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died of an accidental overdose last July. He was 25.His “Freaky Tales” co-star Jay Ellis took the stage of the Eccles Theater after the debut screening and recalled filming the finale fight scene with him.“My first day, as we went to go do the work at the house, I got to meet Pedro [Pascal], I got to meet Ben Mendelsohn and I got to meet Angus Cloud,” the actor said onstage, flanked by Pascal and Mendelsohn.“Rest in peace to Angus,” added Ellis, who plays Golden State Warrior Sleepy Floyd.

Directing team Ryan Fleck and Anna Boden (“Captain Marvel”) have been tapped to bring their quirky expertise to Amazon’s new streaming series “Criminal” by helming the first four episodes. This exciting collaboration, first reported by Deadline, promises to deliver a thrilling adaptation of the acclaimed comic book series.

Zack Sharf Digital News Director SPOILER ALERT: This story hints at a major cameo in the Sundance Film Festival premiere “Freaky Tales,” which debuted on opening night. Ryan Fleck and Anna Boden’s electrified the opening night of the 2024 Sundance Film Festival with “Freaky Tales,” a genre-driven anthology movie that tells four interconnected stories in 1987 Oakland, California. The movie is a return to indie filmmaking for Fleck and Boden, who made a name for themselves as the directors of indie hits like “Half Nelson” before they jumped into the Marvel Cinematic Universe with “Captain Marvel.” “It was great to come back to the indie film world in a lot of ways,” Boden said at the Variety Studio presented by Audible.

“These are the tales, the freaky tales,” repeatedly intones Oakland rap legend Too $hort over the interstitials of writer and directors Ryan Fleck and Anna Boden’s “Freaky Tales.” This Bay Area anthology film takes its title from the over nine-minute song, which is itself an extended chronicle of prominent personalities the rapper encounters. While the directing duo occasionally approximates something wild in their headrush of 1987 nostalgia, they do not earn the second line of the rap.

Peter Debruge Chief Film Critic Taking a one-for-us victory lap after one-for-them studio smash “Captain Marvel,” indie duo Ryan Fleck and Anna Boden blow a big, self-indulgent kiss to the late-’80s East Bay with “Freaky Tales.” Berkeley-born Fleck was all of 10 years old in early 1987, when this nostalgia-fueled anthology film is set, which explains the wide-eyed way he romanticizes the defining subcultures of the time (with Boden presumably doing her best to broaden the film’s incredibly specific, “you had to be there“ appeal). In four distinct but intertwining chapters — populated mostly with fresh faces, plus grizzled-but-gorgeous Pedro Pascal — “Freaky Tales” melds wildly different sectors of the city: There’s the rowdy-yet-respectful Gilman Street punk crowd; the revolutionary Oakland hip-hop scene (including Too $hort, whose raunchy rap anthem gives the film its name); the Warriors’ historic victory over the Lakers, in which local basketball legend Eric “Sleepy” Jones scored a record-setting 29 points in the fourth quarter; and a disturbing spike in neo-Nazi-linked hate crimes, which strangely serves to tie everything else together.

Sundance soaked up the sun on Thursday’s opening day. With plenty of powder to lend an idyllic backdrop to selfies and social media updates, the festival crowd was buzzing in line for the day’s largest film opening: “Freaky Tales,” taking the coveted early evening spot at the Eccles Center.

Sundance revved up with the premiere of Freaky Tales tonight, a debut met with rousing applause, including at the film’s last title card that read, “In loving memory of Angus Cloud.”

Oakland’s freaky side emerges in Anna Boden and Ryan Fleck’s ambitious yet tonally uneven new anthology film Freaky Tales starring Pedro Pascal, Jay Ellis, Ben Medelsohn, Jack Champion, Ji-Young Yoo, Normani, Dominique Thorne, Too $hort’s, and Lenny G. The directors spotlight diverse local subcultures against the backdrop of Too $hort’s hit of the same name. The film intertwines four tales linked by unfolding events and a puzzling supernatural emerald glow permeating the city. Though the gritty visuals and soundtrack immerse in the look and feel of 1987 Oakland, the narrative struggles to weave these stories into a satisfying whole.

Normani and Dominique Thorne are all smiles while stepping out for the premiere of their new movie Freaky Tales held at Eccles Theatre on Thursday (January 18) in Park City, Utah.

EXCLUSIVE: The MACRO Lodge at Sundance Film Festival (www.StayMACRO.com), hosted by MACRO Founder & CEO Charles D. King (Mudbound, Judas and the Black Messiah) and his wife Stacey Walker King, Chief Brand Officer of the company, returns to the Sundance Film Festival for its seventh annual showcase of panels and parties at the iconic film festival to champion inclusion and people of color at its prime location at 136 Heber Avenue in Park City, UT with three days of programming. 

Sundance is celebrating its 40th Anniversary next month and the festival has revealed more programming to highlight its cinematic legacy. Topping the list of events are new 4K restorations of “Napoleon Dynamite,” “Go Fish,” “Three Seasons,” and an extended version of “DIG!,” with over 30 minutes of new footage, retitled “DIG!XX.” Additionally, there will be screenings of “The Babadook,” and “Pariah” as well as restorations of “Mississippi Masala” and “The Times of Harvey Milk.” READ MORE: Sundance 2024: New works from Steven Sodergh, Debra Granik, Anna Boden and Ryan Fleck and more Alumni always have a home to return to in Park City and 2024 will be no exception.

EXCLUSIVE: Teton Ridge Entertainment has hired Jen Gorton as EVP Production and Development.

Peter Debruge Chief Film Critic Up, up and away! The Sundance Film Festival has announced the lineup for its 40th edition, which will take place in Park City, Utah, from Jan. 18–28, with the online component starting Jan.

The Sundance Film Festival is celebrating its 40th anniversary in January and it’s no surprise that some legendary Park City filmmakers are returning with new films for the 2024 edition. Among the alumni are Steven Soderbergh, whose landmark film “Sex, Lies and Videotape” debuted at the 1989 fest; Debra Granik, whose Best Picture nominated “Winter’s Bone” won the Grand Jury Dramatic prize at the 2010 festival; and Anna Boden and Ryan Fleck, who will premiere their fourth movie at Sundance following 2006’s “Half Nelson,” 2008’s “Sugar” and 2015’s “Mississippi Grind.” READ MORE: “American Fiction,” “May December,” and “Past Lives” Top 2024 Film Independent Spirit Awards Soderbergh’s latest effort is “Presence,” starring Lucy Liu, Chris Sullivan, and Julia Fox.

Masters Of The Air starring Austin Butler and Barry Keoghan has arrived – check it out below.The upcoming nine-part limited series is the follow-up to Band Of Brothers and The Pacific, and is set to debut worldwide with the first two episodes on January 26, 2023 via Apple TV+.The high-production drama reunites Steven Spielberg, Tom Hanks and Gary Goetzman, who produced 2001 miniseries Band Of Brothers and 2010’s The Pacific. Masters Of The Air is written by John Orloff, while episode directors include Cary Joji Fukunaga (No Time To Die), duo Anna Boden and Ryan Fleck (Half Nelson), Dee Rees (Mudbound) and Tim Van Patten (Black Mirror).The series follows the true story – based on Donald L.

Masters Of The Air, the follow-up series to Band Of Brothers and The Pacific, has received a release date and first look images – check them out below.The first two episodes of the upcoming war drama will debut worldwide on Friday, January 26 next year on Apple TV+, with the following seven episodes released weekly through to March 15, 2024.The series reunites Steven Spielberg, Tom Hanks and Gary Goetzman, who together produced Band Of Brothers and 2010’s The Pacific. The show is written by John Orloff, while directors attached include Cary Joji Fukunaga (No Time To Die), duo Anna Boden and Ryan Fleck (Half Nelson), Dee Rees (Mudbound) and Tim Van Patten (Black Mirror).Masters Of The Air follows the true story of the American men of the 100th bomb group as they conduct bombing raids over Nazi Germany in World War II.

EXCLUSIVE: Jillian Share, who was recently eOne‘s President of Film Production, has been named President of Teton Ridge Entertainment, a new Los Angeles-based independent studio.

EXCLUSIVE: United Talent Agency has signed actor Jack Champion for representation in all areas, Deadline can exclusively reveal.

Your Lucky Day, the horror thriller featuring one of the final performances of Euphoria breakout Angus Cloud, has secured a SAG-AFTRA Interim Agreement for publicity ahead of its Fantastic Fest premiere, Deadline has learned.

Barbie‘s dream house full of box office keeps getting stuffed with cash with the Greta Gerwig-directed Mattel doll adaptation becoming the highest grossing Warner Bros. movie ever in the studio’s 100 year history at the domestic box office with $537.4M, unseating previous champ, Christopher Nolan’s The Dark Knight which made $534.9M back in 2008.

As Barbie breaks the box office, grossing over $1 billion globally, director Greta Gerwig has made history as the first solo female director to reach this impressive feat. Only 53 films have hit the billion-dollar category, with Barbie joining the likes of Titanic, Jurassic Park, and Avatar.The only other female-directed films on this list are Frozen, Frozen 2, and Captain Marvel.

Greta Gerwig should be feeling closer to fine these days. In just three weeks in theaters, “Barbie” is set to sail past $1 billion in global ticket sales, breaking a record for female directors that was previously held by Patty Jenkins, who helmed “Wonder Woman.”“Barbie,” which Gerwig directed and co-wrote, added another $53 million from 4,178 North American locations this weekend according to studio estimates on Sunday.

This Barbie is a billionaire! Greta Gerwig‘s doll comedy starring Margot Robbie has officially earned over $1 billion at the box office.

Angus Cloud died this Monday, rocking the entertainment industry. Cloud was 25 years old and was primarily known for his work in the hit show “Euphoria,” alongside a cast of young stars like Zendaya and Sydney Sweeney. He passed away with various projects in development, including one alongside Pedro Pascal.

“Barbie” continues to heat up the box office after a blockbuster opening weekend that soared far beyond initial predictions.

Rebecca Rubin Film and Media Reporter “Barbenheimer” keeps on growing. Greta Gerwig’s very pink fantasy-comedy “Barbie” and Christopher Nolan’s extremely dark historical drama “Oppenheimer” powered to bigger opening weekends than originally reported. “Barbie” ended up with $164 million in its first weekend of release, above Sunday’s already record-breaking estimate of $155 million. Those ticket sales rank as the biggest opening weekend of the year — besting “The Super Mario Bros. Movie” ($146 million). It also stands as the biggest debut ever for a film directed by a woman, overtaking Anna Boden and Ryan Fleck’s 2019 blockbuster “Captain Marvel” ($153 million).

Barbie‘s historic opening weekend at the box office proves we’re all living in Barbieland.

The runaway box office success of “Barbie” has set a new record that finds director Greta Gerwig making Hollywood history.

One of the prime records Barbie is breaking this weekend is the best domestic start for a movie helmed by a female director with $155M. That figure beats that of 2019’s Captain Marvel which was co-helmed by Anna Boden and had a $153M start.

J. Kim Murphy Greta Gerwig’s hot pink fantasia “Barbie” and Christopher Nolan’s intricately bleak historical drama “Oppenheimer” are both putting up box office openings to remember. In a summer movie season that has largely failed to keep spirits up, two bona fide blockbusters are showing that everyone can be a winner. But the more winning winner between the two — the number one movie in North America — is Warner Bros. Discovery’s “Barbie.” After scoring $22.2 million on Thursday, the highest preview ticket sales of the year, the big screen bonanza about Mattel’s ubiquitous doll kept the superlatives going on Friday, adding another $48.2 million from 4,243 theaters. That’s a $70.5 million total — the biggest opening day of the year, blasting past the $51.8 million earned by “Spider-Man: Across the Spider-Verse” in June.

earlier this year after intense bidding war.The project is from writer/director Zach Cregger, who will also produce alongside his “Barbarian” producing team: Roy Lee of Vertigo and J.D. Lifshitz and Raphael Margules of BoulderLight Pictures.

Pedro Pascal will star in New Line’s Weapons from the filmmakers behind 2022’s critically acclaimed breakout hit Barbarian.

EXCLUSIVE: Euphoria‘s Angus Cloud has signed with UTA.

Director Ryan Fleck and Anna Boden made a splash when Marvel Studios hired them to helm “Captain Marvel,” the first MCU film to boast a major female superhero in the lead role. While Fleck and Boden won’t return for “The Marvels,” it looks the duo’s next project will be much more grounded.

EXCLUSIVE: The new film from Captain Marvel helmers Ryan Fleck and Anna Boden has set an all-star cast for their eOne and Macro co-produced pic Freaky Tales as Pedro Pascal, Ben Mendelsohn and Jay Ellis are set to star. Jack Champion, Angus Cloud, Dominique Thorne and Keir Gilchrist and Michelle Farrah Huang, as well as a collection of notable Oakland natives are also on board.

EXCLUSIVE: Here is a fun project coming together. Deadline is hearing that Captain Marvel writer-directors Anna Boden and Ryan Fleck have come on to write, direct and produce the drama Freaky Tales for eOne and Macro. eOne had no comment on the project. Insiders say Jelani eOne, Johnson and Poppy Hanks will produce on behalf of Macro.