama “Oppenheimer” are both putting up box office openings to remember. In a summer movie season that has largely failed to keep spirits up, two bona fide blockbusters are showing that everyone can be a winner. But the more winning winner between the two — the number one movie in North America — is Warner Bros. Discovery’s “Barbie.” After scoring $22.2 million on Thursday, the highest preview ticket sales of the year, the big screen bonanza about Mattel’s ubiquitous doll kept the superlatives going on Friday, adding another $48.2 million from 4,243 theaters. That’s a $70.5 million total — the biggest opening day of the year, blasting past the $51.8 million earned by “Spider-Man: Across the Spider-Verse” in June.

In the battle of Barbenheimer, only one major motion picture can rule the double feature — and she’s dazzling in pretty pink plastic.Greta Gerwig’s “Barbie” raked in $22.3 million at the box office in previews, compared to $10.5 million garnered by “Oppenheimer” ahead of the films’ official debut on Friday, Variety reports.Despite Gerwig’s fears that the hyper-feminine flick would end her career, “Barbie” has turned into a summer smash.At the box office, the film out-performed the former record-holder “Guardians of the Galaxy Vol. 3,” which earned $17.5 million in previews in May.The Post has reached out to representatives for Gerwig, 39, for comment.“Barbie” is expected to reach $100 million at the box office in its opening weekend, while Christopher Nolan’s “Oppenheimer” is only anticipated to haul half of that, an estimated $50 million, per Variety.Eager audiences have long planned to view both back to back for a whopping five hours of screen time.

Greta Gerwig is opening up about her experience with Barbie and beyond.

The studios are putting on a united front when it comes to the striking scribes and actors, but Warner Bros Discovery and Paramount Global dust-up over who really has the streaming rights to Eric Cartman and the South Park gang shows no signs of settling down.

Molly-Mae Hague didn't hold back when it came to her latest public appearance as she put on a dazzling display at the UK's star-studded Barbie premiere. The European premiere of the new movie starring Margot Robbie and Ryan Gosling took place on Wednesday night (July 12).